Category Archives: collections

Mid-year Magazine

This year I’ve enjoyed the solitude of my study, reading, writing and generally continuing as I have since retiring thirty months ago. Two holidays have been cancelled and a considerable number of one-day  ‘shopping’ trips to other towns. I cycle early in the morning and work at my chosen creative craft every day.

In January I published Light at The End: Surviving the Apocalypse. It may not have as many reviews as I’d like but those it has received have been good and gave me the confidence to write a sequel. Light to Dark went through several drafts prior to going out to beta readers. It has since been printed and attacked again with my red pen so the manuscript is now resting before a final read.

If the international crisis has affected me in any way it has increased my productivity. A lack of holidays and away-days has provided me with many extra hours of writing time. Shopping trips are done when a necessity only and are local. I sit in the car maintaining social distance, with my clipboard and pen so I can continue writing.

In March I created the eBook Bank International website with the objective of making eBooks more affordable during the Covid 19 crisis. I set a closing date of 1st July and with the support of 17 other authors, the site carried 135 titles at one time. It was a site to offer books at a lower price, but I’m happy to say it stimulated sales for more than one author.

I’ve continued to work on Time after Time: and other stories which is almost ready for publication. I have again invited guest authors to submit stories. This is not a money-making venture but will provide a platform for authors. There are 18 stories covering a variety of genre, but all on the theme of ‘Time’.  Good value at 99p/99c.

In the pipeline, I have Dark to Light (Book 3 of the Light at The End trilogy), Czech Mate, Codename Foxglove and my next mixed-genre anthology Around the Bend: and other stories.

In the background when stories are ‘resting’ between drafts, I’ve indulged my pseudonym by building on ideas which have been simmering in the background over a few years. Most of Katya Cumming’s stories originated as short stories or passages which didn’t work in other books.

This year so far, Katya has produced a two-part novel, an anthology of short stories and a novel. After three more novels she will stop. This will meet her target of a dirty dozen novels and an anthology. She has her own website at Katya Cumming – Erotica.

Apart from reading purely for pleasure, I’ve also been a beta reader for several authors so far this year. For me, beta reading is not a task, especially if I like the author’s work, it makes me feel that I’ve been instrumental in some small way helping to raise their game with a story. Isn’t that one of our responsibilities as indie authors?

Lest I forget, Light to Dark – Light at The End Book 2, will be available 10th July 2020.

Thank you for dropping by.

Free to Choose

Let’s be honest from the outset, few folks are going to spend their cash if they can get something free of charge.

In the world of eBooks there are many reasons for titles to be offered ‘Free’ which include:

–an author’s promotion.

–a website promotion.

— a story to attract interest in the author’s work.

— pirate sources offering authors’ work free illegally.

How about paying a reduced price instead of aiming straight for the freebie?

 

 

 

 

Again, we have a number of reasons but now we’re being asked to pay so why would we choose to do such a thing?

Instead of making a list, there is one main aspect I’d highlight. The author or the supplier is content that the product is worthy of being sold but for whatever reason, the price has been reduced. The onus is on the buying public to look at the reduction which is invariably explained to us in a brief message or if you prefer ‘sales pitch’.

Personally, I’m sceptical when it comes to getting something for ‘free’, but I’m always happy to pay if I perceive a bargain. For example, if there were an eBook that caught my eye and I was getting it for a reduced price I’d buy it, especially if it were by an author I’d yet to try.

In this present climate of international lock-down, we have many thousands of people who are reading more or possibly reading for the first time in many years. Money is a concern, of course, so once again we’re back to that question of taking what’s free or pay, but not too much.

It was with this theory in mind that I created the eBook Bank International a few weeks ago. eBooks for 99p  (or equivalent).

No, it’s not a promotional website for authors in the conventional sense, it is a place which has in excess of 120 titles covering a wide range of genres and includes 17 authors’ work. This is a site which promotes authors, eBooks and the idea that just for once somebody cares about how much money people can afford to spend.

Why is the website based on ‘selling’ for 99p (or equivalent) instead of just giving away our books?

Imagine the number of people out there with an eReader who grab anything for free. Many of them will download titles they’ll never read but they got them for free–their only reason to take the book.

Now, imagine the number of people who might be prepared to pay but only a small amount … say, 99p for an eBook which is normally £2.49. Each title purchased is an investment by that reader and they will likely go on to read the book.

What do the authors get from reducing their prices but not making the titles free?

Interest in their hard work is the first thing, and then, of course, a few sales due to the lower price. The authors involved in this venture may give up a small amount in the first place but they’ve made an investment–in readership. Perhaps their £2.49 title was competitive but the price still put people off and then that same book was offered at 99p … a win-win situation.

Again, on a personal note, I’d rather see a title sell fifty times at 99p than twice at £2.49.

In this post, I’ve featured a variety of my titles but there are many other authors involved in the eBook Bank project, so why not pay a visit and pick up a bargain for 99p (or equivalent).

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Beta or Worse?

Okay, so you’ve written a book and you’ve got a cover.

When you’re happy, do you go ahead and publish, or do you take it steady and make sure it’s readable?

Personally, I ask for beta readers and the more the merrier, whether it be a novel or a         collection of short stories. Yes, there might be a few issues in the final product but they also appear in books by acclaimed traditionally-published authors. Errors can be cut down dramatically with some effort and patience. It’s the responsibility of the author to produce the best book they can.

Before I send a manuscript to readers I’ll have gone at least as far as the third draft and on at least two occasions printed the story to perform a ‘red-pen’ edit. Even then, I tend to offer my beta readers a handful of things I’m    concerned about—a reader’s guide if you like:

Does the intro work? Is the dialogue realistic? Are the characters believable? Did you enjoy the story?

The list can be as long as the author feels necessary, but it’s hoped that the beta reader will highlight other issues too. If you create your characters and your imaginary world with care and attention to detail it will help to make the end product believable.

I’ve performed beta reading for many indie authors. Each book is different in length, style, author’s voice and topic. Not every book might be one I’d go looking for as reading material, but if it will help a fellow author I’m glad to do what I can if I can afford the time.

No, I’m not an editor but my expertise is that of the   reader who knows when something isn’t right in a variety of areas.

I know for example that firing an automatic pistol at a padlock or a door lock is about as much good as throwing your pen at it. Similarly, the only time firing a handgun at an escaping car will work is in movie-land. I know when to use farther instead of further, and inquiry rather than enquiry. No, a cowboy wasn’t thrown against the barn door by the ‘blast’ from a Colt 45, and I don’t care how close his adversary might have been. They’d need to be close just to hit one another. Cars don’t explode simply because they’ve overturned, and some blades don’t slide straight back out of the body after being thrust inward and upward.

Consistency and continuity are important to me and they are not the same thing.

Regarding consistency, I’m looking for a character’s name to always have one spelling, unless a nickname is used, and if a character has blue eyes, then they shouldn’t have brown eyes in the next chapter.

In continuity, I expect that when a character gets into a blue Jaguar and drives somewhere, they don’t get out of a red BMW at their destination.

To avoid rereading I prefer that no two characters use the same weapon, drive the same car or have similar names.

Two characters should not have their voices heard in the same paragraph but it seems to happen in a lot of eBooks. Sentences should also be manageable so that by the time you reach the end you remember the subject.

Dialogue tags don’t always have to be descriptive because the imagery and the dialogue ought to be creating the picture.

It’s fine, even preferable for a character to have a favourite word or phrase but not an author. Think about that one.

One of my greatest gripes is an author who doesn’t know their subject. Take for example the case of the famous   author who’s BDSM character introduces a young woman to mild punishment by giving her a traumatic thrashing with a leather belt, or … no, I’ll leave erotica out of this. Some misguided ideas would make your eyes water.

You get the idea … research, research, research, and don’t just use Google.

If you have space and are physically capable, get out of your chair and try the move you’ve just choreographed. How about:

Getting out of the car, she touched-up her lip gloss and lifted her purse.

No, she didn’t do it all while ‘getting out of the car’ she performed three separate actions.

Recently, I’ve spent a lot of time beta-reading for fellow indies and one of the things I feel that it does is help me in my writing. When I see an issue it tends to stand out and I learn from it, so it’s much less likely that I’ll do it in my work. Invariably, I gain confidence in my writing by seeing that in many cases I know when something is wrong or could be improved.

As an author, I’m aware of how important it is that I read regularly and widely. Thankfully because I’m a member of Kindle Unlimited I’ve been able to start and discard three books in the past couple of weeks. Unfortunate,   perhaps, but if those authors had taken the time to ask for a beta reader or two and I’d finished their books, I might have become a fan.

This article isn’t a rant, I’m highlighting an area of our craft that all indie authors should consider.

All comments are appreciated as always.

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P.S. Yes, I have changed my blog theme again. 🙂

Time after Time – part 2

 

What’s with the ‘part 2’ in the title?

My first blog regarding this topic and the idea was Time after Time on 7th December 2019. I thought it would keep everything neat and tidy if I used the same blog title with the addition of ‘part 2’. It doesn’t mean it’s the second book. It’s not rocket science, and if it was, the theme of the stories would be Sci-Fi … but I digress.

Mainly because I have faith in the standard of the authors there, I only promoted my blog post to the Indie Author Support and Discussion (IASD) group on Facebook.

Apart from one author and friend outside of the group I had the promise of stories from three people. As might be expected, the cusp of a new year is not a great time to capture anybody’s attention so after the minimal interest in December 2019 and January 2020 it was time to play my ace … post again in February.

Inside forty-eight hours I acquired a handful of original/unpublished stories from proposed guest authors and the promise of tales from others.

How do things now stand?

I’m pleased to report that I have completed my personal contribution (six original stories). I may add more if my imagination and time permits.

I have five original stories from guests.

My estimate at this time is that the anthology will contain at least fifteen stories of between 1,000-4,000 words. When published the eBook will be available for 99p/99c and it will also, of course, be available Free on Kindle Unlimited, as are all of my titles.

Now that I have a reasonable number of guest authors and stories, it’s just a matter of time ….

The proposed publication is July 2020, but if sufficient work is done on all of the stories (including my own), and they are ready earlier I’ll be happy to publish earlier.

I had intended to add ‘bonus’ stories of previously published work by the authors but I’ve dropped the idea to avoid upsetting those readers who don’t like finding stories they’ve found elsewhere.

I’m sure any reader or writer would agree it will be a bargain and a great collection.

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Time after Time

 

When a writing idea comes to you is it best to shelve it in your memory, note it in your diary, or get it down where you can play around with it and see if it has any merit?

I’m a great believer in the writing it down method. Although I enjoy writing novels I am unashamedly addicted to the discipline of short story writing.

While working on a story for inclusion on Around the Bend: and other stories, my next anthology, I considered a tale which involved the passage of time, and it struck me that ‘Time’ would be a superb theme for a multi-author anthology. I could write my standard twelve tales to build a collection, but then I thought how great it would be for the reader to have different voices and styles.

Short story collections may not be at the top of readers’ shopping lists, but when there is the opportunity to read a selection of authors and obtain quality with quantity … it works for everybody concerned. I don’t go through the mill of trying to make my author compilations free on Amazon, and I don’t use Smashwords. I do, however, make the price the lowest possible and like all of my titles, I list the combined-effort anthologies on Kindle Unlimited.

Rather than detail everything twice, I have added the idea to my Work in Progress (WIP) list on the main menu. If you feel you could produce a short story based on the theme ‘Time’ and you’d like to donate a tale or two to the collection, please click Time after Time or the book cover graphic, and leave a suitable comment on the appropriate page.

If you’d like to just read the criteria and make a suggestion or comment, please do so.

As you’ll see from my WIP I have a lot on my schedule but I will be taking a keen interest in any stories which are offered for the multi-author collection. There are certain criteria as noted on the book’s page, but above all, I am aiming for quality stories.

I’ve already produced ‘My Writing Year – 2019’ back in November, so no doubt this post will be my final one for 2019.

Thank you to all who take the time to visit and special thanks to you lovely people who make the effort to leave a comment. I wish you all a great festive season and look forward with you to another great reading and writing year.

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My Writing Year – 2019

 

A successful writing year is measured using a variety of criteria by different authors. For me, I must feel that if not prolific, I’ve at least achieved a good standard with what I have published. I’m a firm believer that if as an author I expect a payment, I owe the customer my best efforts.

Rather than talk about ‘numbers’ as a guide, it would be better to look at the time taken for some of my most recent publications. Codename: Nightshade, for example, went through my process for two years before I was happy with the end result. One Man, Two Missions, was a bundle of files for a long time before I was satisfied with every story.

 

 

I created Tom Benson-Erotica to avoid, or at least reduce the mentions of the genre on here, but this post will be one of the exceptions and for good reason. I wrote a novel, a full-length prequel novel, and a book of fifty erotic poems.

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Although the erotica output in my own name may not sound impressive, one of my most ambitious projects to date was the creation of a new author.

During 2019, I published five full-size novels as Katya Cumming. I’ve kept the pseudonym and the stories (in progress), a secret for two years. When I came up with the idea I promised myself not to go public until I had completed several books and published them over a period of twelve months. This would allow me to assess unaided development. The experiment was also to see if ‘Katya’ would be prolific, and successful. She has been both when considering she’s had no support or advertising campaigns.

The theory of creating ‘box sets’ was beyond me for a while. I’d checked a fair number on Amazon and couldn’t see many reviews, so I figured that maybe they were popular as a purchase, but not easy to review. Whatever … I spent a couple of weeks selecting and producing four box sets. They haven’t been my most successful venture, but in each case, I’m giving something back in terms of pricing, so it’s the consumer’s loss; not mine.

Throughout the year I offered my services as a beta reader to several members of the Indie Author Support and Discussion group (IASD), the finest writing group of its type on Facebook. Oh, yes, and in between other things I produced two stories for the IASD horror anthology Depths of Darkness.

To return to my opening statement regarding success in the past year … yes, I believe that with the sales produced under my own name, and the regular sales by ‘Katya’, it has been a successful writing year.

I’ve produced this summary a month earlier than normal for two reasons. Firstly, I am deep into two WIP and will not be publishing anything new in December 2019. Secondly, this post will be appearing in the November issue of the superb Connections eMag produced by fellow author, Melanie P. Smith.

 

 

 

I have a smaller but no less important target for next year, but more of that in my New Writing Year – 2020 post in the near future. Thank you for taking the time to read my thoughts and summary, and for any comments or suggestions, you may leave. Sincere thanks go out to all you lovely people who’ve sampled or continue to read my efforts.

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Producing an Anthology

 

Have you ever considered producing an anthology of short stories?

Perhaps you’ve written short stories and never considered creating a collection, or you’re a novelist who shuns the short story discipline to concentrate on longer work.

My first anthology was a project, a challenge, a dream, and a nightmare all before it became a reality.

I’d written numerous short stories and won competitions, but Smoke & Mirrors: and other stories was my first foray into compiling an anthology. Should I aim for a theme or go multi-genre? Is it best to go with a complete set of original work or include something which has been commended? Go it alone or ask other people to donate a story?

The questions pile up about ten seconds after the decision to tackle such a project.

I’m pleased to report that stories from that first collection are still referred to in reviews, which is heartwarming. It is also a testament to the credibility of the stories and justifies their inclusion. I’ve now compiled seven anthologies including The Welcome: and other Sci-Fi stories created by inviting other authors to join me.

When I compiled ‘The Welcome’ it was never about earning money, it was always intended as a platform for fellow authors from the IASD and me to get examples of our work out there. No, the collection hasn’t made me a millionaire although the book continues to sell the occasional copy. Thanks to Amazon’s peculiar attitude to customers spending a set amount of money before being allowed to comment, there are now fewer reviews being posted.

I suppose I should come clean and admit that if you’re a multi-genre author like me there is a constant need to work on a new anthology. If writing short stories appeals to you then the next logical step must be producing a range of your work instead of keeping it aside waiting for the opportunity a competition offers.

Would you prefer to keep all the stories in one genre, or might you find it easier to mix the genre?

The two main routes to go are theme-based or genre-based, and then, of course, you can go it alone or invite work from others. Apart from anything else, it’s a great way to hone your writing skills.

I enjoy reading and writing short stories. In the Resources section of my blog, apart from tips on the discipline of Writing a Short Story and Competition Writing I have sections regarding anthologies, Creating an Anthology, and Theme or Genre-based?

The key, as with all writing projects is the desire to take on the mission.

If you are more inclined to work on novels, you’ll appreciate that your manuscript needs some downtime, and one of the most useful ways of dealing with this I’ve found is to work on a couple of short stories. Sometimes the distraction produces further inspiration for the novel.

Have you considered inviting fellow authors to join you in creating a collection?

If you have a favourite genre or theme you could create a collection of your short stories or use yours as a base and mix in stories donated by other authors. You are in control.

When you get right down to it, you are practising your writing craft by producing short stories so why not take that next step and build up a few and make them the ‘chapters’ of your first anthology.

I dare you—you’ll be hooked.

My next anthology, due publication in 2020, starts with a factual story, so once again, another twist. The aim for me is to produce a collection of twelve original tales supplemented by three ‘bonus’ stories which are selected from my other anthologies. This creates value for the reader and provides a platform for the other work by the author.

 

Thank you for dropping by, and, as always, comments are welcomed.

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Katya Cumming – interviewed

 

My interview with erotica author, Katya Cumming, has been promised for some time, so with great pleasure, I’d like to introduce you to the new girl on the (writing) block.

Q1. Katya, I respect your decision not to provide a profile picture because of certain types of people. Would you be kind enough to give us a brief description of yourself and your background?

Two descriptions attributed to me have been curvaceous and statuesque, and I like both. I’m a thirty-something brunette from Edinburgh, Scotland, who works in fashion retail. Relationships are for those involved, so that’s where mine will stay. In my quieter moments, I read and write, and sometimes those things are done while I travel which I also enjoy. To keep in shape I swim, jog, cycle, and do aerobics.

Q2. What type of books did you read when you were younger?

While very young I loved adventure stories, but by the time I was a teenager, I’d progressed to romance. It was while babysitting for a neighbour I first discovered books with more interesting topics. The first erotica book I read was sci-fi, but it just made it more fun for me, imagining the things the aliens could do with the human body. It captured my imagination.

Q3. What attracted you to writing erotica rather than any other genre?

I was a fan of romance, but I needed more grit, and moved up to steamy romance. It didn’t take long before curiosity got the better of me and erotica was next. A couple of authors were okay, but most stories were more like plot-starved, sexual fantasy than erotica, so I decided to try my hand … if you’ll pardon the pun.

Q4. How long did you write before publishing?

In terms of time, probably about two years. I’d written some poetry and short stories which were well-received in writing groups, but novels are a different discipline and frightening at first. Over quite a long time I produced the early stages of three novels but I left them aside, adding to them occasionally.

Q5.  How long does it take generally from starting a story to seeing it published on Amazon?

I would suggest a minimum of four months. Once I have an idea I make a few notes and leave them aside to consider from which start point it might best evolve. I also tend to leave the manuscript aside regularly to let me work on something else. The Mistress, which is my shortest story so far was my quickest first draft. It took me fourteen days and I stopped at fifty-thousand words. I reduced it to forty-seven thousand words.

Q6. How many titles do you have available at the present time?

Now that my latest, ‘His & Hers’ is released, I have five books out there, all on Amazon KU.

Q7. Many authors depend on experience for their subject matter—how much of your work is a direct result of personal experience?

Small segments in different stories is the best answer. This is where the male of the species is different from the female I suppose. A guy who sleeps around for a while is sowing his wild oats and is a bit of a lad, but if a girl plays the field she’s a tart. In my mid-teens, I had two relationships with girls, but by the time I was eighteen, I’d confirmed I enjoyed a roll in the hay with a girl or a guy. I’ve been involved in a threesome twice.

Q8. Feminisation and strong female characters are prominent in your work—could you explain why you lean in this direction?

Sexuality is a deep subject. When you delve into the area of ‘gender-benders’ as they’re so cruelly labelled, there is a myriad of areas to explore. Crossdressing is a multi-layered topic and well-suited to the erotica genre. The why and wherefore create a story. Whatever men tell you, and you should know, if a woman is attractive and dominant it’s more likely to add spice to a sexual encounter, rather than be seen as threatening. What that dominant woman wants, she will get one way or the other. Only a chauvinist or a dyed-in-the-wool alpha male would think otherwise.

Q9. What is your response to those who say that erotica is simply literary porn?

If they’re describing a book which is no more than page after page of explicit sex scenes then I’d agree with them. However, if those explicit sex scenes are integral to and supporting a cohesive story, then it is not porn, it is strong erotica.

Q10. Do you believe there is a place in the market for erotica, and strong erotica in particular?

Yes, of course, or people like us wouldn’t be spending weeks and months developing a story to convey the activities of our characters. I’m an advocate of allowing people the freedom to read whatever they please, and if for example, a person has difficulty forming relationships, has an unsatisfactory sex-life or simply enjoys a bit of titillation, a graphic erotic novel might be a release for them, in a manner of speaking.

Q11. What’s your opinion of those who profess to be erotica authors but produce regular, small volumes of badly-written, graphic sex stories?

First of all, the only way they can be called authors is due to having composed the material. They are not necessarily creative people. A graphic description of sex is not particularly creative in itself. Secondly, many of these people rely on no more than three or four plots, usually involving a cash-strapped person, an experiment, or pure fantasy. There is little or no research and no substance. In my opinion, lazy writers are despicable because they are money-grabbers who also affect the reading public’s view of indie authors who are working hard.

Q12. Who are your favourite indie authors?

You are obviously one, Tom, and that’s not simply because of this interview. I’m also a big fan of Sarah Stuart who writes steamy romance, and Lesley Hayes who is just an incredible writer. For the joy of a true storyteller, I like Patrick ‘Max’ Power, Rebecca Bryn, Lucinda E. Clarke, and Mike Billington. I’m a massive fan of the Indie Author Support and Discussion group; all talented international authors. It’s handy to have something to frighten the pants off me so for that I depend on Anne Francis Scott.

Q13. Which, if any, other genres might you consider writing in the future?

I have a yearning to write something in the sci-fi arena, but I’m not sure yet whether I’d go with dystopian, apocalyptic or outer space.

Q14. Can you tell us about your cover designs and how they came about?

I feel that if not from a scene in a story, the cover should at least highlight one aspect or provide a hint of what lies beyond the title. You know as much about them as I do since you’ve made the effort to produce them for me.

Q15. Why have you avoided being interviewed until this point?

Again this is an area of which you have a good grasp. For your benefit and to aim for credibility, I didn’t think it was fitting to be revealed until I’d produced at least five titles in my name and achieved significant sales. I felt that for a long time I was locked away, waiting. When you decided to bring my work to the fore, create my character, my name, and give me my own website it meant so much to me.

Thank you, Tom, for this interview and for bringing me and my work to the attention of the wider public. I do understand how difficult it has been for you to maintain this secret aspect of your life as an author while you’ve worked on my development.

 

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Thank you for opening up to me, Katya. Please, finish your coffee before you get dressed. It’s been great working hand in glove with you and I look forward to your next in-depth tail … oops, I mean, of course, your next in-depth tale. I’m happy we finally have your personal story out there.

And to all who are interested in Katya’s naughty tales, here are links to her work.

Amazon Author Page

Katya Cumming – Erotica

Coming soon ….

Codename: Nightshade – available

 

A standalone crime thriller produced as a result of the Beyond The Law trilogy.

Yes, we authors can write what we ‘know’, or what we enjoy but at the end of the process, the result must be entertaining. For some authors the task of producing a standalone crime thriller might not sound too daunting, after all, what do you need apart from time (two years in this case), imagination and research where required?

I reread the Beyond The Law trilogy from beginning to end in a week. Yes, I wrote the books, but I still made copious notes. The cast includes friends, allies, enemies and a handful of neutrals, but the body count is important—we can’t have dead people coming back if it isn’t that type of tale.

 

Dare I say, I enjoyed the trilogy and felt justified in the character I singled out for the spotlight.

Rachel Donoghue rapidly developed from being a vehicle thief to covert operative and had the desire to continue improving her skills. In Codename: Nightshade, Rachel proves that not only has she improved as an operative she has leadership skills to offer.

Of course, besides all of those things, she is first and foremost an effective vigilante.

There is no requirement to have read the Beyond The Law trilogy before reading the new story, but perhaps you will afterwards. The original trilogy is available as a box set, therefore saving you money, and allowing the download of three books in one.

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Codename: Nightshade

Amazon Preview/Buy

BookLinker Universal

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My Series’ are boxed off

 

How to attract more readers and give them a reward—that was my quest.

I have individual novels, a trilogy, and a five-part novel. My poetry titles come in the form of a bumper book of serial poetry, my five-part, multi-genre series and, of course, a collection of rhyming erotica.

Click image for Amazon page and options including KU.

Erotica, not usually mentioned on this blog—apart from poetry I have several novels, two anthologies of short stories, and a series of novellas.

I was looking at an opportunity hidden in plain sight—box sets.

I could offer a series at a cut-price. Yes, it would mean I lose a small amount in royalties from the individual book sales, but providing entertainment to a greater readership is more important to me than the money—which of course would be the spin-off; I know. 😀

Four questions came to mind.

Click image for Amazon page and options including KU.

How many people are keen to have a series available in one download?

How many people will take the opportunity of saving about 15-20% on the overall price?

How many of my series should I prepare as box sets?

Click image for Amazon page and options including KU.

How hard would it be to create them, and how long would it take?

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The good news is, the graphics in this post are not simply for show. The first part of the job is done—four box sets completed, although while working on the project it felt like forty. Amendments to front and back matter was tedious, but worthwhile.

In each case, there is at least a free book when comparing prices to individual purchases.

These box sets are available on Kindle Unlimited.

Click image for Amazon page and options including KU.

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I have no intention of going along the audio route so it will be interesting to see if this idea works.

Things got off to a good start with the erotica—a box set sold within three hours of publication.

I’ll write a post giving any useful information if the idea takes off, and in which area/genre.

A Life of Choice is available as five individual eBooks, a box set of five, and as a paperback trilogy.

If you’re new to my brand, all of my eBook titles are available on Kindle Unlimited.

In my meantime, I’ll be happy to accept question, comments and suggestions.

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