Ten Days in Panama … in paperback

 

Ten Days in Panama was my second novel, and having first been marketed as a thriller, I amended the description to romance. The first publication of this title was in December 2013 and it’s had two makeovers since then in terms of the manuscript.

As I told my son when he left home to live abroad, ‘if we’re honest with ourselves, about every five years we think we know it all’.

In my humble opinion, the advice I gave that young man is never more accurate than with writers. We may write, revise, edit, rewrite, and so on, but if we go back to a piece of work we were proud of five years earlier, we’ll find things we want to amend. I’ve been plying my craft (and learning) since 2007, and it’s due to my targeting of a higher standard that I’ve delayed paperback editions until recently.

In Ten Days in Panama (paperback and digital), I’ve reduced the sexual content to a softer tone. If there are any readers out there who like my style and crave explicit sex scenes, check out Tom Benson – Erotica.

– The cover of the book is now brighter and I’ve reduced the strapline, and I believe in this case brevity works.

– For me, nothing has been more important or more of a challenge than tightening the manuscript to improve the reading experience. An example would be the removal of most dialogue tags, to be replaced by character activity.

It was a labour of love to produce this story the first time around, and I spent many months creating characters, situations and a story which would live on in the memory. I’m pleased to say that none of the original aspects of the tale has changed in the process.

To those who strive to maintain an updated and informative author website, you will appreciate the joy of adding a ‘paperback’ button to the page for a title. Now I have two of those buttons on display, and in the coming months, I’ll be working hard to add them to my other novels.

Thank you to all who pass by and take the time to leave their thoughts.

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*Remember, if you don’t want to buy a paperback and you don’t own a Kindle, the Kindle App UK is free and it can be downloaded to a PC/Laptop.

If you’re not in the UK, don’t feel left out … Kindle App (from Amazon.com)

 

Kindle, or Kobo?

The aim of this piece is to look at the two systems as a writer, and not a reader.

Why?

When it comes to eReaders there is a wide choice, and the prices reflect that choice.

As a writer, I first published with Smashwords, but apart from learning a lot about formatting, and how difficult it was to be paid for my sales … well, let’s not go there.

I moved on to Amazon and tried the KDP route. It took an hour to read the Terms and Conditions, but at least I knew where I stood by the time it came to ticking, or un-ticking little boxes.

Sales were reported, and hey, I was paid regularly. I continued to publish my work through Amazon, and when it was offered, I ventured into the KDP Select programme to gain from the many benefits offered … yeah, whatever.

Having spent many months with Amazon, I published three titles with Kobo, believing that with the big advertising campaign in the UK, it had to be a winner. Perhaps I was the only person in the country seeing the ads, or my work didn’t appeal to anybody with a Kobo.

Three months later I dropped my titles and put all my eggs in the Amazon basket, and topped off the basket by also placing them on the KDP Select listing.

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Three years have passed, and I’ve commenced building a portfolio with Kobo. If you’re familiar with KDP Select you will know there is a 90-day exclusivity clause involved. All of my titles were ‘locked-in’, but now as they are available I am publishing in both Amazon and Kobo, but not in any of the select programmes.

What has changed?

Kobo has improved, having ironed out many of the issues which existed three years ago, and now I find myself with twenty-plus titles, many of which sell regularly. I’m confident in my work, and I’m giving Kobo a six-month trial with a selection of my titles. Later in this post I’ll explain which are being left out of the equation, and why.

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If you’re a writer and you didn’t already know, Kindle and Kobo both have an exclusive loyalty programme to which you can assign your titles.

Kindle has the KDP Select:

1 – Earn higher royalties from *Kindle Unlimited and *Kindle Owners’ Lending Library, plus 70% royalties when your titles are bought in a handful of selected countries.

*Both programmes are subscription based for those who are reading the books.

2 – Use of two promotional tools (Kindle Countdown, or Free Book).

Kobo Writing Life has the Kobo Plus programme.

Kobo Plus equates roughly to KDP Select, in that the author is paid if a title is borrowed by a subscriber to the programme.

On the author side of Kobo I’ve found plenty of services. The distribution for Kobo published material is wider across the globe without having to enter into any ‘exclusive’ programme.

Kobo appears to concentrate the ‘loyalty/reward’ aspect of the business on the readers, which is fine, because those of us who write and self-publish are (or should be) readers.

If you should know differently on any of the aforementioned, please let me know.

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Tom Benson – Amazon Author Page              Tom Benson on Kobo

I’m watching closely for the first month as I select and publish titles with Kobo, and if I see sales, I’ll add more titles. When I have most of my titles in both camps, I’ll monitor sales until end October 2017.

I will not be publishing my erotica titles with Kobo due to their strict guidelines, and I’d prefer not to get into a legal tangle because I disagreed with their opinion of what is, or isn’t erotica.

As always, thank you for reading and commenting.

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