Erotica: The Long and Short of it … Part 3 of 3

 

Give & Take 150516
FREE  weekend on Amazon –  Sat 30th / Sun 31st July 2016

In Part 1, I wrote about the titles and general description of my work in this genre.

In Part 2, I moved on to how I found myself venturing into this area of creative writing.

I’d like to use this final article to go under the covers ….

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In the wake of Romance, the Erotica genre is the next big thing – in regard to sales. For this reason alone, it’s not surprising writers of other genres attempt erotica, and it might be why their trials are published with a pseudonym.

Many writers try producing this special genre. Having read widely in the indie and the traditionally published sectors, I’ve discovered a wide range of ability.

We all think we know what goes on behind closed doors, but how much of our ‘knowledge’ is actually supposition, imagination, or guesswork?

The first aspect of this topic to put to bed (pun intended), is about how wonderful other people’s sex lives are. We could look at examples, but in reality there are too many variables to examine sex life.

I’ll list a few examples to prove the point:

1. A person who has no sexual experience, but has read a few books which suggest sex should be enjoyed by anybody with anybody, doing anything. I remember a girl from my early 20’s who earned the nickname ‘Martini’. If you’re not old enough to remember the TV ad, the slogan was: ‘any time, any place, anywhere ….’

2. A person of limited sexual experience, but read widely, and is eager to try anything once.

3. A person who enjoys the early years of marriage, where there has been an occasional hot night between the sheets. Lifestyle calmed and the bedroom became a place for two things; frustration, or boredom – or both.

4. An older person who has been in a relationship for 50 years, had a lot of varied experiences before marriage, and has for far too long settled into a mundane ‘get it over with’ mindset.

5. A person in a long-term relationship, but is with a partner who has no desire to ‘experiment’. Opportunities may not have been taken when younger, and now one partner may spend time wondering about activities found in books, but never tried.SS2 - Coming Around 150516

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What must a writer consider when publishing erotica?

Instead of producing a text-book answer, I’ll list a few of my personal criteria.

1. It is erotica, but it should not only be about the sex – a plot should exist.

2. I avoid sexual taboos, which I don’t believe have to be listed. If you have any doubts what is considered ‘taboo’ in erotic literature – use a search engine.

3. Colloquialisms for body parts and activities read better than creating a biology lesson with an underlying story.

4. Consent – or a fair idea of what is ahead is my preference. If a character sounds as if they didn’t know what they were getting into – or what was getting into them – it’s not non-consensual or innocence; it’s naivity.

5. Exceptional hygiene standards and preparation are occasionally mentioned in passing.

I have other minor points I keep in mind, but the aforementioned are the main ones.

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Highland Games - 1 - CougarWhich erotica appeals to me?

I enjoy the tale if I find myself consumed by the story, embracing the characters (metaphorically), and reading for the story – not the genre.

Which erotica irritates or alienates me?

When the language used is stilted, and the body parts and activities are like a sex education class for those who speak English as a second language.

When the situation and dialogue is contrived and the ‘story’ goes from dialogue to action in an unrealistic time scale.

Two-dimensional characters usually combined with little or no back-story.

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Where do I go from here with my titles?

I have erotica poetry within my Love and Romance volume, short stories in Coming Around: and other erotic stories and my novel Give & Take: A Tale of Erotica.

Highland Games is the series title of my erotica novellas. My first tale is an introduction to the series and the main location. In each successive book I aim to explore a different aspect of sexuality. As I do with all of my work, I’ll be taking note of feedback, and I’ll adjust my writing if there is good reason.

Coming soon ...
Coming soon …

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Thank you for taking the time to read my posts, and particular thanks to those of you kind enough to leave your thoughts. I appreciate all feedback.

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As a reward for your kindness, I’ll remind you my novel, Give & Take: A Tale of Erotica is FREE on Amazon over the weekend Saturday 30th July / Sunday 31st July 2016.

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We are all editors!

Blog on editing - image
Are we really all editors?
Yes, really. Let’s look at a few examples.
A handwritten or typed note. An informal letter. An official form. A poem, short story or a novel.

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What do they all have in common?
If we were honest, we rarely get across the intended or perhaps the necessary information at the first attempt, irrespective of the category of our ‘writing’. This means that when we change a part of our original document, we are editing.
Books have been written about editing. With that in mind, please remember that my aim is merely to draw attention to the importance of editing and hopefully highlight some of the prime issues for the unwary.

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What is editing?
An accepted definition is any, ‘change made before the final copy is ready for submission’. With particular regard to the indie writer, I would suggest that the final copy could be some way off, so please don’t believe that you write, you edit, you publish.

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Let’s extend our simplified look at editing to include drafts.
Each time you amend the document you are working on the next draft. For example if you’ve written a story and you go through it to edit, the end result is the second draft. If you go through and edit again, then that one becomes the third draft and so on.
You write a story and are happy with the general feel of the manuscript. You have your first draft. We’ll say for the sake of argument that like me, you don’t have a team of editors. You have a long road ahead of you if you intend to edit the work yourself. There is a variety of issues to watch out for, but they cannot all be searched out at once. It takes a slow, systematic approach whereby each aspect of editing is tackled separately.
Look at my next question and ask yourself if you could check for all of the issues listed – and deal with all of them at the same time.

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What are we looking to amend?
Incorrect syntax (assembly or structure of sentences), punctuation, grammar, spelling (for a particular market), unnecessary word usage and incorrect word usage. We must also check for: incorrect use of capitalisation and efficient use of dialogue tags.
Those items are the basics, because if we are writing a short story or novel we have to be aware of many other issues. We must check continuity, facts, weights, measures, cliche, dialect, slang, racism, sexism, and more.
What about sentence length, paragraph length, section breaks, page breaks, headings, sub-headings and suchlike?
These are items I would classify under formatting. Having said that though, I would keep a wary eye on sentence and paragraph length while writing.

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What’s the difference between editing and formatting?
To my way of thinking, the main difference is that editing is the nitty gritty of our manuscript, whereas formatting is more to do with presentation. For example, when e-publishing we should keep in mind that the average paragraph should be smaller than it would be for a traditionally published book.
In December 2014, I stopped reading a book on my Kindle because the average paragraph was taking up two or three screens. If that occurs it becomes a block of text to the reader.

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I have no doubt that there will be those who visit, read this post and have their own opinions on editing. If you are one such person, please leave a comment. The more we discuss the topic, the more benefit it will have for each and every one of us.
My intention is to produce a topic heading in my main menu in which I’ll list a variety of the issues pertaining to self-publishing. I mean e-publishing as opposed to paper publishing. Under that topic I will build a selection of issues to watch out for and a simple guide with regard to how I deal with those issues.

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What can you expect to see in my self-publishing menu?
Editing (of course), formatting, use of numbers, use of capitals, continuity, simple research and also dialogue.
Before I close I’d like to thank Michael Roberts from our Indie Author Review Exchange on Facebook. Why? It was thanks to Michael that I put this post together and I will go on with the other projects mentioned above.
Michael asked in the Facebook thread if I had any trusted editors. Unfortunately the answer is no. I paid for an editor once, but it is an expense few of us can afford. I decided after my first novel to build my own system, which I must admit has been refined with each book I’ve produced.

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Why don’t I pay for an editor?
Let’s see … should I pay for a line editor, a copy editor or a proof-reader? Each of those is different and each could be paid for separately but still not produce the best result to meet the author’s needs and budget.
Finding a good editor is like finding a good anything. You must consider cost, time, means of contact, whether or not you accept suggestions and many more factors.

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Have I paid for anything to help with my editing?
Yes, I pay for a programme called Grammarly, which like all such things has a few glitches, but it helps me speed up the editing process and draws my attention to some classic issues. It is an essential part of my editing system, but I still make the suggested amendments manually, I never click on the automatic adjustment. Like I said, there are glitches.

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This feels like about the right time to stop …