Sex … In or Out?

You’ve written a great story. Do you need sex amidst the guns, fighting and mayhem, the psychological trauma and mystery, or the tenderness and promises?

When I say ‘do you need sex’ I’m obviously referring to the requirements of the story—not your personal urges. I digress … .

This blog post was born from the need to offer my opinion on a regular comment I see on social media, and if we’re all honest, it’s getting a bit tedious. The comment usually follows similar lines to: ‘… and when I reach a sex scene I move on …’

There is usually a bit more to it, but in essence, we have two main areas to address.

Question 1 – Is the reader a prude, or simply someone who knows when a sex scene could have been done more tastefully—if it were needed at all?

Question 2 – Did the author make a mistake by getting carried away, drifting from the primary genre, thus adversely affecting the plot of the story?

The answer to Question 1 is not as simple as it sounds. For some readers, if an author goes beyond: ‘… she stood with her back to the door and raised an eyebrow …’ it’s too much. For others, it’s frustratingly brief, and they want to at least know if one person is wearing matching underwear and if the other person is wearing underwear at all.

Now, Question 2 throws up a whole new dilemma. As authors, it is not simply a personal choice, but in my (humble) opinion, it is our duty to remain true to our craft. No, I’m not getting high and mighty because I’ve written more than two books—I’m simply telling it like it is. The reputation of indie authors is being destroyed from within by some people with low standards. Those of us who work long hard hours and go beyond the first draft must persevere to produce the best we can.

You cannot refer to yourself in your branding or promotional material (of whatever level) as a thriller writer if you have the main character kill someone and then for the rest of the book he/she beds every other person in the ‘adventure’. You can dress it up, or undress it if you wish, but one of the aims of any author should be to focus on the job—in this case, a good story based on the primary genre.

I write a wide variety of genre and among them is erotica. I may allow a kiss or a caress—even partial undressing in some stories but graphic, no-holds-barred sexual activity is kept for my erotica.

If an author writes thrillers, westerns, sci-fi or other genres there ought to be sufficient time invested in character development, dialogue, imagery, pace and the accurate choreography of action. Any mention of sex will usually be incidental, except, of course, for romance, some paranormal and fantasy where it may go further.

An author who writes erotica is not out to shock—they are aiming to indulge their readers in the type of material they sought. This is not to say that character development and those other ingredients I mentioned earlier are not required in erotica—they are just as important. The erotica author must avoid sex becoming the ‘story’; an opportunity to be self-indulgent with repetitive and meaningless scenes of gratuitous carnal jiggery-pokery (mainly pokery).

In my ‘mainstream’ genres, there may be terms of endearment, a kiss or an embrace but they are strategically placed. Occasionally, in my erotica, there is less need for such romantic overtures, activity or subtlety. The characters might be more interested in mutual physical gratification than an emotional rollercoaster ride but there will still be character development and the activities are created with a purpose. It depends on the story.

I believe the author should strive to be faithful to the principle genre and whatever extended subjects it entails whether it be an action-packed or psychological plot, and plot or character-driven.

If you’d like to see ‘erotica’ as it once was, read ‘Lady Chatterley’s Lover’. Like most other genres, erotica has moved on and readers are no longer satisfied with what was once considered shocking—people want to envisage themselves in scenes which will (in most cases) forever be a fantasy. With the greatest respect D.H.Lawrence, move over my friend.

I’m a great believer in the use of metaphor if it spells something out clearly. I’ll summarise with two questions to authors who are trying to work out if sex ought to be highlighted in a story?

Would you wear flip-flops and boxing gloves to run a marathon, or perhaps mask, snorkel and flippers to ride a bicycle?

Let’s be honest—if it doesn’t look right, it doesn’t belong.

Thank you for reading, and any comments.

A Cover Story

Astute authors will recognise that irrespective of how good their story might be, it’s the cover which is the first point of contact with the reader (or ‘the customer’ if we’re honest).

I accepted early on in my writing career that if I wanted my books to be treated seriously then I’d have to part with cash, and not for vanity publishing—some people still do. In essence, I’d have to fork out before my hard work had produced any reward in royalties.

There are many more aspects which affect the success or failure of a book but for now, I’d like to stay on topic—covers.

It didn’t take much research for me to discover that poetry and short story anthologies attracted less interest than any other aspect of creative writing. Yes, as luck would have it, my first titles came into those categories, however, I’m a positive kind of guy and saw an opportunity. Here were two areas in which I could practice the dark art of cover design. Later, I would find another. 😀

My first novel took a year to write due to me also holding down a full-time management job. I produced my idea of a cover for Beyond The Law. Even with my artistic leanings, it was not an impressive sight, so let’s not go there.

For my next two novels, I bit the bullet, which is an option not many of my characters are offered. I paid a professional cover designer to cater for Ten Days in Panama and Amsterdam Calling. Both books sold steadily and a significant lesson was learned. I asked the designer to create a cover for Beyond The Law (later to be suffixed ‘Formation’. Like the other two covers, it was expensive, but the blow was softened when I saw the effect of a decent story married up to a good cover.

In less than six months, I received sufficient royalties from Beyond the Law to cover the cost of all of my first three covers. Needless to say, I went on to use the same designer for A Taste of Honey. When Beyond the Law – the trilogy was created with the addition of ‘Retribution’ and ‘Consequences I saw regular sales. 

I continued producing the covers for my short story anthologies as the books were published. Yes, they would sell, I thought, but not in sufficient numbers to warrant a hefty outlay on covers.

One interesting twist came when I wrote my magnum opus, A Life of Choice. This was a five-part, fact-based fiction series; a depiction of my military career, but I had doubts. I hoped it was written in an entertaining and engaging style, but it was simply a story I wanted to tell. I didn’t see it as a prize winner or a major money-spinner.

I designed the covers using the ‘Regimental Colours’ of the Royal Signals (my Corps), and I used a small representative graphic for each of the five stages. My theory was that the ‘colours’ would attract the eye of some of the thousands of Royal Signals soldiers past and present. Following a slow pick-up and a few good reviews, this series rapidly established itself as my top-selling story.

The only issue I had was the regular requests for it to be available in paperback. I experimented and it took several weeks but I managed to amend the end/beginning of the five parts to convert them into a paperback trilogy—the same story, in the same words but broken at different logical points in time.

I recognised a potential saboteur—overconfidence. I contacted my professional designer and gave her a simple brief, sending her photos of the three pieces of equipment to be featured, samples of the background colours and all the printed matter for front and back exterior. For example, apart from the blurb, each book in the trilogy has excerpts from three different reviews. It took a few weeks to get there and I was delighted with the designer’s solution.

An area that some indie authors fail to register is that paperbacks are formatted differently regarding the front and back matter. I took great care in presentation, as I’ve done with all of my paperback versions so that they mirror traditional books.

One aspect of this series I didn’t expect was how much it would be enjoyed by those who had never served. The primary target of any creative writer should be to provide entertainment and it gladdens my heart to know I’ve achieved my aim with this special story.

As if by magic, the paperbacks continue to sell. I’m delighted to report that they are a popular prize at the many military fund-raising events to which I donate signed copies of the trilogy. 

I recently felt that I’d gained sufficient knowledge and experience to try my hand again at the creative, challenging skill of cover design. It took a few days but I’ve refreshed the covers for the Beyond The Law trilogy. My versions are on trial for a couple of months.

Apart from poetry and short story anthologies, I said that later I was to find another area for which I could create the covers. Erotica is that area and not surprisingly there aren’t that many reviews although they are good. There are, however, plenty of sales. 😀

If you’re an author at whatever stage of your journey, please remember that a well-crafted book with a good cover is more likely to see a healthy return on the investment of your time and money.

Thank you for reading.

Thank you.

Beta or Worse?

Okay, so you’ve written a book and you’ve got a cover.

When you’re happy, do you go ahead and publish, or do you take it steady and make sure it’s readable?

Personally, I ask for beta readers and the more the merrier, whether it be a novel or a         collection of short stories. Yes, there might be a few issues in the final product but they also appear in books by acclaimed traditionally-published authors. Errors can be cut down dramatically with some effort and patience. It’s the responsibility of the author to produce the best book they can.

Before I send a manuscript to readers I’ll have gone at least as far as the third draft and on at least two occasions printed the story to perform a ‘red-pen’ edit. Even then, I tend to offer my beta readers a handful of things I’m    concerned about—a reader’s guide if you like:

Does the intro work? Is the dialogue realistic? Are the characters believable? Did you enjoy the story?

The list can be as long as the author feels necessary, but it’s hoped that the beta reader will highlight other issues too. If you create your characters and your imaginary world with care and attention to detail it will help to make the end product believable.

I’ve performed beta reading for many indie authors. Each book is different in length, style, author’s voice and topic. Not every book might be one I’d go looking for as reading material, but if it will help a fellow author I’m glad to do what I can if I can afford the time.

No, I’m not an editor but my expertise is that of the   reader who knows when something isn’t right in a variety of areas.

I know for example that firing an automatic pistol at a padlock or a door lock is about as much good as throwing your pen at it. Similarly, the only time firing a handgun at an escaping car will work is in movie-land. I know when to use farther instead of further, and inquiry rather than enquiry. No, a cowboy wasn’t thrown against the barn door by the ‘blast’ from a Colt 45, and I don’t care how close his adversary might have been. They’d need to be close just to hit one another. Cars don’t explode simply because they’ve overturned, and some blades don’t slide straight back out of the body after being thrust inward and upward.

Consistency and continuity are important to me and they are not the same thing.

Regarding consistency, I’m looking for a character’s name to always have one spelling, unless a nickname is used, and if a character has blue eyes, then they shouldn’t have brown eyes in the next chapter.

In continuity, I expect that when a character gets into a blue Jaguar and drives somewhere, they don’t get out of a red BMW at their destination.

To avoid rereading I prefer that no two characters use the same weapon, drive the same car or have similar names.

Two characters should not have their voices heard in the same paragraph but it seems to happen in a lot of eBooks. Sentences should also be manageable so that by the time you reach the end you remember the subject.

Dialogue tags don’t always have to be descriptive because the imagery and the dialogue ought to be creating the picture.

It’s fine, even preferable for a character to have a favourite word or phrase but not an author. Think about that one.

One of my greatest gripes is an author who doesn’t know their subject. Take for example the case of the famous   author who’s BDSM character introduces a young woman to mild punishment by giving her a traumatic thrashing with a leather belt, or … no, I’ll leave erotica out of this. Some misguided ideas would make your eyes water.

You get the idea … research, research, research, and don’t just use Google.

If you have space and are physically capable, get out of your chair and try the move you’ve just choreographed. How about:

Getting out of the car, she touched-up her lip gloss and lifted her purse.

No, she didn’t do it all while ‘getting out of the car’ she performed three separate actions.

Recently, I’ve spent a lot of time beta-reading for fellow indies and one of the things I feel that it does is help me in my writing. When I see an issue it tends to stand out and I learn from it, so it’s much less likely that I’ll do it in my work. Invariably, I gain confidence in my writing by seeing that in many cases I know when something is wrong or could be improved.

As an author, I’m aware of how important it is that I read regularly and widely. Thankfully because I’m a member of Kindle Unlimited I’ve been able to start and discard three books in the past couple of weeks. Unfortunate,   perhaps, but if those authors had taken the time to ask for a beta reader or two and I’d finished their books, I might have become a fan.

This article isn’t a rant, I’m highlighting an area of our craft that all indie authors should consider.

All comments are appreciated as always.

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P.S. Yes, I have changed my blog theme again. 🙂

Producing an Anthology

 

Have you ever considered producing an anthology of short stories?

Perhaps you’ve written short stories and never considered creating a collection, or you’re a novelist who shuns the short story discipline to concentrate on longer work.

My first anthology was a project, a challenge, a dream, and a nightmare all before it became a reality.

I’d written numerous short stories and won competitions, but Smoke & Mirrors: and other stories was my first foray into compiling an anthology. Should I aim for a theme or go multi-genre? Is it best to go with a complete set of original work or include something which has been commended? Go it alone or ask other people to donate a story?

The questions pile up about ten seconds after the decision to tackle such a project.

I’m pleased to report that stories from that first collection are still referred to in reviews, which is heartwarming. It is also a testament to the credibility of the stories and justifies their inclusion. I’ve now compiled seven anthologies including The Welcome: and other Sci-Fi stories created by inviting other authors to join me.

When I compiled ‘The Welcome’ it was never about earning money, it was always intended as a platform for fellow authors from the IASD and me to get examples of our work out there. No, the collection hasn’t made me a millionaire although the book continues to sell the occasional copy. Thanks to Amazon’s peculiar attitude to customers spending a set amount of money before being allowed to comment, there are now fewer reviews being posted.

I suppose I should come clean and admit that if you’re a multi-genre author like me there is a constant need to work on a new anthology. If writing short stories appeals to you then the next logical step must be producing a range of your work instead of keeping it aside waiting for the opportunity a competition offers.

Would you prefer to keep all the stories in one genre, or might you find it easier to mix the genre?

The two main routes to go are theme-based or genre-based, and then, of course, you can go it alone or invite work from others. Apart from anything else, it’s a great way to hone your writing skills.

I enjoy reading and writing short stories. In the Resources section of my blog, apart from tips on the discipline of Writing a Short Story and Competition Writing I have sections regarding anthologies, Creating an Anthology, and Theme or Genre-based?

The key, as with all writing projects is the desire to take on the mission.

If you are more inclined to work on novels, you’ll appreciate that your manuscript needs some downtime, and one of the most useful ways of dealing with this I’ve found is to work on a couple of short stories. Sometimes the distraction produces further inspiration for the novel.

Have you considered inviting fellow authors to join you in creating a collection?

If you have a favourite genre or theme you could create a collection of your short stories or use yours as a base and mix in stories donated by other authors. You are in control.

When you get right down to it, you are practising your writing craft by producing short stories so why not take that next step and build up a few and make them the ‘chapters’ of your first anthology.

I dare you—you’ll be hooked.

My next anthology, due publication in 2020, starts with a factual story, so once again, another twist. The aim for me is to produce a collection of twelve original tales supplemented by three ‘bonus’ stories which are selected from my other anthologies. This creates value for the reader and provides a platform for the other work by the author.

 

Thank you for dropping by, and, as always, comments are welcomed.

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My Series’ are boxed off

 

How to attract more readers and give them a reward—that was my quest.

I have individual novels, a trilogy, and a five-part novel. My poetry titles come in the form of a bumper book of serial poetry, my five-part, multi-genre series and, of course, a collection of rhyming erotica.

Click image for Amazon page and options including KU.

Erotica, not usually mentioned on this blog—apart from poetry I have several novels, two anthologies of short stories, and a series of novellas.

I was looking at an opportunity hidden in plain sight—box sets.

I could offer a series at a cut-price. Yes, it would mean I lose a small amount in royalties from the individual book sales, but providing entertainment to a greater readership is more important to me than the money—which of course would be the spin-off; I know. 😀

Four questions came to mind.

Click image for Amazon page and options including KU.

How many people are keen to have a series available in one download?

How many people will take the opportunity of saving about 15-20% on the overall price?

How many of my series should I prepare as box sets?

Click image for Amazon page and options including KU.

How hard would it be to create them, and how long would it take?

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The good news is, the graphics in this post are not simply for show. The first part of the job is done—four box sets completed, although while working on the project it felt like forty. Amendments to front and back matter was tedious, but worthwhile.

In each case, there is at least a free book when comparing prices to individual purchases.

These box sets are available on Kindle Unlimited.

Click image for Amazon page and options including KU.

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I have no intention of going along the audio route so it will be interesting to see if this idea works.

Things got off to a good start with the erotica—a box set sold within three hours of publication.

I’ll write a post giving any useful information if the idea takes off, and in which area/genre.

A Life of Choice is available as five individual eBooks, a box set of five, and as a paperback trilogy.

If you’re new to my brand, all of my eBook titles are available on Kindle Unlimited.

In my meantime, I’ll be happy to accept question, comments and suggestions.

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No more sex for a while

 

For a few years, I’ve conducted mini-experiments, and ‘surveys’ if you like. Nothing extensive which would include other authors or their work, simply a record of how my output is doing. Among my tinkering, I’ve changed formatting, book covers, and tried genre to see if I was capable of writing whatever it might be.

I’ve had positive feedback on the latest poetry covers, and the erotica covers—in particular how I’ve sub-branded them in colour for an anthology, novella, or novel.

I started my creative writing with poetry, moved on to short stories, and then novels. Since mid-2014 I’ve dedicated some of my writing time to erotica. I got underway with a novel and a single collection of erotic short stories, so I never expected much success—the market is flooded with 25-page, and 40-page ‘books’. I’ve seen book ‘bundles’ which in their entirety amount to about 100 pages.

Why am I stressing the erotica output when I removed it from this blog over a year ago?

Using the six-month period from September 2018—February 2019, I started my latest check on how things are shaping up for my books. When I include KENP (the page reads recorded on Amazon), and the sales, I’ve found that the popularity of my genres in descending order is: 

Erotica, Military, Thriller, Romance, Short Story Anthologies, and finally Poetry Anthologies.

When I’ve dug a little deeper I’ve found that the KENP brings me in three times as much money as outright sales of any of my work. KENP related to my erotica titles brings in more than half of all the money I earn on Amazon.

This tells me that although erotica receives the fewest public reviews overall, it earns the most money, and it’s from people who don’t want to buy books—they want to borrow them. They don’t want anybody to know … so they borrow, read, and get rid.

Having said all of the above, my next erotica title is Woman to Woman, a prequel to Give & Take: A Tale of Erotica—my most popular book in the genre. When the next erotica title has been published, I’ll be giving the sex angle a rest and concentrating on my mainstream writing.

Why do I intend to stop erotica when I have successful titles?

I’m not in the writing game for the money—if I was, I’d set higher prices. 🙂

I do have another experiment underway but to get accurate results I’ll need another couple of months. I will report my findings later, whether good or bad.

And there you have it—if you are using Kindle Unlimited and enjoying my erotica (which like all of my books is on KU), you’re in good company.

Don’t be bashful … leave a review.

Until next time, thank you for dropping by.

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P.S. If you haven’t been over for a look at my other blog:

https://tombensonerotica.wordpress.com

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Happy New Writing Year – 2019

 

There is more than a hint of deja vu as I begin this post. I started 2018 with the intention of producing two more thrillers and a new collection of short stories. Work was done on all of those projects but none were completed. The reasons were many and various.

Among the many other projects I did complete last year, in the erotica genre I published: two novels, a novella, and an anthology of short stories, all of which I found easier, though no less time-consuming than my planned books. If I’m not enjoying what I’m producing, it isn’t going to be my best.

Here I am once again with the same intentions as 2018, but in a better frame of mind to get the job done.

I may not produce as many titles this year, but I feel confident I have sufficient work done to ease my early progress into each of my main writing projects. In an effort to improve my focus I’ve refreshed/improved the proposed covers.

Codename: Nightshade is a crime thriller. The book is a standalone, and spin-off from the Beyond The Law trilogy. Rachel Donoghue is the central character and depending on your viewpoint—the heroine. For now, I think that’s enough to know about this one.

Czech Mate is a crime thriller based on the activities and adventures (or misadventures), of a young Scottish artist and gallery proprietor. The reading of his late father’s will is the kicking-off point for the tale, and apart from his native Scotland, he finds himself in Central Europe—mainly Prague, capital of the Czech Republic.

One Man, Two Missions: and other stories is a new anthology, although some of the stories have been in my files for a few years. They are of a wide variety of genre, similar to other anthologies I’ve produced which have proved popular.

Rather than predict an exact publication date for any of this work, I’d suggest it will be out there when it’s good and ready.

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What else have I got lined up this writing year?

I have four erotica titles at various stages and a book of poetry of the same genre. They are detailed on the dedicated website—Tom Benson – Erotica.

I will be reading as much as possible, as usual, and I’ll be mentoring, beta-reading and helping my peers whenever I can.

I’ll be continuing to offer as much support as possible to any individual or group projects being produced by the Indie Author Support and Discussion (IASD) group. 

The production of more paperbacks will probably be put on hold—they don’t sell in sufficient numbers to make the investment of time worthwhile, and at least in my case they are aimed more at giving to charitable causes, or as gifts.

There you have it—a summary of my proposed writing year, so it will be interesting to see how it all shakes out.

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Did I do anything of importance regarding writing during 2018?

In late December I reread On Writing: A Memoir of the Craft by Stephen King. If you’re a writer and you have yet to read that book I would suggest you are doing yourself and your proposed readership a disservice. As I reach the end of this post, for the benefit of my peers who may not have read the book, here is an excerpt from one of the final paragraphs:

“Writing isn’t about making money, getting famous, getting dates, getting laid, or making friends. In the end, it’s about enriching the lives of those who will read your work, and enriching your own life, as well.”- Stephen King.

On Writing: A Memoir of the Craft links: Amazon dot UK ….. Amazon dot com

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What else have I been up to in my writing world?

As recently as the end of December 2018 I spent an entire day working to update and improve this blog. I removed a needless heading from my main menu and set up a new one—Samples of my work. If you’d care to visit the new feature you will find samples of complete short stories of various genre, individual poems of different genre and examples of my serial poetry.

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If you are a fellow scribe, I hope you have a wonderful, productive year ahead. If you’re a reader, may you find yourself absorbed in many a good story, and if you’re a reviewer, I hope you like my work.

Thank you for reading, and as always, comments are not only welcome but encouraged.

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My Writing Year – 2018

As many of us do, I like to look back and believe I’ve accomplished something in the past year. For me, this was my first full year in retirement—having finished my regular working life in late 2017.

My aim was the same as always, to use my time productively. Apart from reading/reviewing and my literary output, I had a couple of big domestic projects to plan and complete. I wouldn’t concentrate properly on my writing if I didn’t deal with one of my domestic jobs first, so January was written off.

February—I bought Vellum, a quality formatting programme to use with my Mac. Not only was I intent on producing paperbacks—I wanted the interior to look smart, and professional. Before a book was released as a paperback it would be completely revised. The revisions were already underway. My eBooks were also scheduled for the processing through Vellum.

MarchAmsterdam Calling; published in paperback.

AprilTen Days in Panama; published in paperback.

MayCurious and Camping: An Erotic Journey; published.

—helped to edit and format Lisa: and other short stories, for my dear friend and fellow author Carmen Lopez.

JuneQuiet Night Inn: and other erotic stories; published.

—Commenced work on the conversion of A Life of Choice from five eBooks to a paperback trilogy.

July/August—Continued A Life of Choice conversion.

—Editing and assembling stories for the next IASD anthology (with the invaluable help of several members of the group).

—Completed a large domestic task and fitted in a holiday.

September—Created Tom Benson – Artist, a new website to replace Tom Benson Creative Writer and Artist, which was heavy on admin and light on visitors. 

OctoberRhyme & REASON: 200 Poems, published. A collection I’d considered for a few years which encompasses my serial poetry and samples from each of my genre-based volumes.

NovemberBeing a Good Girl: An Erotic Novella, published.

NovemberA Life of Choice: The Trilogy Edition, published. This was a major task, on which I started work back in June. It is the paperback version of my popular five-part eBook series.

DecemberSharing: An Erotic Novel, published.

In terms of reading, I set myself a target of fifty books and completed forty-six. I will read two more by the end of year. 🙂

Do I feel as if I’ve met my targets?

I do, and apart from dealing with the occasional injury or extremely bad weather, I maintained my daily early morning cycle ride. Personally, I feel as if I’ve had a good year and I now look forward to continuing with the same enthusiasm as we go into 2019.

(I’ve never produced a ‘flag’ from folded T-shirts before ….) 😀

 

My aims for 2019 will be set out in my next post … very soon. In the meantime, thank you for being a part of my writing life, in whichever way, large or small. It all counts for me.

A heads-up for all you lovely people who have taken the time to read this post. I have four very different titles being offered free and they’ll be available* from Wednesday 19th through Sunday 23rd December.

*This is, of course, if there are no technical hitches with Amazon.

Have a peaceful end to the old year and a great start to the new one.

Tom

 

A Life of Choice—Reborn

Click the graphic for my author website

I can say with confidence that I will never apply as much effort to any other writing task as I have to ‘A Life of Choice’.

It was 49 years ago this week when I left home to start basic training with the British Army. My military career ended in 1992, after 23 years, and it was a couple of years later when I gathered information towards writing about that career as military memoirs. It would take many years before I’d gained sufficient writing knowledge and skill to produce an entertaining tale.

I tried the fact-based route first, both in the first-person point of view and in third-person. The end product was massive and carried far too much detail—it went into ‘storage’.

When I’d successfully written and published thrillers, romance, short stories and poetry, I turned once again to my magnum opus. I toyed with fact or fiction, and viewpoint. My choice was fact-based fiction, written in the first-person point of view.

By 2016 the first of five parts was published and was well-received. As each part went out, the reviews continued to be positive, so I sidelined my other writing projects. I still tried to read, review and help my peers with their projects. Apart from public reviews on my new series, I started receiving private messages via my author website—mainly from ex-soldiers (male and female), who wanted to pass on their gratitude for the accuracy and humour. Most of these guys were not comfortable writing public reviews.

My only concern was that many serving and ex-service personnel were not e-reader users and I have regularly received requests for a paperback version.

Five paperbacks would have been easy to produce, and would also be simple to ‘match’ on websites or outlets. Marketed as five paperbacks, the series would have been expensive to buy, so I set myself a series of tasks.

1. Perform a complete rewrite to tighten dialogue and deal with minor amendments.

2. Break the story to balance the chapters and create a consistent ‘volume’ for each of the five parts.

3. Select the appropriate places to break the story to make a paperback version as a trilogy edition.

4. Rewrite all blurbs for the five eBooks, and three fresh blurbs for the paperback trilogy.

5. Compose a disclaimer which could be used with internet marketing blurbs and within the books regarding the different editions having the same content overall.

6. Select excerpts from reviews to use on the back covers of the trilogy.

7. Build a catalogue of information to educate my book cover designer regarding the ideal graphics solutions. This was difficult because anything available now in photographic evidence is very different to the equipment I would have known in the ’70’s, ’80’s, and early ’90’s. We persevered, and the trilogy covers feature equipments which were landmarks in my story.

As I’ve done for my novels, I hired the talents of Aimee Coveney of AuthorDesignStudio–a designer who works tirelessly until the solution meets customer satisfaction.

 8. Organise the sequence of publishing—all five amended eBooks and the trilogy, only when I had the bespoke covers for the trilogy.

9. Create graphics to market the two editions separately and together.

10. Prepare my author website and this blog for when the new trilogy went public.

 

I commenced this renewed labour of love in June 2018. Once again, apart from helping other writers on individual projects, and managing a major task for the Indie Author Support and Discussion group—most of my efforts went on the conversion process.

How did I relax when it was getting intense?

Several times I pulled out one of my erotica projects—as difficult to write as any other genre, but light relief in terms of content. Occasionally I’d draw, paint, or read, but not as often as I wanted because I felt a sense of guilt for not ‘working’.

In mid-October, I completed the conversion of five eBooks into three paperbacks. It was around 7th November, when I completed the final formatting sequence for the revised eBook versions … and then I had another coffee.

The pricing of the paperback trilogy is more than I’d have wanted, but I reconcile my concerns knowing that each book is around 570 pages. It was vitally important that nothing was removed from the story. 

Useful Links:

My Author Website

Amazon UK – for the paperbacks

A Life of Choice: Part One – The Trilogy Edition

A Life of Choice: Part Two – The Trilogy Edition

A Life of Choice: Part Three – The Trilogy Edition

BookLinker-Universal – for the paperbacks

A Life of Choice: Part One – The Trilogy Edition

A Life of Choice: Part Two – The Trilogy Edition

A Life of Choice: Part Three – The Trilogy Edition

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Who might find an excerpt from their reviews on the back cover of my paperback trilogy?

Apart from review excerpts by a selection of ex-Royal Signals personnel, and an ex-Army wife, I opted for snippets from fellow authors, namely: Frank Parker, Barbara Fagan Speake, Paul A Ruddock, John MW Smith, and Paul Rees—notably, all fellow members of the IASD.

Thank you for taking an interest, and passing a few minutes with me.

***

Five into Three

 

A Life of Choice is fact-based fiction, presently available as a five-part novel for Kindle. The story is the most popular title in my catalogue.

If my first attempts at this tale were included, A Life of Choice has been a work in progress for about twenty-two years. On the other hand if we were to treat my military service as research for the story—it goes back to forty-eight years.

Whatever else I published it was always important to me that I completed this project. It was heart-warming to see the first reviews from serving personnel and ex-Service personnel, of course, but to see glowing reviews from readers who’d never donned a military uniform—gratifying.

As with all of my writing, it was never my intention to publish in paperback, but like many things, I’ve decided to change course and take that step.

Why paperback?

– Since the first part was published as an eBook (two years ago), I’ve had requests to produce the story in paperback. There are many people out there who either have difficulty using a digital reader, or simply prefer a physical book.

– It will give me the opportunity to use the paperback version as a gift, or on occasion a ‘prize’ in draws for various military charities.

Do I expect to make a profit from sales of a paperback edition?

No.

– I don’t write to make money, which I like to think is reflected in the price range of my eBooks. My titles are competitively priced or they wouldn’t be treated seriously.

– By the very nature of indie paperback publication the individual books are expensive when compared to availability of the household names in any supermarket or bookstore.

– I’ve created the covers for my eBooks with a few exceptions—those being designed by a professional cover designer.

– This series will have covers created by Aimee Coveney of Author Design Studio.

What’s going on with the ‘Five into Three’?

I produced the story in logical parts to publish as eBooks, but the individual books would not justify the price set by Amazon for paperback versions—in my opinion.

Due to the the process and use of the data provided by the author, the Amazon KDP system requires exact information when relating an eBook to a paperback. I’m taking a risk, but trying to think outside the box.

A temporary cover idea.

– For the paperback version, the series will be broken into three parts. They will still be ‘logical’ parts, but of greater substance than their digital counterparts.

– To ensure the job is done properly I’ve spent many hours selecting where to move chapters from one book to another in order to adjust overall length. This has entailed amending the Preface and the Epilogue in each part.

– As I did with Amsterdam Calling, and Ten Days in Panama, I am underway with a complete revision of the story. The tale will remain the same, the humour or more serious aspects will stay in place, but the writing will be tighter. I will also be adjusting the use of uppercase letters for certain instances.

– Instead of associating the paperbacks directly with the eBooks within the Amazon system, I will sub-title the paperbacks as The Trilogy Edition. I’m in the process of writing appropriate jacket blurbs to highlight that it is the same story but in a different format. This will also forestall any conflict with Amazon and their ‘Matchbook’ process.

Will the updated writing have a detrimental effect on the eBook version?

No.

I will be using the rewritten chapters from within the paperback manuscripts to replace the chapters in the appropriate eBooks. In this way, the writing is updated but the front and back matter of each book remains constant.

How will I prevent issues with the publication of the ‘original’ and ‘updated’ editions of the eBooks?

I will prepare all five eBooks and update them in one session so that they’ll become ‘live’ on the Amazon system within hours of each other.

How will I ensure that ‘The Trilogy Edition’ paperback version is seen to be the same story?

– I will not publish any of the paperback versions until I have all three completed.

– As with the eBook updated versions, I will publish the three paperbacks in a single session, aiming for them to appear within hours. Paperbacks are not purchased as rapidly or frequently as eBooks so there isn’t as much pressure on timing.

A Life of Choice: The Trilogy Edition – Part One is completed.

There you have it, people.

In my next post I’ll report on how things are going with my conversion of five into three, and I’ll explain why my eBook publishing plans for this year have been altered.

As always, I thank all of you who take the time to visit and read my blog.