My Independence Day

Being a Scotsman, and not an American, I don’t celebrate 4th July as Independence Day—mine would be Friday, 15th January 2021.

Why?

That was when I first published a book I’d written, edited, formatted, and for which I’d created the paperback cover.

It’s the dream of every writer to hold their work as a physical book in their hands, and for some newbie authors that desire tends to overshadow the need for ensuring a good product. I’m not a big fan of an eBook and a paperback being published at the same time by an indie author. Invariably, there will be minor issues with a book even after reaching publication. I prefer to have the book ‘in my hands’ on my Kindle to read it, yet again, but this time as a reader. When I’m content that I’ve done the job to the best of my ability, I then create the paperback edition.

This might sound simple, however there are some differences that many aspiring authors don’t seem to grasp in their rush to produce both types of book.

What’s the difference with the exterior?

A paperback cover should never simply be an eBook cover ‘stretched’ to fit. The two covers must be treated as different creations. Apart from the front cover and back cover, a paperback has a spine that is measured to take an exact number of physical pages.

There is also a back cover which contains the blurb, and a space must be allocated to allow for the barcode. Options include an author pic (which I don’t use), and excerpts from reviews (which I do use).

What’s the difference with the interior?

In an eBook, the front matter ought to be minimal—title, copyright, dedication, acknowledgments, contents, and prologue. The back matter might have an epilogue, endnotes, author bio, a word from the author, and a list of other titles by the author.

The author must bear in mind that the customer/reader is intent on reading the story as a priority with a Kindle, so anything else is simply supporting material and necessitates flicking through countless screens.

In a paperback, an indie author should think in terms of the industry standard. The front matter will have pages for title, copyright, acknowledgements, dedication, contents, and prologue. I tend to put my author bio and my list of other titles with the front matter, which leaves only any endnotes or ‘a word from the author’ as the back matter.

As with every topic related to indie publishing, it is all by nature a personal choice.

In terms of producing an author’s back catalogue in both eBook and paperback format, I have now (after much effort), produced most of my titles in both formats.

It took me weeks rather than days, but I eventually created a set of four paperback anthologies of my personal short stories. Rather than stay true to single genres, I opted for mixed genre, therefore allowing twenty tales per book.

What are the exceptions to my paperbacks?

I have up until now, not produced my poetry in paperback because they are bespoke collections. I am toying with the idea of creating ‘mixed anthologies’ of poetry, so for example I might end up with a series of books but each will include: Humour, Love and Romance, Natural History, Military Matters, Thrills and Chills, and serial poetry.

I have not, and have no intention of publishing my erotica in paperback. The titles sell well enough but have few public reviews. I believe that this stems from erotica readers enjoying the stories but with the confidence that it is done on an eReader, offering privacy.

We might go public with many things, but there are some aspects of our lives that we all want to keep to ourselves.

Thank you for reading.

Who is Sylvia?

Sylvia is the character who is occupying much of my time recently. When I wrote Light at The End, it was intended as a standalone, but although it was a fulfilling story to write, there was more to say, and so it became the first of a trilogy.

In much the same way, I ended the third book in the LaTE trilogy feeling that the job was done, and then while working on something completely different I was nagged by the thought that Sylvia’s story ought to be told. She made several appearances in Dark to Light (LaTE – Book 3), but it was more of a cameo role. By implication, Sylvia continued beyond the main story, and so I feel justified in giving her a starring role.

I’ve shelved my other two new novels while I devote many of my daylight hours to Sylvia. To tell one person’s story might be fun for the author, but it’s the reader’s satisfaction which ought to be the author’s primary aim. With this in mind, I’ve created a well-rounded back-story for my leading lady and, of course, there will be interaction with old and new characters in the wider arena of the post-apocalyptic world in which she lives.

Other projects will be tackled whenever I leave Sylvia aside for a regular ‘rest’.

The frontrunner in other work, and my next anthology, is Next Steps: and other stories. I now have my seven stories written to first draft stage, and next week I’ll revisit them to see where any early improvements might be made. I’ll leave them aside again until March and revisit before they go to beta readers.

In March, I’ll give a heads-up to those authors who suggested the ‘dialogue prompts’ which I used for my seven stories. This will hopefully provide the impetus for my guests to check out the submissions they are offering for the new collection. Publishing date at present might be as early as April or May.

What else have I been up to since this new year got underway?

I’ve been working hard to produce my novels as paperback versions and I now have the job done. I’ll be writing a dedicated post about the process, or as it became for me, the ‘journey’, but for now, I’ll give you a look at a few of my efforts. I’ll display the full range of my paperbacks in March.

As always, thank you for taking an interest in my work.

***