A Taste of Honey – promotion

This week, commencing Sunday 29th March 2015, I am promoting A Taste of Honey with a Kindle Countdown Deal.

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What does that mean to the buying public?
Although the title of the promotion suggests a countdown, it is the period of the promotion that is counted down – not the item price. The item price starts low and goes back up.

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How does it work?
– The book price is adjusted by the author to be at an accepted minimum price, and that is a minimum set by Amazon; not the author.
– The book will be available at the lowest price for a period of perhaps one, two or three days.
– The price will go up in increments at each stage, until it returns to the original price after the week-long promotion.

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In the case of my books I maintain a low price. I am not a household name, so I depend on honest reviews of my work. It’s better to be judged by others than to make claims for the quality of my creative ability. By the nature of the countdown promotion I have very little space to manoeuvre, but I am able to create two low price points before the title goes back to the regular price.

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How does the promotion benefit the reader, or buying public?
It creates the opportunity for a customer to buy a book at a knockdown price.

It also allows the customer the opportunity to perhaps try a new author without feeling that a lot of money has been invested on the basis of the free sample being interesting.

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How does the promotion benefit the author?
It creates added interest in that particular title, but also the author’s work in general.

If the author has an appealing style then he or she may gain many more fans from the act of giving up a little cash.

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I’ve recently promoted my brand by using a Free promotion for two days, and the book used then was one of my anthologies, Smoke & Mirrors; and other stories. It proved popular in six countries so even though I’ve given away hundreds of copies, I consider that a success.
As I’ve said to colleagues in my day job, ‘I don’t want to be famous with my writing – I want to be successful.’

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Writing a novel is not easy, and taking it beyond that first draft is hard. Each successive draft becomes harder as the author tries to tighten up dialogue, reduce excess word count and strive to produce a well-presented, entertaining read for the end user; the customer, the reader.

The most difficult task facing an independent author is not the writing of the story, or even the editing, re-writes, formatting, presentation or self-publishing – it is the marketing.

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There you have it. That is the single unambiguous reason for me pushing my name and brand at every opportunity.

It’s not about being egotisitical – it is quite simply self-marketing; because the only other person who will market for an author is that author’s readership.

Please note that I didn’t say ‘market free for an author’.

Why not?

The reader has paid hard-earned cash to buy into the brand, so when they are kind enough to write a review, it may be free to the author; but not to the reader.

As always, I thank you for coming by and reading my thoughts. Please leave a comment if you feel so inclined.

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You cannot be series …

Poetry covers compilation
Yes, the fourth word in my title is the proper spelling. It is not meant to be the statment made famous by tennis star John McEnroe, although I admit, I was tempted.
If you’re too young to remember, on more than one occasion the talented and quick-tempered Mr. McEnroe would challenge an umpire’s decision with a wild stare, whilst screaming,                   “You cannot be serious!”
As this post develops I’m sure that most of you guys will see that I could have gotten away with the tennis player’s outburst as my alternative title.

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I’ve noticed that there is a tendency these days for writers, and especially novices, to produce sequels, or even a series of books. Authors have various reasons for doing such a thing, and those reasons cover a wide spectrum. I’ll list a few reasons to help get my point across.
1. The writer wants to explore how far they can push a character whether it be in development or experiences and adventures.
2. The lazy or greedy writer, who simply wants to exploit the market, by producing several titles of very short works; calling them a ‘series’.

Why do I say greedy?
I’ve recently discovered an author who is publishing nothing more than long chapters and giving them the title of ‘book’. In this way he creates a ‘series’. Yeah, whatever.

How do I know that it’s greed?
If somebody has the audacity to consider such an underhand tactic, the least they could do is ensure that the ‘books’ are properly edited and formatted. In the case I’m highlighting, they are not.

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Some books lend themselves to the idea of a sequel, or series, simply by the nature of the original story, whilst others do not.
There is a train of thought that such a thing is easy to do, but in my opinion, in any subsequent books the necessary information must be drip-fed to the reader as the story progresses. It should not consist of massive chunks of force-fed back-story; which I’ve seen in some attempts at a sequel.

My opinion on what works and what doesn’t for sequels and series.

What works?
A series, whether it is 2 books, or 22 books, should have a constant aspect, whether it is in theme or character.
For example:
1. Each book has a different character, but the theme is the same.
2. A fresh case or plot with the same central character since the first book.
For example:
Private Eye, police, medical, adventure, espionage, western, military, thriller, seafaring, Sci-Fi, fantasy, paranormal … and on the list might go.

What might not appeal to readers after a couple of stories?
The certain knowledge that the protagonist is virtually indestructible – and it’s not Superman.

What doesn’t work?
In the right hands just about any genre is good for a series, but the decision to tackle this particular idea is not something that should be taken lightly.
Romance for instance could lend itself to a series if the basis of the stories was to take a fresh story from the point of view of various characters from one central theme.
For examples:
1. Stories detailing the love-life of the members of an office or other business.
2. Stories detailing the love-life of the members of a community. Now this could be a nice little earner if you were prepared to devote half your life to it. Instead of the community being a small village, how about telling of the romances onboard the cruise ship Laid Back Lady, which has 500 crew and 4,000 passengers?

Now there would be a money-spinner.

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To reiterate my point, we must all be aware of giving our customers value for money, so we must be conscious of providing a good product and not creating a ‘series’ out of nothing. In particular we should keep an eye open for those in our business who are prepared to undercut the readership, which includes us.

Integrity is a key factor when considering if a writer is writing a sequel, or series for the right reasons.
As always, I thank you for coming by and reading my thoughts. Please leave a comment if you feel so inclined.

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