* Non-fiction books to read that relate to the subject matter of my new story.

Tour guide used to double-check statistics for - Amsterdam Calling
Tour guide used to double-check statistics for – Amsterdam Calling

* Non-fiction DVD to study that relates to the subject matter or the characters.

* Zodiac signs book. It’s a useful tool for ideas on characteristics, personal likes, dislikes – and of course star-signs and birthdays.

* Baby names book. Apart from names, it also gives a range of nationalities.

* The Yellow Pages phone book is good for both names and trades/professions.

* Body Language book. Say no more, wink, wink, nudge, nudge, fingers crossed.

* An atlas, and regional maps.

* Fashion Catalogue. I’m not great at putting together women’s outfits, so it helps me.

* Websites that I might bookmark as a temporary measure.

* I’m always aware of the ‘chewing gum on the mantle-piece’. This is where the writer makes a mention of something, (like the aforementioned chewing gum), but it serves no purpose in the story, and is only mentioned in one scene.
It could be a person, a vehicle, animal, anything.
If it doesn’t serve a purpose – I leave it out, or if I’ve put it in already, I get rid of it.

* Page Numbers from the outset. They work in my favour in two ways:
As a navigational aid when editing on screen.
As a navigational aid when I’ve printed a manuscript for editing.
Page numbers can be removed in the final stages of editing.

* My perpetual diary. I use it to define any date with the correct weekday.

* I’ve found http://www.history.orb is a great site for checking out information.

* I consider writing the beginning and end, then work on the middle.
That helps me to focus on the storytelling. Once the main story is underway the beginning and/or the end might even change.

* I always signpost changes of scene. I use an asterisk in the centre between paragraphs.
I’ve tried blank lines and I’ve found the most efficient method is a single asterisk between scenes and then three asterisks to end a chapter, plus a page break.

* If I intend to use a location in a reflection by a character, I double-check its situation/condition at the time.

For example:
1. I have had to alter a date, because a meeting place I used was closed for refurbishment when the two characters would have met there.
2. On another occasion I had to amend the imagery, because a monument had been dismantled and moved – four years before my characters arrived on the original site.

* I try to keep the ‘ly’ ending words to an absolute minimum.

Lovely, decidedly, particularly, heavenly, insidiously, beautifully, etc.


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