Welcome to my world in this new writing year. Due to the methodology of creative writing, it is a craft in which the product disregards the passing from one year to the next. Of course, authors, like many other people like to feel they are making progress, so we recognise the new year even if our work doesn’t.
Work in Progress (WIP) I am bringing forward this year?
Light at The End. This is my first attempt at a post-apocalyptic novel. The seventh draft is now as much history as the missiles which are mentioned early in the story. I’ve had alpha and beta readers check out the tale. I aim to publish on Saturday 11th January 2020.
OMG, that’s next weekend.
Czech Mate. This story features a young art dealer from Edinburgh who follows up a mysterious and cryptic message left in his father’s will. As the title suggests, Bryce, our hero finds himself in the Czech Republic and then things get complicated. This story has been put on hold over the past year for a variety of reasons but I’m aiming for publication in 2020.
Codename: Foxglove. This is a sequel to Codename: Nightshade. In the ‘Nightshade’ story, Rachel Donoghue continues the work she was trained for by Phil and Annabel in the Beyond the Law trilogy.
Dominique McEwan, a young woman with a keen sense of justice is recruited and assessed by Rachel Donoghue (Deadly Nightshade). The pair vow to work together and build a new team of vigilante operatives. How rapidly this story develops will depend on how many other projects in which I become involved.
Around the Bend is my next anthology of mixed-genre short stories. This collection opens with a fact-based tale of a road accident. I witnessed the incident and was then involved in the rescue of one of the vehicle drivers. The other stories in this anthology include covert operations, romance, horror, comeuppance, police detectives and more.
At the time of producing this post, I have no immediate plans to publish more erotica in my own name. I already have two more erotica titles underway but they will be under the Katya Cumming banner. ‘Katya’ has six titles available and all are doing well, although reviews are scarce as we all know. My intention is for her to cease producing work when ten titles are achieved.
My first target with Katya was to use the pseudonym as an experiment, which produced positive results, and the secondary aim is to reach ten titles. Six are published, two more are WIP and I have two more sketched out as basic ideas.
What else is on the cards for me this year?
I’d like to publish another invitation anthology in 2020. As I did with The Welcome: and other Sci-Fi stories I will produce at least six tales and add work from other authors. My aim is to create an anthology of twelve original stories plus three or more bonus tales of a similar theme. Like the main collection, the bonus stories will come from my guest authors and me, but they will be stories which are previously published. The idea may or may not work, but my choice of theme is ‘Time’, hence the title, Time after Time. If you’re interested, please use the highlighted title or click on the book cover to go to the WIP page.
I will be reading for pleasure, and beta reading throughout the year as normal which takes a lot of my time, but while I’m helping a fellow author of whatever level, you won’t find me complaining. I will be continuing to mentor my good friend, fellow author and poet Carmen Lopez.
Two anthologies of short stories have put Carmen on the global stage, and this year gets underway with the recent publication of her first novel, Beware The Fury. (US link)
A successful writing year is measured using a variety of criteria by different authors. For me, I must feel that if not prolific, I’ve at least achieved a good standard with what I have published. I’m a firmbeliever that if as an author I expect a payment, I owe the customer my best efforts.
Rather than talk about ‘numbers’ as a guide, it would be better to look at the time taken for some of my most recent publications. Codename: Nightshade, for example, went through my process for two years before I was happy with the end result. One Man, Two Missions, was a bundle of files for a long time before I was satisfied with every story.
I created Tom Benson-Erotica to avoid, or at least reduce the mentions of the genre on here, but this post will be one of the exceptions and for good reason. I wrote a novel, a full-length prequel novel, and a book of fifty erotic poems.
Although the erotica output in my own name may not sound impressive, one of my most ambitious projects to date was the creation of a new author.
During 2019, I published five full-size novels as Katya Cumming. I’ve kept the pseudonym and the stories (in progress), a secret for two years. When I came up with the idea I promised myself not to go public until I had completed several books and published them over a period of twelve months. This would allow me to assess unaided development. The experiment was also to see if ‘Katya’ would be prolific, and successful. She has been both when considering she’s had no support or advertising campaigns.
The theory of creating ‘box sets’ was beyond me for a while. I’d checked a fair number on Amazon and couldn’t see many reviews, so I figured that maybe they were popular as a purchase, but not easy to review. Whatever … I spent a couple of weeks selecting and producing four box sets. They haven’t been my most successful venture, but in each case, I’m giving something back in terms of pricing, so it’s the consumer’s loss; not mine.
Throughout the year I offered my services as a beta reader to several members of theIndie Author Support and Discussiongroup (IASD), the finest writing group of its type on Facebook. Oh, yes, and in between other things I produced two stories for theIASDhorror anthologyDepths of Darkness.
To return to my opening statement regarding success in the past year … yes, I believe that with the sales produced under my own name, and the regular sales by ‘Katya’, it has been a successful writing year.
I’ve produced this summary a month earlier than normal for two reasons. Firstly, I am deep into two WIP and will not be publishing anything new in December 2019. Secondly, this post will be appearing in the November issue of the superbConnections eMagproduced by fellow author,Melanie P. Smith.
I have a smaller but no less important target for next year, but more of that in my New Writing Year – 2020 post in the near future. Thank you for taking the time to read my thoughts and summary, and for any comments or suggestions, you may leave. Sincere thanks go out to all you lovely people who’ve sampled or continue to read my efforts.
Have you ever considered producing an anthology of short stories?
Perhaps you’ve written short stories and never considered creating a collection, or you’re a novelist who shuns the short story discipline to concentrate on longer work.
My first anthology was a project, a challenge, a dream, and a nightmare all before it became a reality.
I’d written numerous short stories and won competitions, but Smoke & Mirrors: and other stories was my first foray into compiling an anthology. Should I aim for a theme or go multi-genre? Is it best to go with a complete set of original work or include something which has been commended? Go it alone or ask other people to donate a story?
The questions pile up about ten seconds after the decision to tackle such a project.
I’m pleased to report that stories from that first collection are still referred to in reviews, which is heartwarming. It is also a testament to the credibility of the stories and justifies their inclusion. I’ve now compiled seven anthologies including The Welcome: and other Sci-Fi stories created by inviting other authors to join me.
When I compiled ‘The Welcome’ it was never about earning money, it was always intended as a platform for fellow authors from the IASD and me to get examples of our work out there. No, the collection hasn’t made me a millionaire although the book continues to sell the occasional copy. Thanks to Amazon’s peculiar attitude to customers spending a set amount of money before being allowed to comment, there are now fewer reviews being posted.
I suppose I should come clean and admit that if you’re a multi-genre author like me there is a constant need to work on a new anthology. If writing short stories appeals to you then the next logical step must be producing a range of your work instead of keeping it aside waiting for the opportunity a competition offers.
Would you prefer to keep all the stories in one genre, or might you find it easier to mix the genre?
The two main routes to go are theme-based or genre-based, and then, of course, you can go it alone or invite work from others. Apart from anything else, it’s a great way to hone your writing skills.
The key, as with all writing projects is the desire to take on the mission.
If you are more inclined to work on novels, you’ll appreciate that your manuscript needs some downtime, and one of the most useful ways of dealing with this I’ve found is to work on a couple of short stories. Sometimes the distraction produces further inspiration for the novel.
Have you considered inviting fellow authors to join you in creating a collection?
If you have a favourite genre or theme you could create a collection of your short stories or use yours as a base and mix in stories donated by other authors. You are in control.
When you get right down to it, you are practising your writing craft by producing short stories so why not take that next step and build up a few and make them the ‘chapters’ of your first anthology.
I dare you—you’ll be hooked.
My next anthology, due publication in 2020, starts with a factual story, so once again, another twist. The aim for me is to produce a collection of twelve original tales supplemented by three ‘bonus’ stories which are selected from my other anthologies. This creates value for the reader and provides a platform for the other work by the author.
Thank you for dropping by, and, as always, comments are welcomed.
My interview with erotica author, Katya Cumming, has been promised for some time, so with great pleasure, I’d like to introduce you to the new girl on the (writing) block.
Q1. Katya, I respect your decision not to provide a profile picture because of certain types of people. Would you be kind enough to give us a brief description of yourself and your background?
Two descriptions attributed to me have been curvaceous and statuesque, and I like both. I’m a thirty-something brunette from Edinburgh, Scotland, who works in fashion retail. Relationships are for those involved, so that’s where mine will stay. In my quieter moments, I read and write, and sometimes those things are done while I travel which I also enjoy. To keep in shape I swim, jog, cycle, and do aerobics.
Q2. What type of books did you read when you were younger?
While very young I loved adventure stories, but by the time I was a teenager, I’d progressed to romance. It was while babysitting for a neighbour I first discovered books with more interesting topics. The first erotica book I read was sci-fi, but it just made it more fun for me, imagining the things the aliens could do with the human body. It captured my imagination.
Q3. What attracted you to writing erotica rather than any other genre?
I was a fan of romance, but I needed more grit, and moved up to steamy romance. It didn’t take long before curiosity got the better of me and erotica was next. A couple of authors were okay, but most stories were more like plot-starved, sexual fantasy than erotica, so I decided to try my hand … if you’ll pardon the pun.
Q4. How long did you write before publishing?
In terms of time, probably about two years. I’d written some poetry and short stories which were well-received in writing groups, but novels are a different discipline and frightening at first. Over quite a long time I produced the early stages of three novels but I left them aside, adding to them occasionally.
Q5.How long does it take generally from starting a story to seeing it published on Amazon?
I would suggest a minimum of four months. Once I have an idea I make a few notes and leave them aside to consider from which start point it might best evolve. I also tend to leave the manuscript aside regularly to let me work on something else. The Mistress, which is my shortest story so far was my quickest first draft. It took me fourteen days and I stopped at fifty-thousand words. I reduced it to forty-seven thousand words.
Q6. How many titles do you have available at the present time?
Now that my latest, ‘His & Hers’ is released, I have five books out there, all on Amazon KU.
Q7. Many authors depend on experience for their subject matter—how much of your work is a direct result of personal experience?
Small segments in different stories is the best answer. This is where the male of the species is different from the female I suppose. A guy who sleeps around for a while is sowing his wild oats and is a bit of a lad, but if a girl plays the field she’s a tart. In my mid-teens, I had two relationships with girls, but by the time I was eighteen, I’d confirmed I enjoyed a roll in the hay with a girl or a guy. I’ve been involved in a threesome twice.
Q8. Feminisation and strong female characters are prominent in your work—could you explain why you lean in this direction?
Sexuality is a deep subject. When you delve into the area of ‘gender-benders’ as they’re so cruelly labelled, there is a myriad of areas to explore. Crossdressing is a multi-layered topic and well-suited to the erotica genre. The why and wherefore create a story. Whatever men tell you, and you should know, if a woman is attractive and dominant it’s more likely to add spice to a sexual encounter, rather than be seen as threatening. What that dominant woman wants, she will get one way or the other. Only a chauvinist or a dyed-in-the-wool alpha male would think otherwise.
Q9. What is your response to those who say that erotica is simply literary porn?
If they’re describing a book which is no more than page after page of explicit sex scenes then I’d agree with them. However, if those explicit sex scenes are integral to and supporting a cohesive story, then it is not porn, it is strong erotica.
Q10. Do you believe there is a place in the market for erotica, and strong erotica in particular?
Yes, of course, or people like us wouldn’t be spending weeks and months developing a story to convey the activities of our characters. I’m an advocate of allowing people the freedom to read whatever they please, and if for example, a person has difficulty forming relationships, has an unsatisfactory sex-life or simply enjoys a bit of titillation, a graphic erotic novel might be a release for them, in a manner of speaking.
Q11. What’s your opinion of those who profess to be erotica authors but produce regular, small volumes of badly-written, graphic sex stories?
First of all, the only way they can be called authors is due to having composed the material. They are not necessarily creative people. A graphic description of sex is not particularly creative in itself. Secondly, many of these people rely on no more than three or four plots, usually involving a cash-strapped person, an experiment, or pure fantasy. There is little or no research and no substance. In my opinion, lazy writers are despicable because they are money-grabbers who also affect the reading public’s view of indie authors who are working hard.
Q12. Who are your favourite indie authors?
You are obviously one, Tom, and that’s not simply because of this interview. I’m also a big fan of Sarah Stuart who writes steamy romance, and Lesley Hayes who is just an incredible writer. For the joy of a true storyteller, I like Patrick ‘Max’ Power, Rebecca Bryn, Lucinda E. Clarke, and Mike Billington. I’m a massive fan of the Indie Author Support and Discussion group; all talented international authors. It’s handy to have something to frighten the pants off me so for that I depend on Anne Francis Scott.
Q13. Which, if any, other genres might you consider writing in the future?
I have a yearning to write something in the sci-fi arena, but I’m not sure yet whether I’d go with dystopian, apocalyptic or outer space.
Q14. Can you tell us about your cover designs and how they came about?
I feel that if not from a scene in a story, the cover should at least highlight one aspect or provide a hint of what lies beyond the title. You know as much about them as I do since you’ve made the effort to produce them for me.
Q15. Why have you avoided being interviewed until this point?
Again this is an area of which you have a good grasp. For your benefit and to aim for credibility, I didn’t think it was fitting to be revealed until I’d produced at least five titles in my name and achieved significant sales. I felt that for a long time I was locked away, waiting. When you decided to bring my work to the fore, create my character, my name, and give me my own website it meant so much to me.
Thank you, Tom, for this interview and for bringing me and my work to the attention of the wider public. I do understand how difficult it has been for you to maintain this secret aspect of your life as an author while you’ve worked on my development.
Thank you for opening up to me, Katya. Please, finish your coffee before you get dressed. It’s been great working hand in glove with you and I look forward to your next in-depth tail … oops, I mean, of course, your next in-depth tale. I’m happy we finally have your personal story out there.
And to all who are interested in Katya’s naughty tales, here are links to her work.
In my latest anthology of short stories, once again I’ve aimed to create a blend of action, intrigue, suspense, and twist in the tale. I feel particularly satisfied with these tales because several of them have been in my files at some level of completion for about five or six years.
I never throw away an idea, and at least three of these stories grew from a single paragraph removed from a previous short story or novel. In their original locations, those paragraphs were excess to requirement, but nurtured, over time they grew to become stories in their own right.
Once again, to offer value to my readers I’ve included bonus stories to support the new line-up. If you decide to try my work, I’d appreciate a review—however short.
For a few years, I’ve conducted mini-experiments, and ‘surveys’ if you like. Nothing extensive which would include other authors or their work, simply a record of how my output is doing. Among my tinkering, I’ve changed formatting, book covers, and tried genre to see if I was capable of writing whatever it might be.
I’ve had positive feedback on the latest poetry covers, and the erotica covers—in particular how I’ve sub-branded them in colour for an anthology, novella, or novel.
I started my creative writing with poetry, moved on to short stories, and then novels. Since mid-2014 I’ve dedicated some of my writing time to erotica. I got underway with a novel and a single collection of erotic short stories, so I never expected much success—the market is flooded with 25-page, and 40-page ‘books’. I’ve seen book ‘bundles’ which in their entirety amount to about 100 pages.
Why am I stressing the erotica output when I removed it from this blog over a year ago?
Using the six-month period from September 2018—February 2019, I started my latest check on how things are shaping up for my books. When I include KENP (the page reads recorded on Amazon), and the sales, I’ve found that the popularity of my genres in descending order is:
Erotica, Military, Thriller, Romance, Short Story Anthologies, and finally Poetry Anthologies.
When I’ve dug a little deeper I’ve found that the KENP brings me in three times as much money as outright sales of any of my work. KENP related to my erotica titles brings in more than half of all the money I earn on Amazon.
This tells me that although erotica receives the fewest public reviews overall, it earns the most money, and it’s from people who don’t want to buy books—they want to borrow them. They don’t want anybody to know … so they borrow, read, and get rid.
Having said all of the above, my next erotica title is Woman to Woman, a prequel to Give & Take: A Tale of Erotica—my most popular book in the genre. When the next erotica title has been published, I’ll be giving the sex angle a rest and concentrating on my mainstream writing.
Why do I intend to stop erotica when I have successful titles?
I’m not in the writing game for the money—if I was, I’d set higher prices. 🙂
I do have another experiment underway but to get accurate results I’ll need another couple of months. I will report my findings later, whether good or bad.
And there you have it—if you are using Kindle Unlimited and enjoying my erotica (which like all of my books is on KU), you’re in good company.
Don’t be bashful … leave a review.
Until next time, thank you for dropping by.
P.S. If you haven’t been over for a look at my other blog:
There is more than a hint of deja vu as I begin this post. I started 2018 with the intention of producing two more thrillers and a new collection of short stories. Work was done on all of those projects but none were completed. The reasons were many and various.
Among the many other projects I did complete last year, in the erotica genre I published: two novels, a novella, and an anthology of short stories, all of which I found easier, though no less time-consuming than my planned books. If I’m not enjoying what I’m producing, it isn’t going to be my best.
Here I am once again with the same intentions as 2018, but in a better frame of mind to get the job done.
I may not produce as many titles this year, but I feel confident I have sufficient work done to ease my early progress into each of my main writing projects. In an effort to improve my focus I’ve refreshed/improved the proposed covers.
Codename: Nightshade is a crime thriller. The book is a standalone, and spin-off from the Beyond The Law trilogy. Rachel Donoghue is the central character and depending on your viewpoint—the heroine. For now, I think that’s enough to know about this one.
Czech Mate is a crime thriller based on the activities and adventures (or misadventures), of a young Scottish artist and gallery proprietor. The reading of his late father’s will is the kicking-off point for the tale, and apart from his native Scotland, he finds himself in Central Europe—mainly Prague, capital of the Czech Republic.
One Man, Two Missions: and other stories is a new anthology, although some of the stories have been in my files for a few years. They are of a wide variety of genre, similar to other anthologies I’ve produced which have proved popular.
Rather than predict an exact publication date for any of this work, I’d suggest it will be out there when it’s good and ready.
What else have I got lined up this writing year?
I have four erotica titles at various stages and a book of poetry of the same genre. They are detailed on the dedicated website—Tom Benson – Erotica.
I will be reading as much as possible, as usual, and I’ll be mentoring, beta-reading and helping my peers whenever I can.
The production of more paperbacks will probably be put on hold—they don’t sell in sufficient numbers to make the investment of time worthwhile, and at least in my case they are aimed more at giving to charitable causes, or as gifts.
There you have it—a summary of my proposed writing year, so it will be interesting to see how it all shakes out.
Did I do anything of importance regarding writing during 2018?
In late December I reread On Writing: A Memoir of the Craft by Stephen King. If you’re a writer and you have yet to read that book I would suggest you are doing yourself and your proposed readership a disservice. As I reach the end of this post, for the benefit of my peers who may not have read the book, here is an excerpt from one of the final paragraphs:
“Writing isn’t about making money, getting famous, getting dates, getting laid, or making friends. In the end, it’s about enriching the lives of those who will read your work, and enriching your own life, as well.”- Stephen King.
As recently as the end of December 2018 I spent an entire day working to update and improve this blog. I removed a needless heading from my main menu and set up a new one—Samples of my work. If you’d care to visit the new feature you will find samples of complete short stories of various genre, individual poems of different genre and examples of my serial poetry.
If you are a fellow scribe, I hope you have a wonderful, productive year ahead. If you’re a reader, may you find yourself absorbed in many a good story, and if you’re a reviewer, I hope you like my work.
Thank you for reading, and as always, comments are not only welcome but encouraged.
As many of us do, I like to look back and believe I’ve accomplished something in the past year. For me, this was my first full year in retirement—having finished my regular working life in late 2017.
My aim was the same as always, to use my time productively. Apart from reading/reviewing and my literary output, I had a couple of big domestic projects to plan and complete. I wouldn’t concentrate properly on my writing if I didn’t deal with one of my domestic jobs first, so January was written off.
February—I bought Vellum, a quality formatting programme to use with my Mac. Not only was I intent on producing paperbacks—I wanted the interior to look smart, and professional. Before a book was released as a paperback it would be completely revised. The revisions were already underway. My eBooks were also scheduled for the processing through Vellum.
In terms of reading, I set myself a target of fifty books and completed forty-six. I will read two more by the end of year. 🙂
Do I feel as if I’ve met my targets?
I do, and apart from dealing with the occasional injury or extremely bad weather, I maintained my daily early morning cycle ride. Personally, I feel as if I’ve had a good year and I now look forward to continuing with the same enthusiasm as we go into 2019.
My aims for 2019 will be set out in my next post … very soon. In the meantime, thank you for being a part of my writing life, in whichever way, large or small. It all counts for me.
A heads-up for all you lovely people who have taken the time to read this post. I have four very different titles being offered free and they’ll be available* from Wednesday 19th through Sunday 23rd December.
*This is, of course, if there are no technical hitches with Amazon.
Have a peaceful end to the old year and a great start to the new one.
The Dandelion Clock is a story of young lovers torn apart by war. While Bill fights in Gallipoli, Egypt, and Palestine and endures the hardships and tragedies of war with his beloved horse, Copper, Florrie fights her own war at home in England and dreams of marriage to Bill.
Florrie’s widowed father is an abusive and violent drunkard, and she is bringing up her six siblings as best she can with rationing, poverty, and the loss of her menfolk – a mirror of my grandmother’s young life.
In times of self-doubt, Florrie turns to her dandelion clocks, ‘He lives; he lives not – he loves me; he loves me not.’ Can Bill survive to keep his promise to Florrie to marry her, and can he bring his old warhorse home safe? Will Bill and Florrie’s love survive five years apart?
The Inspiration for this story, by Rebecca Bryn – the author
The Dandelion Clock was inspired by some old photos I found when moving house. My grandparents, Bill and Florrie were a huge influence on my young life and the photos brought back both happy and sad memories. Here was Grandad mounted on his beloved horse—a horse that took him to Egypt and Palestine during the First World War and carried him into battle. His love of horses was something I inherited and which dominated my life for many years, so it was natural, when I began to tell Bill’s story, that his horse would play as important a part as his sweetheart, Florrie.
Researching and writing The Dandelion Clock opened my eyes to the sacrifices my grandparents and those of their generation made. It opened my eyes to the suffering and the hardships endured by both man and horse in the scorching heat of a waterless desert, and the freezing snow of Gallipoli.
“I marched with the Royal Buckinghamshire Hussars across the salt flat before Chocolate Hill with no cover and Turkish guns on the hills around them picking them off like shooting fish in a barrel. I watched men and horses die of heat exhaustion in the Sinai Desert and learnt to stab, twist, and pull a bayonet. I watched the light go out of the eyes of men I had no cause to hate for a war I didn’t understand, and I came home to a country I barely recognised with wounded men begging on the streets, poverty, and few jobs, and wondered what I’d fought for.”
War changes people, as it changed my grandfather. The effects are far-reaching, far beyond the 40,000,000 casualties, of whom 20,000,000 of these died, and 11,000,000 of the dead were civilians. That leaves some 9,000,000 military deaths – young men, some volunteers but mostly conscripted who downed tools and marched to war never to return. The Dandelion Clock seeks to honour the men and horses of the Great War and the women who waited at home ‘keeping the home fires burning’ through rationing, poverty, and loss of their menfolk.
Royalties go to two charities:
ABF The Soldiers Charity
I felt the need to honour the courage of the soldiers of The Great War in some more charitable way, so I asked around some ex-military friends and was recommended a charity that supports both serving and veteran soldiers and their families. Half the royalties from pre-orders and sales of The Dandelion Clock up to Remembrance Day Centenary on November 11th 2018 will be donated to ABF The Soldiers Charity, a charity that supports soldiers, military widows, and their families through their darkest times. Their youngest beneficiary is 2-years-old and their oldest 106-years-old. With so many wounded men, some suffering shellshock, and many bereaved families, this is a charity that would have been greatly appreciated in 1918.
A hand up, not a hand out – “In 1944, around 3 million British soldiers were at war, notably in France, Italy and Burma, but with the end in sight, the Army Board realised that the State would not be able to provide for all the needs of those who would soon return to civilian life. The Army Benevolent Fund came into being on 15th August 1944. The “Fund for the Soldier” is, as The Times said, “an object none can question” because the soldier is what it is all about. In its first year, the Charity was ‘pump-primed’ with the huge sum of £1.5m from the NAAFI’s profits, enabling the Charity to make much-needed grants. – ABF The Soldiers’ Charity has a well-established and substantial grants programme of support to charities and organisations that provide lifetime support to soldiers, veterans and their immediate families. We will normally fund up to 100 charities in a given year which deliver support on behalf of the Army and ourselves.”
The other half of my royalties will go to Brooke. It wasn’t until I reached the part in my story where I sought a way to bring Bill’s horse, Copper home, that I discovered the horrific end many of the faithful and courageous warhorses suffered. The Brooke is a charity that now rescues horses, mules, and donkeys in some of the poorest parts of the world.
Every horse remembered– “On arrival in Egypt in 1930, Dorothy Brooke was determined to find the surviving ex-warhorses of the British, Australian and American forces. These brave and noble horses were sold into a life of hard labour in Cairo when the conflict ended.
Searching for them throughout Cairo, Dorothy was appalled to find hundreds of emaciated and worn-out animals desperately in need of help. She wrote a letter to the Morning Post (which later became the Daily Telegraph) exposing their plight.
The public were so moved they sent her the equivalent of £20,000 in today’s money to help end the suffering of these once proud horses.
Within three years, Dorothy Brooke had purchased five thousand ex-warhorses. Most were old, exhausted and had to be humanely put down. But thanks to her compassion, they ended their lives peacefully.
Dorothy Brooke knew thousands of hard-working horses, donkeys and mules still suffered so in 1934 she founded the Old War Horse Memorial Hospital in Cairo, with the promise of free veterinary care for all the city’s working horses and donkeys. The Brooke Hospital for Animals was born.”
I also donate money to the United States Holocaust Memorial Museum each year from sales of Touching the Wire – a story of the women of Auschwitz – to honour the victims and survivors of the Holocaust. Go to https://www.ushmm.org to help further Holocaust education.
It feels wrong to make money from the suffering of others, but in relating their stories, I hope to keep their memories alive, and donating is one way I can give something back to charities that would have been close to their hearts.
About the Author
Originally from Kettering, in Northamptonshire, Rebecca Bryn lives in West Wales with her husband and dog where she paints the fabulous coastal scenery and writes historical, mystery, and post-apocalyptic tales with a twist. She believes you shouldn’t judge a man until you’ve walked two moons in his moccasins and to date has a 100% success rate at surviving. :
My personal view of the story
Try if you will, to go without food for a day, or a decent hot drink, or sleep … having worn the same clothes for days on end in a range of temperatures. What could be worse? Place yourself in adverse conditions and introduce a few ground-shaking bombs and an enemy firing at you.
Have you considered the ability to clean and service your rifle and equipment?
How about aiming and firing back at the enemy from a water-filled, muddy trench.
Combine these things with the remorseless ‘duty-bound’ attitude of your leadership—now you have a tiny vision of life in The Great War.
Be rewarded for playing your part
If you’d like to help Rebecca support these charities and get a wonderful book to read, you can pre-order The Dandelion Clock. The eBook is currently available on pre-order at the special price of 99p/99c until September 4th. On release, September 5th it will be priced at £1.99/$2.99.
I believe the greatest pressure applied to an indie author is from within—as should be the case with any self-motivated person. We must have a heartfelt desire to produce work to the best achievable standard. This sets the tone for this post.
Each year, I end with a summary of my writing achievements and near-misses (I try not to class anything as a failure—except my one-time attempt at writing for children). I tend to start the new year with my targets for the year ahead, but it occurred to me to produce a mid-year summary.
This year has already served me with mixed fortunes in my writing.
Codename: Nightshade, a standalone thriller has for several reasons not developed as well as I would like, and will remain a Work in Progress.
Czech Mate, a second standalone thriller has likewise cost me time and effort but I’m unsatisfied with the direction—a second tale to leave on the back-burner.
One Man, Two Missions: and other storiesis my next anthology of mixed-genre tales and they are coming along well. Several of the stories started life a long time ago—and we are talking years; not weeks or months. Due publication in summer/autumn 2018.
Lisa: and other short stories by C I Lopez was a collection I felt privileged to assist the author to produce. This is Carmen’s second selection of stories from her wide-ranging files full of short stories. As I did with her first anthology, I provided three ‘bonus’ tales to support the book. This author may be new to some of you, but her work is worth checking out.
Curious and Camping: An Erotic Journey developed rapidly from two different ideas, and I believe it worked. In May 2018 it became my second erotica novel. As usual with this genre, good to see early sales, but reviews are hard to come by.
Quiet Night Inn: and other erotic stories is another by-product of not throwing away ideas and has resulted in the successful completion of my second erotic anthology. These tales have been redrafted several times over a long period. Publication – June 2018.
Paperback conversions had been beckoning me for a couple of years and I’m pleased I postponed the task—and a task is what it is. Of course, I’m suggesting that it’s hard work, but my intention was never to simply copy the eBook files and have a cover designed.
I reworked Amsterdam Calling from beginning to end and apart from reducing the word count and altering the style to cut dialogue tags, I believe the writing is an improvement. The cover was designed by my professional cover designer AimeeCoveney and made to measure.
Having learned many lessons, I followed up with Ten Days in Panama and performed the same disciplines. Once again the job took weeks rather than days, but the end product is pleasing to the eye—in my humble opinion.
I had intended the next paperback project to be the Beyond The Law trilogy, but again, for various reasons, I’m putting that job on hold. I may write a post in a few weeks to explain my rationale for those who are interested in such information.
A Life of Choice, my military, fact-based fiction series-novel is by far my most successful work to date. This story has resulted in my book sales being daily and not sporadic. My page reads (KENP), have for some months been in the thousands rather than the hundreds on a regular basis.
Requests to have the story in the paperback format are sent to me at least twice weekly, which to my way of thinking is a ‘demand’ worth meeting.
Again, it will not be a straightforward ‘conversion’ of digital to paperback. I will have five books to revise, but to make all five books worth the price set by Amazon I intend to move chapters to increase/decrease volumes to keep them at a uniform size—which is appropriate.
My poetry collections had never been a consideration for a paperback, until recently when I thought it might be a good idea to combine all five anthologies as a single bumper edition (250) of my rhyme. It will be a project to keep me occupied when I’m taking time out from other work.
My writing journey began seriously in 2007. From the outset, although at first, they were of a low standard I dabbled in short story writing. I kept titles, ideas, introductions, passages and whole stories. As my writing has developed I revisit those old snippets and occasionally it takes only a title or a phrase I’ve used and I feel the urge to get a story written using those old fragments.
I am a great believer in a writer never throwing away material, and this has proved an asset and helped my steady production of titles.
During January 2018 I increased my Facebook visibility by creating Tom Benson – First Pages. My intention was always to attempt a daily post and when I felt the page was established, give publicity to other indie authors.
For three months I plugged away, highlighting an excerpt from one of my books. As April got underway I introduced Monday and Thursday as Review days to show my reviews of fellow indie authors’ work.
I don’t know how much notice is taken of the reviews I feature, but I have noted an uptake on my titles over this time. On week-ending 20th May, I stopped all activity on the page—my intention, to leave it dormant for one week. I’ll see how it goes in the coming weeks.
The internet and social networking are wonderful aspects of our modern world, but occasionally I indulge in a partial or complete detox. Over the past week I’ve deliberately kept a low profile and for me at least, it helps recharge my creative batteries.
Thank you in advance to all those who indulge me with a visit here.