A Taste of Honey – an overview

atasteofhoney(1)Have you ever read a book and thought you had a good idea for a scene?

Perhaps you’re not a writer, but you would like to suggest an idea.

Please read on.

The plot.

On 14th June 2003, Kimberley Forest, a NYPD police officer is awakened by the buzz of her cell phone. She reaches out from bed and sees that the caller is her teenage sister.

When the off-duty officer listens to the call, she hears only a conversation between two men.

In less than an hour, Kimberley is armed and driving 700 miles to the family home in Greensburg, Indiana.

Her life has been changed, and she is intent on changing a few others.

 ***

The project.

My intention is to write a novel under the aforementioned title, but it might be a novel with a difference. I have already started working on the main character’s bio, so we are getting better acquainted with every day that passes.

Chapter 1 is posted on this blog and I’m working on the first draft of the next two chapters. The opening passage is posted on my author website on the Projects page. The ‘intro’ will remain there for one month.

I would like comments and if they feel the urge, visitors may offer suggestions for scenarios that the character might be involved in at some point in the story.

I will post chapters here and mention it on my author website. From day one, there will be an open invitation for readers of this blog, my creative writer and artist site, or my author website to get in touch with ideas.

You don’t have to be a writer to put forward an idea, and you don’t have to ‘write’ the passage – simply send me an outline. Should any good suggestions be forthcoming, I will not be trying to work them immediately, but I will make every effort to get them in. As and when an idea is used I will credit the author.

I’d like to produce a completed novel at the end of the project, so it might take many months. When the story is complete I will remove the chapters for editing and rewriting. At such time as the manuscript is complete, I will be accrediting all who have taken part with a brief explanation to the reader in the preface about what we have accomplished together.

If you have any early comments on my idea or the process, please leave a comment here on my blog, on my creative writer and artist site, or on my author website.

Up to the first five chapters will be available to read in their first draft on this blog.

Tom

K … is for Killing

K[1]

is for killing. I am talking here of ‘killing your darlings’ of course. It’s how we writers normally refer to reducing the cast in a story.

In either novel or short story writing, we find ourselves lavishing hours on the creation of well-rounded, believable characters, which is exactly how it should be. A novel will have the capacity to allow for a large cast, whereas a short story is best trimmed down to five or less characters.

Where the novel usually has a longer time scale, it is able to convey a larger number of characters. A short story, by its nature, is created to fit a short time frame, and there is therefore no facility for a cast of thousands. The fewer, the better is the advice in a short story.

Whatever I’m writing, I tend to create each character with a comprehensive profile, even though I may only use a little of the information if it’s a short story. In a novel, with a similar character, I might drip-feed small pieces of information throughout the story. Be it a novel or a short story, I invariably end up with more characters than I need to get the job done, so in that circumstance, I ‘kill my darlings’.

The phrase is borne of the fact that we get to know our creations so well that we are reluctant to remove them. We have grown to like them, to feel a relationship with them, but to be in a story, they must earn their place. If when editing a story, you find a character that doesn’t move the story forward; that character has to go. It’s heart-breaking, I know, but we must be realistic.

I’ve made peace with myself by having a parallel universe in my files. I have a file full of people, already invented, but not yet put to use. There is a pregnant woman in her 20’s, a retired policeman, an old war veteran, and many more. They all get along perfectly well in that file, but perhaps one day a couple of them will meet in other circumstances and things will not be so good.

What is today’s advice then?

Use as much care as always to create believable characters, but please remember, don’t shoe-horn a character into a story just because you like them. When you edit, you are looking for extra characters as well as extra punctuation, adjectives, adverbs and all the other things that should be removed. Happy hunting my murderous friends.

Thank you for reading. I’m off on my daily blog patrol now, and I’ll be back on Monday, with an ‘L’ of a word.