O … is for Observation

O[1] is for observation. If you think back to ‘I’, I wrote about imagery, and there is a strong connection to observation.

What is observation?

We see real scenes in life every day, but seeing those scenes isn’t detailed observation. It is casual observation; a glance, for example.

I believe that true, detailed, observation as a writer is deeper. It is this detail that we must employ in our writing; in our imagery. Now I suppose you’d like an example … well, okay then.

Let’s take a strategic military operation; the observation post, or OP as it’s called, manned by two soldiers.

Why is it called an Observation Post?

It evolves from the fact that the people involved are not just ‘watching casually’, or if you like ‘seeing’ the scene ahead of them. They are observing the scene. To truly observe something – not just ‘see’ it, we must stare, concentrate, and examine it. Let’s continue with the men in the OP.

Example 1. The two men could send a message that they saw; a few tanks and a couple of helicopters, with a whole load of troops standing in nearby woodland. It’s a vague report, but it’s what they saw.

Example 2. The same two men could watch closely, or observe, and then report; six main battle tanks, one light reconnaissance tank , two personnel-carrying helicopters and four attack helicopters, plus a full infantry battalion, battle-ready, in the woods.

Where does this come into writing, and imagery?

Let’s apply a similar strategy to a brief scene. You’re having a coffee and watching the world go by, making notes in your notebook, thinking of your latest story. Right before you, a scene opens up and you want to record it for later. One of the following is written by somebody who simply looks at things, but the other is written by somebody who ‘observes’ closely.

Example 1. Two men crossed the road to the car and jumped in. The vehicle drove off immediately.

Example 2. It was noon, when the two men ran to the red pick-up. Smoke was drifting from the exhaust. When the ski-masks were removed, I noticed one man was dark-haired and bearded, while the other was bald. The vehicle raced out of town towards the east.

Okay, it’s not too exciting, but imagine if it was in a story. Which of those two styles would create interest for you as a reader?

If any one of you suggests Example 1 in either of those two cases above – go back to ‘A’ and start reading again. LOL

Thank you once again for putting up with my way of looking at things. I’ll see you on my blog patrol again later, and then I’ll be going for a ‘P’ … for my next post of course.

 

 

 

 

 

N … is for Notes

N[1] is for notes, notebooks, note taking, and note making. Some of us might prize our imagination, but how good is our … what is that thing … oh yes, our memory.

In my opinion, if you’re a writer it doesn’t matter how good your memory is; you should be taking and making notes.

Is there a difference between taking notes and making notes?

Yes, and I’ll clarify it as best I can before moving on. I know how it might be a distraction when reading this post, and you won’t want to be distracted from reading such an important article. LOL

Taking notes is the way we describe the activity of recording information at a lesson, or seminar; as I did when attending the ‘Self-Publishing Conference’ recently. I have several pages of notes, with headings, sub-headings and bullet points from all four seminars I attended.

Making notes is how I would refer to my everyday activities with my notebook and pen at work, or when out and about with my trusty Moleskine 

If making notes and referring to a publication of any description it is imperative to use quotation marks when extracting a specific phrase.

It doesn’t matter what the book or magazine might be, it’s always advisable to use the simple addition of quotation marks if you have any intention of using it at a later date. If you later use the quote, give credit to the original author and avoid accusations of plagiarism.

There are several trains of thought on this topic, so rather than explore all of them here, I will once again write about what I know; my own methods.

Since stepping down from my management role over a year ago, I still carry a notebook when in my retail assistant role. It’s not a requirement, but I’ve carried one for years. The difference now is, that instead of being for work, it is mainly for when an idea comes to mind.

I only work three days a week in retail, so whenever I’m out and about on the other days, I carry a pocket-sized Moleskine notebook. I might find myself making a note of a person’s description, a phrase I’ve overheard, or the description of a location I’m in.

My favourite notes are those made when I’m enjoying a tea or coffee while out. It doesn’t matter if I’m taking a break from a shopping trip, or I’m on holiday; my notebook is used often. Sometimes I might write down title ideas for a short story I’m working on, or possible character names. A favourite habit is to write a passage for my current project.

Somehow, sitting in a restaurant, or small café lends itself to writing a scene, or a few lines of dialogue. In the last two years the habit has served me well. When other couples or individuals sit with their coffee in front of them, they pull out their phone to check emails, or social networks. I pull out my Moleskine and write for a while.

I might be with my wife on a day out, or even on my own, but I’m comfortable with the idea in either case. My wife isn’t bothered, because she is one of the smartphone brigade. As soon as the coffee cups are on the table; she’s surfing for the Wi-Fi signal. My notebook and pen come out; and for a while we get on with our own thing.

I’ve never got into the habit of the notebook on the bedside table, probably because I wouldn’t stop at a few words.

How do you deal with the idea of notes?

Please feel free to share in your comment. You know you want to …

I’ve got a blog patrol to be getting on with, and then I’ll be working on my ‘O’ post for tomorrow.

As always, thank you for reading and sharing your views.