A Life of Choice—Reborn

Click the graphic for my author website

I can say with confidence that I will never apply as much effort to any other writing task as I have to ‘A Life of Choice’.

It was 49 years ago this week when I left home to start basic training with the British Army. My military career ended in 1992, after 23 years, and it was a couple of years later when I gathered information towards writing about that career as military memoirs. It would take many years before I’d gained sufficient writing knowledge and skill to produce an entertaining tale.

I tried the fact-based route first, both in the first-person point of view and in third-person. The end product was massive and carried far too much detail—it went into ‘storage’.

When I’d successfully written and published thrillers, romance, short stories and poetry, I turned once again to my magnum opus. I toyed with fact or fiction, and viewpoint. My choice was fact-based fiction, written in the first-person point of view.

By 2016 the first of five parts was published and was well-received. As each part went out, the reviews continued to be positive, so I sidelined my other writing projects. I still tried to read, review and help my peers with their projects. Apart from public reviews on my new series, I started receiving private messages via my author website—mainly from ex-soldiers (male and female), who wanted to pass on their gratitude for the accuracy and humour. Most of these guys were not comfortable writing public reviews.

My only concern was that many serving and ex-service personnel were not e-reader users and I have regularly received requests for a paperback version.

Five paperbacks would have been easy to produce, and would also be simple to ‘match’ on websites or outlets. Marketed as five paperbacks, the series would have been expensive to buy, so I set myself a series of tasks.

1. Perform a complete rewrite to tighten dialogue and deal with minor amendments.

2. Break the story to balance the chapters and create a consistent ‘volume’ for each of the five parts.

3. Select the appropriate places to break the story to make a paperback version as a trilogy edition.

4. Rewrite all blurbs for the five eBooks, and three fresh blurbs for the paperback trilogy.

5. Compose a disclaimer which could be used with internet marketing blurbs and within the books regarding the different editions having the same content overall.

6. Select excerpts from reviews to use on the back covers of the trilogy.

7. Build a catalogue of information to educate my book cover designer regarding the ideal graphics solutions. This was difficult because anything available now in photographic evidence is very different to the equipment I would have known in the ’70’s, ’80’s, and early ’90’s. We persevered, and the trilogy covers feature equipments which were landmarks in my story.

As I’ve done for my novels, I hired the talents of Aimee Coveney of AuthorDesignStudio–a designer who works tirelessly until the solution meets customer satisfaction.

 8. Organise the sequence of publishing—all five amended eBooks and the trilogy, only when I had the bespoke covers for the trilogy.

9. Create graphics to market the two editions separately and together.

10. Prepare my author website and this blog for when the new trilogy went public.

 

I commenced this renewed labour of love in June 2018. Once again, apart from helping other writers on individual projects, and managing a major task for the Indie Author Support and Discussion group—most of my efforts went on the conversion process.

How did I relax when it was getting intense?

Several times I pulled out one of my erotica projects—as difficult to write as any other genre, but light relief in terms of content. Occasionally I’d draw, paint, or read, but not as often as I wanted because I felt a sense of guilt for not ‘working’.

In mid-October, I completed the conversion of five eBooks into three paperbacks. It was around 7th November, when I completed the final formatting sequence for the revised eBook versions … and then I had another coffee.

The pricing of the paperback trilogy is more than I’d have wanted, but I reconcile my concerns knowing that each book is around 570 pages. It was vitally important that nothing was removed from the story. 

Useful Links:

My Author Website

Amazon UK – for the paperbacks

A Life of Choice: Part One – The Trilogy Edition

A Life of Choice: Part Two – The Trilogy Edition

A Life of Choice: Part Three – The Trilogy Edition

BookLinker-Universal – for the paperbacks

A Life of Choice: Part One – The Trilogy Edition

A Life of Choice: Part Two – The Trilogy Edition

A Life of Choice: Part Three – The Trilogy Edition

*

Who might find an excerpt from their reviews on the back cover of my paperback trilogy?

Apart from review excerpts by a selection of ex-Royal Signals personnel, and an ex-Army wife, I opted for snippets from fellow authors, namely: Frank Parker, Barbara Fagan Speake, Paul A Ruddock, John MW Smith, and Paul Rees—notably, all fellow members of the IASD.

Thank you for taking an interest, and passing a few minutes with me.

***

Advertisements

Why Write?

A considered piece by Paul Ruddock; fellow veteran, friend, and founder of the Indie Author Support and Discussion group.

rudders' writing

Depositphotos_2488689_original typewriter3

Well, what to say here? This is an article I wrote back in 1995 for no other reason than that it was the very first piece of writing I ever had published (3rd prize in a competition for which I was awarded the princely sum of £20). I’ve tidied it up a bit since then, but the text essentially remains the same 

***

                             Why Write?                                                         

Typewriter2

Why Write? An interesting question you might agree, but one with a multitude of answers. The same question could well be asked of those who follow other creative pursuits. What compelled Van Gogh or Gaugin to paint, despite their sufferings…

View original post 1,157 more words

Rhyme & REASON – Now Available

 

The importance of the work in this collection could easily be overlooked, but I’ll say why later in the post. For now, I will tell you that most of the contents have never been published outside of a poetry site.

My first efforts at creative writing (where it would be seen), were with poetry in 2007. It took a few individual pieces to get the hang of it and then I felt the need to take things a stage further—the serial poem, or as some call it, ‘story’ poem.

Again, my early efforts were relatively short, at perhaps a series of two, three, or four poems, but I always aimed to have a logical introduction and a satisfactory ending. The stories got longer and the plots more intricate and in a short time, I was recognised as the ‘serial’ poet on the website. The acclaim I received must have gone to my head because the serial poems got longer.

Why do I suggest that the work in this collection is important?

Honey, my New York detective was born and raised in a poem series. Yes, the main character in the novel A Taste of Honey. The story may not be the same, but the idea and the general background supplied the idea of a young woman capable of deadly vengeance.

Anybody who has read my Beyond the Law trilogy will be acquainted with Hawk, the codename for the main character. The Hawk was an individual poem, but it was so well received I had to go on—for twenty-six poems.

Many of my short stories started life as a simple poem, long before they evolved into detailed stories within an anthology. Pawnee Express, and Anne: Illegal Alien both come to mind.

As I do with all of my writing, I aim to entertain, but with my poetry, I work hard to demonstrate that anybody can write poetry and on any topic. Many of the poems in this collection were written to meet a poetry challenge, like tackling a certain subject, and this to me was a crucial lesson–you don’t know until you try.

What can you expect to find in this anthology?

Romans, Cowboys and Indian, Medieval England, Fantasy, Terrorism, Thriller, Military, Sci-Fi and more. For those who’ve never read my poetry, I’ve included a selection of work from my genre-based poetry anthologies.

I know, I know—I’m holding you back from downloading the book.

If you’re curious, I’ve added three samples to the Rhyme & Reason sub-menu on this blog.

Amazon Preview/Buy

BookLinker – Universal

Thank you for reading.

The Dandelion Clock

 

This superb tale by Rebecca Bryn takes the reader beyond the Earl Haig Fund, and the sale of poppies and badges—it truly highlights some reasons for Remembrance.

ABF The Soldiers’ Charity is one of two good causes receiving the royalties from sales.

Story Description by Rebecca Bryn

Click graphic for details

The Dandelion Clock is a story of young lovers torn apart by war. While Bill fights in Gallipoli, Egypt, and Palestine and endures the hardships and tragedies of war with his beloved horse, Copper, Florrie fights her own war at home in England and dreams of marriage to Bill.

Florrie’s widowed father is an abusive and violent drunkard, and she is bringing up her six siblings as best she can with rationing, poverty, and the loss of her menfolk – a mirror of my grandmother’s young life.

In times of self-doubt, Florrie turns to her dandelion clocks, ‘He lives; he lives not – he loves me; he loves me not.’ Can Bill survive to keep his promise to Florrie to marry her, and can he bring his old warhorse home safe? Will Bill and Florrie’s love survive five years apart?

 

The Inspiration for this story, by Rebecca Bryn – the author

The Dandelion Clock was inspired by some old photos I found when moving house. My grandparents, Bill and Florrie were a huge influence on my young life and the photos brought back both happy and sad memories. Here was Grandad mounted on his beloved horse—a horse that took him to Egypt and Palestine during the First World War and carried him into battle. His love of horses was something I inherited and which dominated my life for many years, so it was natural, when I began to tell Bill’s story, that his horse would play as important a part as his sweetheart, Florrie.

Researching and writing The Dandelion Clock opened my eyes to the sacrifices my grandparents and those of their generation made. It opened my eyes to the suffering and the hardships endured by both man and horse in the scorching heat of a waterless desert, and the freezing snow of Gallipoli.

The author’s grandfather

“I marched with the Royal Buckinghamshire Hussars across the salt flat before Chocolate Hill with no cover and Turkish guns on the hills around them picking them off like shooting fish in a barrel. I watched men and horses die of heat exhaustion in the Sinai Desert and learnt to stab, twist, and pull a bayonet. I watched the light go out of the eyes of men I had no cause to hate for a war I didn’t understand, and I came home to a country I barely recognised with wounded men begging on the streets, poverty, and few jobs, and wondered what I’d fought for.”

War changes people, as it changed my grandfather. The effects are far-reaching, far beyond the 40,000,000 casualties, of whom 20,000,000 of these died, and 11,000,000 of the dead were civilians. That leaves some 9,000,000 military deaths – young men, some volunteers but mostly conscripted who downed tools and marched to war never to return. The Dandelion Clock seeks to honour the men and horses of the Great War and the women who waited at home ‘keeping the home fires burning’ through rationing, poverty, and loss of their menfolk.

Royalties go to two charities:

ABF The Soldiers Charity

I felt the need to honour the courage of the soldiers of The Great War in some more charitable way, so I asked around some ex-military friends and was recommended a charity that supports both serving and veteran soldiers and their families. Half the royalties from pre-orders and sales of The Dandelion Clock up to Remembrance Day Centenary on November 11th 2018 will be donated to ABF The Soldiers Charity, a charity that supports soldiers, military widows, and their families through their darkest times. Their youngest beneficiary is 2-years-old and their oldest 106-years-old. With so many wounded men, some suffering shellshock, and many bereaved families, this is a charity that would have been greatly appreciated in 1918.

A hand up, not a hand out – “In 1944, around 3 million British soldiers were at war, notably in France, Italy and Burma, but with the end in sight, the Army Board realised that the State would not be able to provide for all the needs of those who would soon return to civilian life. The Army Benevolent Fund came into being on 15th August 1944. The “Fund for the Soldier” is, as The Times said, “an object none can question” because the soldier is what it is all about. In its first year, the Charity was ‘pump-primed’ with the huge sum of £1.5m from the NAAFI’s profits, enabling the Charity to make much-needed grants. – ABF The Soldiers’ Charity has a well-established and substantial grants programme of support to charities and organisations that provide lifetime support to soldiers, veterans and their immediate families. We will normally fund up to 100 charities in a given year which deliver support on behalf of the Army and ourselves.”

Brooke

The other half of my royalties will go to Brooke. It wasn’t until I reached the part in my story where I sought a way to bring Bill’s horse, Copper home, that I discovered the horrific end many of the faithful and courageous warhorses suffered. The Brooke is a charity that now rescues horses, mules, and donkeys in some of the poorest parts of the world.

Every horse remembered – “On arrival in Egypt in 1930, Dorothy Brooke was determined to find the surviving ex-warhorses of the British, Australian and American forces. These brave and noble horses were sold into a life of hard labour in Cairo when the conflict ended.

Searching for them throughout Cairo, Dorothy was appalled to find hundreds of emaciated and worn-out animals desperately in need of help. She wrote a letter to the Morning Post (which later became the Daily Telegraph) exposing their plight.

The public were so moved they sent her the equivalent of £20,000 in today’s money to help end the suffering of these once proud horses.

Within three years, Dorothy Brooke had purchased five thousand ex-warhorses. Most were old, exhausted and had to be humanely put down. But thanks to her compassion, they ended their lives peacefully.

Dorothy Brooke knew thousands of hard-working horses, donkeys and mules still suffered so in 1934 she founded the Old War Horse Memorial Hospital in Cairo, with the promise of free veterinary care for all the city’s working horses and donkeys. The Brooke Hospital for Animals was born.”

I also donate money to the United States Holocaust Memorial Museum each year from sales of Touching the Wire – a story of the women of Auschwitz – to honour the victims and survivors of the Holocaust. Go to https://www.ushmm.org to help further Holocaust education.

It feels wrong to make money from the suffering of others, but in relating their stories, I hope to keep their memories alive, and donating is one way I can give something back to charities that would have been close to their hearts.

About the Author

 

Originally from Kettering, in Northamptonshire, Rebecca Bryn lives in West Wales with her husband and dog where she paints the fabulous coastal scenery and writes historical, mystery, and post-apocalyptic tales with a twist. She believes you shouldn’t judge a man until you’ve walked two moons in his moccasins and to date has a 100% success rate at surviving. :

 

 

My personal view of the story

Try if you will, to go without food for a day, or a decent hot drink, or sleep … having worn the same clothes for days on end in a range of temperatures. What could be worse? Place yourself in adverse conditions and introduce a few ground-shaking bombs and an enemy firing at you.

Have you considered the ability to clean and service your rifle and equipment?

How about aiming and firing back at the enemy from a water-filled, muddy trench.

Combine these things with the remorseless ‘duty-bound’ attitude of your leadership—now you have a tiny vision of life in The Great War.

Be rewarded for playing your part

If you’d like to help Rebecca support these charities and get a wonderful book to read, you can pre-order The Dandelion Clock. The eBook is currently available on pre-order at the special price of 99p/99c until September 4th. On release, September 5th it will be priced at £1.99/$2.99.

This book is also available in paperback.

Contact Rebecca Bryn:

Amazon Author Page: http://www.amazon.com/author/rebeccabryn

Bookbub page: – https://www.bookbub.com/authors/rebecca-bryn-5527e97a-146a-49e7-95c7-a30b0f603c80

Goodreads: http://www.goodreads.com/authorshow/8434030.RebeccaBryn

Website: – https://rebeccabrynblog.wordpress.com/

Twitter: http://www.twitter.com/rebeccabryn1

Facebook: http://www.facebook.com/rebecca.bryn.novels

Pinterest: https://uk.pinterest.com/jandrcoulson

Google +: https://plus.google.com/+RebeccaBryn

Youtube Channel: https://www.youtube.com/channel/UCmjL99ImZV_TdNpDaOxiVOw

And : http://www.independentauthornetwork.com/rebecca-bryn

Five into Three

 

A Life of Choice is fact-based fiction, presently available as a five-part novel for Kindle. The story is the most popular title in my catalogue.

If my first attempts at this tale were included, A Life of Choice has been a work in progress for about twenty-two years. On the other hand if we were to treat my military service as research for the story—it goes back to forty-eight years.

Whatever else I published it was always important to me that I completed this project. It was heart-warming to see the first reviews from serving personnel and ex-Service personnel, of course, but to see glowing reviews from readers who’d never donned a military uniform—gratifying.

As with all of my writing, it was never my intention to publish in paperback, but like many things, I’ve decided to change course and take that step.

Why paperback?

– Since the first part was published as an eBook (two years ago), I’ve had requests to produce the story in paperback. There are many people out there who either have difficulty using a digital reader, or simply prefer a physical book.

– It will give me the opportunity to use the paperback version as a gift, or on occasion a ‘prize’ in draws for various military charities.

Do I expect to make a profit from sales of a paperback edition?

No.

– I don’t write to make money, which I like to think is reflected in the price range of my eBooks. My titles are competitively priced or they wouldn’t be treated seriously.

– By the very nature of indie paperback publication the individual books are expensive when compared to availability of the household names in any supermarket or bookstore.

– I’ve created the covers for my eBooks with a few exceptions—those being designed by a professional cover designer.

– This series will have covers created by Aimee Coveney of Author Design Studio.

What’s going on with the ‘Five into Three’?

I produced the story in logical parts to publish as eBooks, but the individual books would not justify the price set by Amazon for paperback versions—in my opinion.

Due to the the process and use of the data provided by the author, the Amazon KDP system requires exact information when relating an eBook to a paperback. I’m taking a risk, but trying to think outside the box.

A temporary cover idea.

– For the paperback version, the series will be broken into three parts. They will still be ‘logical’ parts, but of greater substance than their digital counterparts.

– To ensure the job is done properly I’ve spent many hours selecting where to move chapters from one book to another in order to adjust overall length. This has entailed amending the Preface and the Epilogue in each part.

– As I did with Amsterdam Calling, and Ten Days in Panama, I am underway with a complete revision of the story. The tale will remain the same, the humour or more serious aspects will stay in place, but the writing will be tighter. I will also be adjusting the use of uppercase letters for certain instances.

– Instead of associating the paperbacks directly with the eBooks within the Amazon system, I will sub-title the paperbacks as The Trilogy Edition. I’m in the process of writing appropriate jacket blurbs to highlight that it is the same story but in a different format. This will also forestall any conflict with Amazon and their ‘Matchbook’ process.

Will the updated writing have a detrimental effect on the eBook version?

No.

I will be using the rewritten chapters from within the paperback manuscripts to replace the chapters in the appropriate eBooks. In this way, the writing is updated but the front and back matter of each book remains constant.

How will I prevent issues with the publication of the ‘original’ and ‘updated’ editions of the eBooks?

I will prepare all five eBooks and update them in one session so that they’ll become ‘live’ on the Amazon system within hours of each other.

How will I ensure that ‘The Trilogy Edition’ paperback version is seen to be the same story?

– I will not publish any of the paperback versions until I have all three completed.

– As with the eBook updated versions, I will publish the three paperbacks in a single session, aiming for them to appear within hours. Paperbacks are not purchased as rapidly or frequently as eBooks so there isn’t as much pressure on timing.

A Life of Choice: The Trilogy Edition – Part One is completed.

There you have it, people.

In my next post I’ll report on how things are going with my conversion of five into three, and I’ll explain why my eBook publishing plans for this year have been altered.

As always, I thank all of you who take the time to visit and read my blog.

Mid-year Writing Summary – 2018

 

I believe the greatest pressure applied to an indie author is from within—as should be the case with any self-motivated person. We must have a heartfelt desire to produce work to the best achievable standard. This sets the tone for this post.

Each year, I end with a summary of my writing achievements and near-misses (I try not to class anything as a failure—except my one-time attempt at writing for children). I tend to start the new year with my targets for the year ahead, but it occurred to me to produce a mid-year summary.

This year has already served me with mixed fortunes in my writing.

Codename: Nightshade, a standalone thriller has for several reasons not developed as well as I would like, and will remain a Work in Progress.

Czech Mate, a second standalone thriller has likewise cost me time and effort but I’m unsatisfied with the direction—a second tale to leave on the back-burner.

One Man, Two Missions: and other stories is my next anthology of mixed-genre tales and they are coming along well. Several of the stories started life a long time ago—and we are talking years; not weeks or months. Due publication in summer/autumn 2018.

Lisa: and other short stories by C I Lopez was a collection I felt privileged to assist the author to produce. This is Carmen’s second selection of stories from her wide-ranging files full of short stories. As I did with her first anthology, I provided three ‘bonus’ tales to support the book. This author may be new to some of you, but her work is worth checking out.

 

Curious and Camping: An Erotic Journey developed rapidly from two different ideas, and I believe it worked. In May 2018 it became my second erotica novel. As usual with this genre, good to see early sales, but reviews are hard to come by.

Quiet Night Inn: and other erotic stories is another by-product of not throwing away ideas and has resulted in the successful completion of my second erotic anthology. These tales have been redrafted several times over a long period. Publication – June 2018.

To find out more about my erotica work please visit: Tom Benson – Erotica

 

Paperback conversions had been beckoning me for a couple of years and I’m pleased I postponed the task—and a task is what it is. Of course, I’m suggesting that it’s hard work, but my intention was never to simply copy the eBook files and have a cover designed.

I reworked Amsterdam Calling from beginning to end and apart from reducing the word count and altering the style to cut dialogue tags, I believe the writing is an improvement. The cover was designed by my professional cover designer Aimee Coveney and made to measure.

Having learned many lessons, I followed up with Ten Days in Panama and performed the same disciplines. Once again the job took weeks rather than days, but the end product is pleasing to the eye—in my humble opinion.

What’s next?

I had intended the next paperback project to be the Beyond The Law trilogy, but again, for various reasons, I’m putting that job on hold. I may write a post in a few weeks to explain my rationale for those who are interested in such information.

A Life of Choice, my military, fact-based fiction series-novel is by far my most successful work to date. This story has resulted in my book sales being daily and not sporadic. My page reads (KENP), have for some months been in the thousands rather than the hundreds on a regular basis.

Requests to have the story in the paperback format are sent to me at least twice weekly, which to my way of thinking is a ‘demand’ worth meeting.

Again, it will not be a straightforward ‘conversion’ of digital to paperback. I will have five books to revise, but to make all five books worth the price set by Amazon I intend to move chapters to increase/decrease volumes to keep them at a uniform size—which is appropriate.

My poetry collections had never been a consideration for a paperback, until recently when I thought it might be a good idea to combine all five anthologies as a single bumper edition (250) of my rhyme. It will be a project to keep me occupied when I’m taking time out from other work.  

My writing journey began seriously in 2007. From the outset, although at first, they were of a low standard I dabbled in short story writing. I kept titles, ideas, introductions, passages and whole stories. As my writing has developed I revisit those old snippets and occasionally it takes only a title or a phrase I’ve used and I feel the urge to get a story written using those old fragments.

I am a great believer in a writer never throwing away material, and this has proved an asset and helped my steady production of titles.

During January 2018 I increased my Facebook visibility by creating Tom Benson – First Pages. My intention was always to attempt a daily post and when I felt the page was established, give publicity to other indie authors.

For three months I plugged away, highlighting an excerpt from one of my books. As April got underway I introduced Monday and Thursday as Review days to show my reviews of fellow indie authors’ work.

I don’t know how much notice is taken of the reviews I feature, but I have noted an uptake on my titles over this time. On week-ending 20th May, I stopped all activity on the page—my intention, to leave it dormant for one week. I’ll see how it goes in the coming weeks.

The internet and social networking are wonderful aspects of our modern world, but occasionally I indulge in a partial or complete detox. Over the past week I’ve deliberately kept a low profile and for me at least, it helps recharge my creative batteries.

Thank you in advance to all those who indulge me with a visit here.

Ten Days in Panama … in paperback

 

Ten Days in Panama was my second novel, and having first been marketed as a thriller, I amended the description to romance. The first publication of this title was in December 2013 and it’s had two makeovers since then in terms of the manuscript.

As I told my son when he left home to live abroad, ‘if we’re honest with ourselves, about every five years we think we know it all’.

In my humble opinion, the advice I gave that young man is never more accurate than with writers. We may write, revise, edit, rewrite, and so on, but if we go back to a piece of work we were proud of five years earlier, we’ll find things we want to amend. I’ve been plying my craft (and learning) since 2007, and it’s due to my targeting of a higher standard that I’ve delayed paperback editions until recently.

In Ten Days in Panama (paperback and digital), I’ve reduced the sexual content to a softer tone. If there are any readers out there who like my style and crave explicit sex scenes, check out Tom Benson – Erotica.

– The cover of the book is now brighter and I’ve reduced the strapline, and I believe in this case brevity works.

– For me, nothing has been more important or more of a challenge than tightening the manuscript to improve the reading experience. An example would be the removal of most dialogue tags, to be replaced by character activity.

It was a labour of love to produce this story the first time around, and I spent many months creating characters, situations and a story which would live on in the memory. I’m pleased to say that none of the original aspects of the tale has changed in the process.

To those who strive to maintain an updated and informative author website, you will appreciate the joy of adding a ‘paperback’ button to the page for a title. Now I have two of those buttons on display, and in the coming months, I’ll be working hard to add them to my other novels.

Thank you to all who pass by and take the time to leave their thoughts.

*

*Remember, if you don’t want to buy a paperback and you don’t own a Kindle, the Kindle App UK is free and it can be downloaded to a PC/Laptop.

If you’re not in the UK, don’t feel left out … Kindle App (from Amazon.com)

 

Ten Days in … paperback … soon

 

A special place exists in my heart for this story for many reasons, but appropriately, it means a lot because it was my first attempt at romance.

I’ve spent a month working on the manuscript to convert it to a paperback. Fortunately, now that I’m retired, a month in writing terms doesn’t mean every odd hour I can squeeze in—it means an average eight-hour writing day; every day.

 

Why so long for a simple task?

Any author who has performed such a task will know the change from digital format to paper would normally be a case of rearranging the front and back matter. This story had already been subject to two makeovers since the original version in December 2013, but it needed a total overhaul.

The new version will have the same cover but with a revised strapline.

As in all aspects of life I felt I had evolved sufficiently as a writer to appreciate where I had got it right, and crucially—where I’d continued to get it wrong.

What’s different in the new edition?

My first pass was to print the manuscript and perform a brutal red-pen edit on hard copy.

Judging from many comments on Facebook and recent reviews, my style has changed, or as I like to think; improved.

a) I removed most of the dialogue tags and replaced them with character activity.

b) I amended the sexual scenes from what was bordering on ‘erotica’, and reduced it to ‘steamy romance’. For the most part, it is now closer to ‘romance’.

Suffice to say it’s been quite a journey. The characters continue to enjoy the story, but they’re subtle in what they tell the reader about their private moments together.

 

Okay, so why did I ‘reduce’ the level of sexual matter?

There were a number of reasons, but mainly, it didn’t belong. The story is a romance and not intended to perform the same role as strong erotica. As with a couple of my books I’ve been fortunate in hearing from readers privately, and more than one was concerned by explicit sex.

I enjoy writing in a wide variety of genre and just as I like to have guns, explosives and fights, I also like to write about tenderness, relationships and let’s face it—sex. 

My Tom Benson – Erotica site has now been up and running for a year, so if you’d like to see how I indulge my literary desire in that direction; take a look. The catalogue is growing steadily and the next erotic novel will be released in May 2018.

On the subject of releasing things, Ten Days in Panama (revised April 2018) is now available in eBook, and the paperback will be available within the month.

I’ve remained true to the original story with regard to character development and the plot.

It would be wrong not to say a public thank you to fellow author and distant friend, Carmen Lopez (author of Alone: and other short stories). We became acquainted through reviewing each other’s poetry on an international poetry site. I moved on into the world of short stories and novel writing, and Carmen performed the duties of being my first beta reader.

The inspiration for Ten Days in Panama evolved from learning about Carmen’s profession and where she lived. Indeed, the first cover for the book was designed by Carmen’s partner, Bryce.

For anybody who is now so excited that they can’t wait for the paperback, here are links to the digital version of Ten Days in Panama:

Amazon preview/buy                      BookLinker – Universal

Thank you as always to those who stop by.

Amsterdam Calling – with options

There is no excuse for not reading certain books and Amsterdam Calling is now included in that ‘certain’ category. It matters not if you use a smartphone, eReader, computer screen or prefer to handle a physical book — the options are all there. If you have a Kinde eReader you can even read the book for free on Kindle Unlimited.

As the author it’s not for me to say whether it’s a good story, but here is the selection of review excerpts I’ve included on the back cover. I’m delighted to say that the reviews are by three exceptional authors: Lesley Hayes, Patrick Christopher Power, and Barbara Fagan Speake.

Research in Amsterdam

The seed was sown by my distant friend and fellow author, Carmen Lopez. She suggested my knowledge of Amsterdam and its many attractions would lend itself to a good story. In the latter part of 2012, the first notes were made, hundreds of photographs perused and a simple plot devised. A few weeks later I had the makings of a thriller, but as an author will tell you, strong characters have a way of messing with your head; and your story idea.

By the spring of 2013, my tale was a romance with thriller undertones, so thanks for that, Dan and Crystal, (the main characters).

The final version took a year of rewrites, double-checking of facts, emails to businesses and reaching up to pull out hair that was no longer there. Amsterdam Calling was no longer one of several optional title ideas and a hard-fought manuscript. By the summer of 2014, it was an eBook.

This year, having revised all of my books at least twice I was prepared to do so again, starting with Amsterdam Calling. After all, the paperback version was going to be more expensive and I wanted them to look professional in every respect. My aim was to deal with formatting so I purchased the Vellum program. I asked Aimee Coveney a professional cover designer to deal with the solution for the exterior of the paperback. I gave myself a target of four weeks for completion, and that was how long it took.

*

It was halfway through my final year at school, in May of 1966, the Beatles released what was to become one of my favourite tracks – Paperback Writer. I recall there was a big football tournament on TV at the time, but it took second place to my loves of music and reading. It would take a little over fifty years before I fulfilled my dream and published a paperback.

*

My creative writing commenced in earnest in 2007, so I spent ten years working at my craft and only publishing eBooks. For the past two years I’ve suggested I’d get into paperback versions of my books, but each time I’ve started work on the project it’s been postponed to write more stories.

To see this story in paperback is a thrill, and sales are being made which is heartwarming, but unlike many authors, I have something else which will give me a buzz. In the summer I’ll be heading to Amsterdam, so I’ll be taking a few copies of the book; gifts for people who gave me permission to use their enterprises in the story.

I’ll leave you with useful links in case you’re one of those yet to find a comfortable way to read this story:

Amazon Preview/Buy      Amazon Paperback      BookLinker Global

You’ll notice in the graphic of the paperbacks, I finally have the excuse to make bookmarks. They’re double-sided and laminated, which means anybody who uses one won’t forget what I write and where to find my books.

As always, thank you for reading my post, and those of you who do; my books.