T … is for Taboos

T[1] is for taboos. Nothing is taboo to a writer these days, or so you might think, but I would disagree.

I’d like to put that statement in perspective before we get into the body of this post.

I was a soldier for 23 years, and the first 7 of those, I was single. To say I lived a colourful life would be a massive understatement. More on that later, but please remember that this is a guide, based on my opinion.

Which areas are possible taboos?

There will be more, but there are areas where I would tread carefully. They include: rape, child abuse, torture, the disabled, the elderly, religion, poverty, addiction, racism, alcoholism, bestiality, gratuitous violence, and successful criminality (crime paying is not a good theme).

I know, I know. There will be some of you asking what is left?. I’m not saying we shouldn’t include or describe any of these things in our writing. I use several of them in my novel, ‘Beyond The Law’, but I don’t glorify any of them. Some modern writers can write a rape or domestic abuse scene, but it’s not done in a style that sounds gratuitous – it is done to fit in with the style and the genre of the book.

The best way I can think of describing the use of a taboo subject is to take care with your portrayal. It would be wrong to suggest that these themes or topics don’t exist, because they do, but it’s how they are used in writing that can make them work without being offensive or degrading.

Is there a simple guide?

I believe that there is. My own method is to use my own writer’s conscience.

What is my writer’s conscience?

My personal writer’s conscience is what I’m left with when I filter out the extremes of social conscience. There are many out there in our world who take political correctness to an unbelievable level. I’m talking about racism, sexism, sexuality, vulgarity, etc. When I write about such things, it’s not my opinion that is voiced; it is the opinion or voice of the character. Even so, I don’t use my characters as a cover for abuse of any sort.

If I wouldn’t like to read it; I don’t write it.

How do we recognise personal taboos?

If I’m reading horror, I want to be so terrified that I don’t want to continue reading in a dark room, with only a table lamp on.

If I’m reading erotica, I want to be aroused, and might prefer to be reading in a dark room with only a table lamp … (Yes, I know, too much information). lol

If I’m reading any story and I find it distasteful or the content is simply for the writer’s gratification, I stop reading it. This has happened more than once for me. Two things I don’t like are: bad writing, and stories written for those with morbid tastes.

That is how I recognise personal taboos, and how I’ve developed my writer’s conscience. I hope it hasn’t been too boring a journey today. As I said at the introduction; I’m not, and never have been a prude, but I do still have standards.

There was a hint at the introduction that I would say more about the colourful lifestyle I enjoyed before marrying. One of my next novels is, ‘A Life of Choice’, which is fact-based fiction. I’ve been working on it for several years, but I will aim to complete it this year. It will of course be publicised right here.

Thank you as always for your patronage, and I look forward to any comments, which I will of course reply to. I’ll be back tomorrow with ‘U’.

S … is for Synopsis

S[1] is for synopsis. In terms of writing, it is also for sex, suspense, style, senses, strength, support, spelling and of course story. In this post I’ll concentrate on synopsis, because I think it would be easy to write a post on each of the others too.

What is a synopsis?

It’s a brief summary, usually of a novel.

Are there any guidelines for writing a synopsis?

Yes, there are several, and I’ll list them here as best I can, but as I suggested in my post on resources, double-check out the topic elsewhere. What I aim to do here is give the novice, or unsuspecting novel writer an insight into a word that strikes terror into the heart of many writers.

1. It should be written in a similar style to your book: humorous, serious, or whatever.

2. It should be written in the third person point of view. i.e.: he, she, they. Not; I.

3. It should be written in the present tense.

i.e. ‘Karen is embarking on a voyage of sexual discovery.’

   Not, ‘Karen was embarking on a voyage of sexual discovery’,

   Not, ‘Karen will embark on a voyage of sexual discovery’.

4. It should introduce your main characters and their conflicts, but should not be a cast list.

5. It should give a clear idea of the plot: serial killer, kidnapper, sexual predator, etc.

6. It should flow logically so is easily understood by the recipient, (publisher, agent, editor).

7. It must show the conclusion to the story. No secrets, and no cliff-hangers. You cannot be ‘precious’ about the ending – it must be clear.

Is there a format for a synopsis?

Yes, wouldn’t you just know it. Unless advised to do it differently, a basic layout is formed in the top left corner of the first page. Single or double-spacing depends on the requirements of your recipient, and the length of the synopsis.

Synopsis of: Beyond The Law

Genre: Thriller

Word Count: 150,000

By: Tom Benson

Once again, I’ve tried to give a taste of what is a deep and detailed topic. The list I’ve given is not all-encompassing, but I hope for some of you guys at least, it has dispelled one of the myths surrounding the synopsis – like it is easy to write. lol

Thank you for reading, and I’ll be back tomorrow with ‘T’.