short story – Page 5

The more astute reader will have noticed how I’ve phrased that opening question.

If I had used a heading like, ‘Is it good to attempt poetry?’ it wouldn’t have the same effect. My aim is to prove that poetry can work for writers – of all levels.

As always, please remember that any definitions or comments given in my posts are my own, unless otherwise stated.

What is a poem?

1. A poem is a piece of creative writing which is usually broken into bite-sized chunks.

2. The bite-sized chunks are called verses, or stanzas.

3. The stanzas might rhyme at the end of each line, or each alternative line, or not at all. Don’t worry, we’re not going to delve into the details or different types. It’s not a poetry lesson.

4. A poem is creative, and therefore is usually descriptive. In other words, it’s like telling a story, but in short bursts.

5. It can be done in as few or as many short bursts, (verses, or stanzas), as you please.

How can a writer use a poem as an aid?

Unlike a short story idea which might take a few attempts to get started, a poem takes very little effort, and it doesn’t have to rhyme.

Try creating a beginning, a middle and an end. Three stanzas of four lines each; no more, no less. An example?

‘A Fighter Pilot’s Day’

…..

Jack took off in his plane

a fighter in the air

He’d be shot at once again

at fear again he’d stare

The ‘dog-fight’ was Jack’s worst

his craft was torn apart

Damaged by a burst

of bullets at the start

Landing would be hard

to miss the town he’d try

A field was Jack’s last card

he accepted he would die

…

That just took me less than ten minutes. I believe that those three simple verses could be developed into a credible short story.

In a short series of posts, I aim to prove my point, that poetry is indeed a good thing for a writer to attempt. I hope you’ll come along on the journey, and remember, we’ll all get more out of the journey if we travel together. Don’t just think a response – write it as a comment for the rest of us.

Do you agree? Disagree? Not sure?

Thank you for reading.

is for killing. I am talking here of ‘killing your darlings’ of course. It’s how we writers normally refer to reducing the cast in a story.

In either novel or short story writing, we find ourselves lavishing hours on the creation of well-rounded, believable characters, which is exactly how it should be. A novel will have the capacity to allow for a large cast, whereas a short story is best trimmed down to five or less characters.

Where the novel usually has a longer time scale, it is able to convey a larger number of characters. A short story, by its nature, is created to fit a short time frame, and there is therefore no facility for a cast of thousands. The fewer, the better is the advice in a short story.

Whatever I’m writing, I tend to create each character with a comprehensive profile, even though I may only use a little of the information if it’s a short story. In a novel, with a similar character, I might drip-feed small pieces of information throughout the story. Be it a novel or a short story, I invariably end up with more characters than I need to get the job done, so in that circumstance, I ‘kill my darlings’.

The phrase is borne of the fact that we get to know our creations so well that we are reluctant to remove them. We have grown to like them, to feel a relationship with them, but to be in a story, they must earn their place. If when editing a story, you find a character that doesn’t move the story forward; that character has to go. It’s heart-breaking, I know, but we must be realistic.

I’ve made peace with myself by having a parallel universe in my files. I have a file full of people, already invented, but not yet put to use. There is a pregnant woman in her 20’s, a retired policeman, an old war veteran, and many more. They all get along perfectly well in that file, but perhaps one day a couple of them will meet in other circumstances and things will not be so good.

What is today’s advice then?

Use as much care as always to create believable characters, but please remember, don’t shoe-horn a character into a story just because you like them. When you edit, you are looking for extra characters as well as extra punctuation, adjectives, adverbs and all the other things that should be removed. Happy hunting my murderous friends.

Thank you for reading. I’m off on my daily blog patrol now, and I’ll be back on Monday, with an ‘L’ of a word.