Sex … In or Out?

You’ve written a great story. Do you need sex amidst the guns, fighting and mayhem, the psychological trauma and mystery, or the tenderness and promises?

When I say ‘do you need sex’ I’m obviously referring to the requirements of the story—not your personal urges. I digress … .

This blog post was born from the need to offer my opinion on a regular comment I see on social media, and if we’re all honest, it’s getting a bit tedious. The comment usually follows similar lines to: ‘… and when I reach a sex scene I move on …’

There is usually a bit more to it, but in essence, we have two main areas to address.

Question 1 – Is the reader a prude, or simply someone who knows when a sex scene could have been done more tastefully—if it were needed at all?

Question 2 – Did the author make a mistake by getting carried away, drifting from the primary genre, thus adversely affecting the plot of the story?

The answer to Question 1 is not as simple as it sounds. For some readers, if an author goes beyond: ‘… she stood with her back to the door and raised an eyebrow …’ it’s too much. For others, it’s frustratingly brief, and they want to at least know if one person is wearing matching underwear and if the other person is wearing underwear at all.

Now, Question 2 throws up a whole new dilemma. As authors, it is not simply a personal choice, but in my (humble) opinion, it is our duty to remain true to our craft. No, I’m not getting high and mighty because I’ve written more than two books—I’m simply telling it like it is. The reputation of indie authors is being destroyed from within by some people with low standards. Those of us who work long hard hours and go beyond the first draft must persevere to produce the best we can.

You cannot refer to yourself in your branding or promotional material (of whatever level) as a thriller writer if you have the main character kill someone and then for the rest of the book he/she beds every other person in the ‘adventure’. You can dress it up, or undress it if you wish, but one of the aims of any author should be to focus on the job—in this case, a good story based on the primary genre.

I write a wide variety of genre and among them is erotica. I may allow a kiss or a caress—even partial undressing in some stories but graphic, no-holds-barred sexual activity is kept for my erotica.

If an author writes thrillers, westerns, sci-fi or other genres there ought to be sufficient time invested in character development, dialogue, imagery, pace and the accurate choreography of action. Any mention of sex will usually be incidental, except, of course, for romance, some paranormal and fantasy where it may go further.

An author who writes erotica is not out to shock—they are aiming to indulge their readers in the type of material they sought. This is not to say that character development and those other ingredients I mentioned earlier are not required in erotica—they are just as important. The erotica author must avoid sex becoming the ‘story’; an opportunity to be self-indulgent with repetitive and meaningless scenes of gratuitous carnal jiggery-pokery (mainly pokery).

In my ‘mainstream’ genres, there may be terms of endearment, a kiss or an embrace but they are strategically placed. Occasionally, in my erotica, there is less need for such romantic overtures, activity or subtlety. The characters might be more interested in mutual physical gratification than an emotional rollercoaster ride but there will still be character development and the activities are created with a purpose. It depends on the story.

I believe the author should strive to be faithful to the principle genre and whatever extended subjects it entails whether it be an action-packed or psychological plot, and plot or character-driven.

If you’d like to see ‘erotica’ as it once was, read ‘Lady Chatterley’s Lover’. Like most other genres, erotica has moved on and readers are no longer satisfied with what was once considered shocking—people want to envisage themselves in scenes which will (in most cases) forever be a fantasy. With the greatest respect D.H.Lawrence, move over my friend.

I’m a great believer in the use of metaphor if it spells something out clearly. I’ll summarise with two questions to authors who are trying to work out if sex ought to be highlighted in a story?

Would you wear flip-flops and boxing gloves to run a marathon, or perhaps mask, snorkel and flippers to ride a bicycle?

Let’s be honest—if it doesn’t look right, it doesn’t belong.

Thank you for reading, and any comments.

Free to Choose

Let’s be honest from the outset, few folks are going to spend their cash if they can get something free of charge.

In the world of eBooks there are many reasons for titles to be offered ‘Free’ which include:

–an author’s promotion.

–a website promotion.

— a story to attract interest in the author’s work.

— pirate sources offering authors’ work free illegally.

How about paying a reduced price instead of aiming straight for the freebie?

 

 

 

 

Again, we have a number of reasons but now we’re being asked to pay so why would we choose to do such a thing?

Instead of making a list, there is one main aspect I’d highlight. The author or the supplier is content that the product is worthy of being sold but for whatever reason, the price has been reduced. The onus is on the buying public to look at the reduction which is invariably explained to us in a brief message or if you prefer ‘sales pitch’.

Personally, I’m sceptical when it comes to getting something for ‘free’, but I’m always happy to pay if I perceive a bargain. For example, if there were an eBook that caught my eye and I was getting it for a reduced price I’d buy it, especially if it were by an author I’d yet to try.

In this present climate of international lock-down, we have many thousands of people who are reading more or possibly reading for the first time in many years. Money is a concern, of course, so once again we’re back to that question of taking what’s free or pay, but not too much.

It was with this theory in mind that I created the eBook Bank International a few weeks ago. eBooks for 99p  (or equivalent).

No, it’s not a promotional website for authors in the conventional sense, it is a place which has in excess of 120 titles covering a wide range of genres and includes 17 authors’ work. This is a site which promotes authors, eBooks and the idea that just for once somebody cares about how much money people can afford to spend.

Why is the website based on ‘selling’ for 99p (or equivalent) instead of just giving away our books?

Imagine the number of people out there with an eReader who grab anything for free. Many of them will download titles they’ll never read but they got them for free–their only reason to take the book.

Now, imagine the number of people who might be prepared to pay but only a small amount … say, 99p for an eBook which is normally £2.49. Each title purchased is an investment by that reader and they will likely go on to read the book.

What do the authors get from reducing their prices but not making the titles free?

Interest in their hard work is the first thing, and then, of course, a few sales due to the lower price. The authors involved in this venture may give up a small amount in the first place but they’ve made an investment–in readership. Perhaps their £2.49 title was competitive but the price still put people off and then that same book was offered at 99p … a win-win situation.

Again, on a personal note, I’d rather see a title sell fifty times at 99p than twice at £2.49.

In this post, I’ve featured a variety of my titles but there are many other authors involved in the eBook Bank project, so why not pay a visit and pick up a bargain for 99p (or equivalent).

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