Let’s be honest from the outset, few folks are going to spend their cash if they can get something free of charge.
In the world of eBooks there are many reasons for titles to be offered ‘Free’ which include:
–an author’s promotion.
–a website promotion.
— a story to attract interest in the author’s work.
— pirate sources offering authors’ work free illegally.
How about paying a reduced price instead of aiming straight for the freebie?
Again, we have a number of reasons but now we’re being asked to pay so why would we choose to do such a thing?
Instead of making a list, there is one main aspect I’d highlight. The author or the supplier is content that the product is worthy of being sold but for whatever reason, the price has been reduced. The onus is on the buying public to look at the reduction which is invariably explained to us in a brief message or if you prefer ‘sales pitch’.
Personally, I’m sceptical when it comes to getting something for ‘free’, but I’m always happy to pay if I perceive a bargain. For example, if there were an eBook that caught my eye and I was getting it for a reduced price I’d buy it, especially if it were by an author I’d yet to try.
In this present climate of international lock-down, we have many thousands of people who are reading more or possibly reading for the first time in many years. Money is a concern, of course, so once again we’re back to that question of taking what’s free or pay, but not too much.
It was with this theory in mind that I created the eBook Bank International a few weeks ago. eBooks for 99p (or equivalent).
No, it’s not a promotional website for authors in the conventional sense, it is a place which has in excess of 120 titles covering a wide range of genres and includes 17 authors’ work. This is a site which promotes authors, eBooks and the idea that just for once somebody cares about how much money people can afford to spend.
Why is the website based on ‘selling’ for 99p (or equivalent) instead of just giving away our books?
Imagine the number of people out there with an eReader who grab anything for free. Many of them will download titles they’ll never read but they got them for free–their only reason to take the book.
Now, imagine the number of people who might be prepared to pay but only a small amount … say, 99p for an eBook which is normally £2.49. Each title purchased is an investment by that reader and they will likely go on to read the book.
What do the authors get from reducing their prices but not making the titles free?
Interest in their hard work is the first thing, and then, of course, a few sales due to the lower price. The authors involved in this venture may give up a small amount in the first place but they’ve made an investment–in readership. Perhaps their £2.49 title was competitive but the price still put people off and then that same book was offered at 99p … a win-win situation.
Again, on a personal note, I’d rather see a title sell fifty times at 99p than twice at £2.49.
In this post, I’ve featured a variety of my titles but there are many other authors involved in the eBook Bank project, so why not pay a visit and pick up a bargain for 99p (or equivalent).
Welcome to my world in this new writing year. Due to the methodology of creative writing, it is a craft in which the product disregards the passing from one year to the next. Of course, authors, like many other people like to feel they are making progress, so we recognise the new year even if our work doesn’t.
Work in Progress (WIP) I am bringing forward this year?
Light at The End. This is my first attempt at a post-apocalyptic novel. The seventh draft is now as much history as the missiles which are mentioned early in the story. I’ve had alpha and beta readers check out the tale. I aim to publish on Saturday 11th January 2020.
OMG, that’s next weekend.
Czech Mate. This story features a young art dealer from Edinburgh who follows up a mysterious and cryptic message left in his father’s will. As the title suggests, Bryce, our hero finds himself in the Czech Republic and then things get complicated. This story has been put on hold over the past year for a variety of reasons but I’m aiming for publication in 2020.
Codename: Foxglove. This is a sequel to Codename: Nightshade. In the ‘Nightshade’ story, Rachel Donoghue continues the work she was trained for by Phil and Annabel in the Beyond the Law trilogy.
Dominique McEwan, a young woman with a keen sense of justice is recruited and assessed by Rachel Donoghue (Deadly Nightshade). The pair vow to work together and build a new team of vigilante operatives. How rapidly this story develops will depend on how many other projects in which I become involved.
Around the Bend is my next anthology of mixed-genre short stories. This collection opens with a fact-based tale of a road accident. I witnessed the incident and was then involved in the rescue of one of the vehicle drivers. The other stories in this anthology include covert operations, romance, horror, comeuppance, police detectives and more.
At the time of producing this post, I have no immediate plans to publish more erotica in my own name. I already have two more erotica titles underway but they will be under the Katya Cumming banner. ‘Katya’ has six titles available and all are doing well, although reviews are scarce as we all know. My intention is for her to cease producing work when ten titles are achieved.
My first target with Katya was to use the pseudonym as an experiment, which produced positive results, and the secondary aim is to reach ten titles. Six are published, two more are WIP and I have two more sketched out as basic ideas.
What else is on the cards for me this year?
I’d like to publish another invitation anthology in 2020. As I did with The Welcome: and other Sci-Fi stories I will produce at least six tales and add work from other authors. My aim is to create an anthology of twelve original stories plus three or more bonus tales of a similar theme. Like the main collection, the bonus stories will come from my guest authors and me, but they will be stories which are previously published. The idea may or may not work, but my choice of theme is ‘Time’, hence the title, Time after Time. If you’re interested, please use the highlighted title or click on the book cover to go to the WIP page.
I will be reading for pleasure, and beta reading throughout the year as normal which takes a lot of my time, but while I’m helping a fellow author of whatever level, you won’t find me complaining. I will be continuing to mentor my good friend, fellow author and poet Carmen Lopez.
Two anthologies of short stories have put Carmen on the global stage, and this year gets underway with the recent publication of her first novel, Beware The Fury. (US link)
Have you ever considered producing an anthology of short stories?
Perhaps you’ve written short stories and never considered creating a collection, or you’re a novelist who shuns the short story discipline to concentrate on longer work.
My first anthology was a project, a challenge, a dream, and a nightmare all before it became a reality.
I’d written numerous short stories and won competitions, but Smoke & Mirrors: and other stories was my first foray into compiling an anthology. Should I aim for a theme or go multi-genre? Is it best to go with a complete set of original work or include something which has been commended? Go it alone or ask other people to donate a story?
The questions pile up about ten seconds after the decision to tackle such a project.
I’m pleased to report that stories from that first collection are still referred to in reviews, which is heartwarming. It is also a testament to the credibility of the stories and justifies their inclusion. I’ve now compiled seven anthologies including The Welcome: and other Sci-Fi stories created by inviting other authors to join me.
When I compiled ‘The Welcome’ it was never about earning money, it was always intended as a platform for fellow authors from the IASD and me to get examples of our work out there. No, the collection hasn’t made me a millionaire although the book continues to sell the occasional copy. Thanks to Amazon’s peculiar attitude to customers spending a set amount of money before being allowed to comment, there are now fewer reviews being posted.
I suppose I should come clean and admit that if you’re a multi-genre author like me there is a constant need to work on a new anthology. If writing short stories appeals to you then the next logical step must be producing a range of your work instead of keeping it aside waiting for the opportunity a competition offers.
Would you prefer to keep all the stories in one genre, or might you find it easier to mix the genre?
The two main routes to go are theme-based or genre-based, and then, of course, you can go it alone or invite work from others. Apart from anything else, it’s a great way to hone your writing skills.
The key, as with all writing projects is the desire to take on the mission.
If you are more inclined to work on novels, you’ll appreciate that your manuscript needs some downtime, and one of the most useful ways of dealing with this I’ve found is to work on a couple of short stories. Sometimes the distraction produces further inspiration for the novel.
Have you considered inviting fellow authors to join you in creating a collection?
If you have a favourite genre or theme you could create a collection of your short stories or use yours as a base and mix in stories donated by other authors. You are in control.
When you get right down to it, you are practising your writing craft by producing short stories so why not take that next step and build up a few and make them the ‘chapters’ of your first anthology.
I dare you—you’ll be hooked.
My next anthology, due publication in 2020, starts with a factual story, so once again, another twist. The aim for me is to produce a collection of twelve original tales supplemented by three ‘bonus’ stories which are selected from my other anthologies. This creates value for the reader and provides a platform for the other work by the author.
Thank you for dropping by, and, as always, comments are welcomed.
My interview with erotica author, Katya Cumming, has been promised for some time, so with great pleasure, I’d like to introduce you to the new girl on the (writing) block.
Q1. Katya, I respect your decision not to provide a profile picture because of certain types of people. Would you be kind enough to give us a brief description of yourself and your background?
Two descriptions attributed to me have been curvaceous and statuesque, and I like both. I’m a thirty-something brunette from Edinburgh, Scotland, who works in fashion retail. Relationships are for those involved, so that’s where mine will stay. In my quieter moments, I read and write, and sometimes those things are done while I travel which I also enjoy. To keep in shape I swim, jog, cycle, and do aerobics.
Q2. What type of books did you read when you were younger?
While very young I loved adventure stories, but by the time I was a teenager, I’d progressed to romance. It was while babysitting for a neighbour I first discovered books with more interesting topics. The first erotica book I read was sci-fi, but it just made it more fun for me, imagining the things the aliens could do with the human body. It captured my imagination.
Q3. What attracted you to writing erotica rather than any other genre?
I was a fan of romance, but I needed more grit, and moved up to steamy romance. It didn’t take long before curiosity got the better of me and erotica was next. A couple of authors were okay, but most stories were more like plot-starved, sexual fantasy than erotica, so I decided to try my hand … if you’ll pardon the pun.
Q4. How long did you write before publishing?
In terms of time, probably about two years. I’d written some poetry and short stories which were well-received in writing groups, but novels are a different discipline and frightening at first. Over quite a long time I produced the early stages of three novels but I left them aside, adding to them occasionally.
Q5.How long does it take generally from starting a story to seeing it published on Amazon?
I would suggest a minimum of four months. Once I have an idea I make a few notes and leave them aside to consider from which start point it might best evolve. I also tend to leave the manuscript aside regularly to let me work on something else. The Mistress, which is my shortest story so far was my quickest first draft. It took me fourteen days and I stopped at fifty-thousand words. I reduced it to forty-seven thousand words.
Q6. How many titles do you have available at the present time?
Now that my latest, ‘His & Hers’ is released, I have five books out there, all on Amazon KU.
Q7. Many authors depend on experience for their subject matter—how much of your work is a direct result of personal experience?
Small segments in different stories is the best answer. This is where the male of the species is different from the female I suppose. A guy who sleeps around for a while is sowing his wild oats and is a bit of a lad, but if a girl plays the field she’s a tart. In my mid-teens, I had two relationships with girls, but by the time I was eighteen, I’d confirmed I enjoyed a roll in the hay with a girl or a guy. I’ve been involved in a threesome twice.
Q8. Feminisation and strong female characters are prominent in your work—could you explain why you lean in this direction?
Sexuality is a deep subject. When you delve into the area of ‘gender-benders’ as they’re so cruelly labelled, there is a myriad of areas to explore. Crossdressing is a multi-layered topic and well-suited to the erotica genre. The why and wherefore create a story. Whatever men tell you, and you should know, if a woman is attractive and dominant it’s more likely to add spice to a sexual encounter, rather than be seen as threatening. What that dominant woman wants, she will get one way or the other. Only a chauvinist or a dyed-in-the-wool alpha male would think otherwise.
Q9. What is your response to those who say that erotica is simply literary porn?
If they’re describing a book which is no more than page after page of explicit sex scenes then I’d agree with them. However, if those explicit sex scenes are integral to and supporting a cohesive story, then it is not porn, it is strong erotica.
Q10. Do you believe there is a place in the market for erotica, and strong erotica in particular?
Yes, of course, or people like us wouldn’t be spending weeks and months developing a story to convey the activities of our characters. I’m an advocate of allowing people the freedom to read whatever they please, and if for example, a person has difficulty forming relationships, has an unsatisfactory sex-life or simply enjoys a bit of titillation, a graphic erotic novel might be a release for them, in a manner of speaking.
Q11. What’s your opinion of those who profess to be erotica authors but produce regular, small volumes of badly-written, graphic sex stories?
First of all, the only way they can be called authors is due to having composed the material. They are not necessarily creative people. A graphic description of sex is not particularly creative in itself. Secondly, many of these people rely on no more than three or four plots, usually involving a cash-strapped person, an experiment, or pure fantasy. There is little or no research and no substance. In my opinion, lazy writers are despicable because they are money-grabbers who also affect the reading public’s view of indie authors who are working hard.
Q12. Who are your favourite indie authors?
You are obviously one, Tom, and that’s not simply because of this interview. I’m also a big fan of Sarah Stuart who writes steamy romance, and Lesley Hayes who is just an incredible writer. For the joy of a true storyteller, I like Patrick ‘Max’ Power, Rebecca Bryn, Lucinda E. Clarke, and Mike Billington. I’m a massive fan of the Indie Author Support and Discussion group; all talented international authors. It’s handy to have something to frighten the pants off me so for that I depend on Anne Francis Scott.
Q13. Which, if any, other genres might you consider writing in the future?
I have a yearning to write something in the sci-fi arena, but I’m not sure yet whether I’d go with dystopian, apocalyptic or outer space.
Q14. Can you tell us about your cover designs and how they came about?
I feel that if not from a scene in a story, the cover should at least highlight one aspect or provide a hint of what lies beyond the title. You know as much about them as I do since you’ve made the effort to produce them for me.
Q15. Why have you avoided being interviewed until this point?
Again this is an area of which you have a good grasp. For your benefit and to aim for credibility, I didn’t think it was fitting to be revealed until I’d produced at least five titles in my name and achieved significant sales. I felt that for a long time I was locked away, waiting. When you decided to bring my work to the fore, create my character, my name, and give me my own website it meant so much to me.
Thank you, Tom, for this interview and for bringing me and my work to the attention of the wider public. I do understand how difficult it has been for you to maintain this secret aspect of your life as an author while you’ve worked on my development.
Thank you for opening up to me, Katya. Please, finish your coffee before you get dressed. It’s been great working hand in glove with you and I look forward to your next in-depth tail … oops, I mean, of course, your next in-depth tale. I’m happy we finally have your personal story out there.
And to all who are interested in Katya’s naughty tales, here are links to her work.
How to attract more readers and give them a reward—that was my quest.
I have individual novels, a trilogy, and a five-part novel. My poetry titles come in the form of a bumper book of serial poetry, my five-part, multi-genre series and, of course, a collection of rhyming erotica.
Erotica, not usually mentioned on this blog—apart from poetry I have several novels, two anthologies of short stories, and a series of novellas.
I was looking at an opportunity hidden in plain sight—box sets.
I could offer a series at a cut-price. Yes, it would mean I lose a small amount in royalties from the individual book sales, but providing entertainment to a greater readership is more important to me than the money—which of course would be the spin-off; I know. 😀
Four questions came to mind.
How many people are keen to have a series available in one download?
How many people will take the opportunity of saving about 15-20% on the overall price?
How many of my series should I prepare as box sets?
How hard would it be to create them, and how long would it take?
The good news is, the graphics in this post are not simply for show. The first part of the job is done—four box sets completed, although while working on the project it felt like forty. Amendments to front and back matter was tedious, but worthwhile.
In each case, there is at least a free book when comparing prices to individual purchases.
These box sets are available on Kindle Unlimited.
I have no intention of going along the audio route so it will be interesting to see if this idea works.
Things got off to a good start with the erotica—a box set sold within three hours of publication.
I’ll write a post giving any useful information if the idea takes off, and in which area/genre.
A Life of Choice is available as five individual eBooks, a box set of five, and as a paperback trilogy.
If you’re new to my brand, all of my eBook titles are available on Kindle Unlimited.
In my meantime, I’ll be happy to accept question, comments and suggestions.
There is more than a hint of deja vu as I begin this post. I started 2018 with the intention of producing two more thrillers and a new collection of short stories. Work was done on all of those projects but none were completed. The reasons were many and various.
Among the many other projects I did complete last year, in the erotica genre I published: two novels, a novella, and an anthology of short stories, all of which I found easier, though no less time-consuming than my planned books. If I’m not enjoying what I’m producing, it isn’t going to be my best.
Here I am once again with the same intentions as 2018, but in a better frame of mind to get the job done.
I may not produce as many titles this year, but I feel confident I have sufficient work done to ease my early progress into each of my main writing projects. In an effort to improve my focus I’ve refreshed/improved the proposed covers.
Codename: Nightshade is a crime thriller. The book is a standalone, and spin-off from the Beyond The Law trilogy. Rachel Donoghue is the central character and depending on your viewpoint—the heroine. For now, I think that’s enough to know about this one.
Czech Mate is a crime thriller based on the activities and adventures (or misadventures), of a young Scottish artist and gallery proprietor. The reading of his late father’s will is the kicking-off point for the tale, and apart from his native Scotland, he finds himself in Central Europe—mainly Prague, capital of the Czech Republic.
One Man, Two Missions: and other stories is a new anthology, although some of the stories have been in my files for a few years. They are of a wide variety of genre, similar to other anthologies I’ve produced which have proved popular.
Rather than predict an exact publication date for any of this work, I’d suggest it will be out there when it’s good and ready.
What else have I got lined up this writing year?
I have four erotica titles at various stages and a book of poetry of the same genre. They are detailed on the dedicated website—Tom Benson – Erotica.
I will be reading as much as possible, as usual, and I’ll be mentoring, beta-reading and helping my peers whenever I can.
The production of more paperbacks will probably be put on hold—they don’t sell in sufficient numbers to make the investment of time worthwhile, and at least in my case they are aimed more at giving to charitable causes, or as gifts.
There you have it—a summary of my proposed writing year, so it will be interesting to see how it all shakes out.
Did I do anything of importance regarding writing during 2018?
In late December I reread On Writing: A Memoir of the Craft by Stephen King. If you’re a writer and you have yet to read that book I would suggest you are doing yourself and your proposed readership a disservice. As I reach the end of this post, for the benefit of my peers who may not have read the book, here is an excerpt from one of the final paragraphs:
“Writing isn’t about making money, getting famous, getting dates, getting laid, or making friends. In the end, it’s about enriching the lives of those who will read your work, and enriching your own life, as well.”- Stephen King.
As recently as the end of December 2018 I spent an entire day working to update and improve this blog. I removed a needless heading from my main menu and set up a new one—Samples of my work. If you’d care to visit the new feature you will find samples of complete short stories of various genre, individual poems of different genre and examples of my serial poetry.
If you are a fellow scribe, I hope you have a wonderful, productive year ahead. If you’re a reader, may you find yourself absorbed in many a good story, and if you’re a reviewer, I hope you like my work.
Thank you for reading, and as always, comments are not only welcome but encouraged.
As many of us do, I like to look back and believe I’ve accomplished something in the past year. For me, this was my first full year in retirement—having finished my regular working life in late 2017.
My aim was the same as always, to use my time productively. Apart from reading/reviewing and my literary output, I had a couple of big domestic projects to plan and complete. I wouldn’t concentrate properly on my writing if I didn’t deal with one of my domestic jobs first, so January was written off.
February—I bought Vellum, a quality formatting programme to use with my Mac. Not only was I intent on producing paperbacks—I wanted the interior to look smart, and professional. Before a book was released as a paperback it would be completely revised. The revisions were already underway. My eBooks were also scheduled for the processing through Vellum.
In terms of reading, I set myself a target of fifty books and completed forty-six. I will read two more by the end of year. 🙂
Do I feel as if I’ve met my targets?
I do, and apart from dealing with the occasional injury or extremely bad weather, I maintained my daily early morning cycle ride. Personally, I feel as if I’ve had a good year and I now look forward to continuing with the same enthusiasm as we go into 2019.
My aims for 2019 will be set out in my next post … very soon. In the meantime, thank you for being a part of my writing life, in whichever way, large or small. It all counts for me.
A heads-up for all you lovely people who have taken the time to read this post. I have four very different titles being offered free and they’ll be available* from Wednesday 19th through Sunday 23rd December.
*This is, of course, if there are no technical hitches with Amazon.
Have a peaceful end to the old year and a great start to the new one.
I can say with confidence that I will never apply as much effort to any other writing task as I have to ‘A Life of Choice’.
It was 49 years ago this week when I left home to start basic training with the British Army. My military career ended in 1992, after 23 years, and it was a couple of years later when I gathered information towards writing about that career as military memoirs. It would take many years before I’d gained sufficient writing knowledge and skill to produce an entertaining tale.
I tried the fact-based route first, both in the first-person point of view and in third-person. The end product was massive and carried far too much detail—it went into ‘storage’.
When I’d successfully written and published thrillers, romance, short stories and poetry, I turned once again to my magnum opus. I toyed with fact or fiction, and viewpoint. My choice was fact-based fiction, written in the first-person point of view.
By 2016 the first of five parts was published and was well-received. As each part went out, the reviews continued to be positive, so I sidelined my other writing projects. I still tried to read, review and help my peers with their projects. Apart from public reviews on my new series, I started receiving private messages via my author website—mainly from ex-soldiers (male and female), who wanted to pass on their gratitude for the accuracy and humour. Most of these guys were not comfortable writing public reviews.
My only concern was that many serving and ex-service personnel were not e-reader users and I have regularly received requests for a paperback version.
Five paperbacks would have been easy to produce, and would also be simple to ‘match’ on websites or outlets. Marketed as five paperbacks, the series would have been expensive to buy, so I set myself a series of tasks.
1. Perform a complete rewrite to tighten dialogue and deal with minor amendments.
2. Break the story to balance the chapters and create a consistent ‘volume’ for each of the five parts.
3. Select the appropriate places to break the story to make a paperback version as a trilogy edition.
4. Rewrite all blurbs for the five eBooks, and three fresh blurbs for the paperback trilogy.
5. Compose a disclaimer which could be used with internet marketing blurbs and within the books regarding the different editions having the same content overall.
6. Select excerpts from reviews to use on the back covers of the trilogy.
7. Build a catalogue of information to educate my book cover designer regarding the ideal graphics solutions. This was difficult because anything available now in photographic evidence is very different to the equipment I would have known in the ’70’s, ’80’s, and early ’90’s. We persevered, and the trilogy covers feature equipments which were landmarks in my story.
As I’ve done for my novels, I hired the talents of Aimee Coveney of AuthorDesignStudio–a designer who works tirelessly until the solution meets customer satisfaction.
8. Organise the sequence of publishing—all five amended eBooks and the trilogy, only when I had the bespoke covers for the trilogy.
9. Create graphics to market the two editions separately and together.
10. Prepare my author website and this blog for when the new trilogy went public.
I commenced this renewed labour of love in June 2018. Once again, apart from helping other writers on individual projects, and managing a major task for the Indie Author Support and Discussion group—most of my efforts went on the conversion process.
How did I relax when it was getting intense?
Several times I pulled out one of my erotica projects—as difficult to write as any other genre, but light relief in terms of content. Occasionally I’d draw, paint, or read, but not as often as I wanted because I felt a sense of guilt for not ‘working’.
In mid-October, I completed the conversion of five eBooks into three paperbacks. It was around 7th November, when I completed the final formatting sequence for the revised eBook versions … and then I had another coffee.
The pricing of the paperback trilogy is more than I’d have wanted, but I reconcile my concerns knowing that each book is around 570 pages. It was vitally important that nothing was removed from the story.
Who might find an excerpt from their reviews on the back cover of my paperback trilogy?
Apart from review excerpts by a selection of ex-Royal Signals personnel, and an ex-Army wife, I opted for snippets from fellow authors, namely: Frank Parker, Barbara Fagan Speake, Paul A Ruddock, John MW Smith, and Paul Rees—notably, all fellow members of the IASD.
Thank you for taking an interest, and passing a few minutes with me.
The importance of the work in this collection could easily be overlooked, but I’ll say why later in the post. For now, I will tell you that most of the contents have never been published outside of a poetry site.
My first efforts at creative writing (where it would be seen), were with poetry in 2007. It took a few individual pieces to get the hang of it and then I felt the need to take things a stage further—the serial poem, or as some call it, ‘story’ poem.
Again, my early efforts were relatively short, at perhaps a series of two, three, or four poems, but I always aimed to have a logical introduction and a satisfactory ending. The stories got longer and the plots more intricate and in a short time, I was recognised as the ‘serial’ poet on the website. The acclaim I received must have gone to my head because the serial poems got longer.
Why do I suggest that the work in this collection is important?
Honey, my New York detective was born and raised in a poem series. Yes, the main character in the novel A Taste of Honey. The story may not be the same, but the idea and the general background supplied the idea of a young woman capable of deadly vengeance.
Anybody who has read my Beyond the Law trilogy will be acquainted with Hawk, the codename for the main character. The Hawk was an individual poem, but it was so well received I had to go on—for twenty-six poems.
Many of my short stories started life as a simple poem, long before they evolved into detailed stories within an anthology. Pawnee Express, and Anne: Illegal Alien both come to mind.
As I do with all of my writing, I aim to entertain, but with my poetry, I work hard to demonstrate that anybody can write poetry and on any topic. Many of the poems in this collection were written to meet a poetry challenge, like tackling a certain subject, and this to me was a crucial lesson–you don’t know until you try.
What can you expect to find in this anthology?
Romans, Cowboys and Indian, Medieval England, Fantasy, Terrorism, Thriller, Military, Sci-Fi and more. For those who’ve never read my poetry, I’ve included a selection of work from my genre-based poetry anthologies.
I know, I know—I’m holding you back from downloading the book.
If you’re curious, I’ve added three samples to the Rhyme & Reason sub-menu on this blog.
A Life of Choice is fact-based fiction, presently available as a five-part novel for Kindle. The story is the most popular title in my catalogue.
If my first attempts at this tale were included, A Life of Choice has been a work in progress for about twenty-twoyears. On the other hand if we were to treat my military service as research for the story—it goes back to forty-eight years.
Whatever else I published it was always important to me that I completed this project. It was heart-warming to see the first reviews from serving personnel and ex-Service personnel, of course, but to see glowing reviews from readers who’d never donned a military uniform—gratifying.
As with all of my writing, it was never my intention to publish in paperback, but like many things, I’ve decided to change course and take that step.
– Since the first part was published as an eBook (two years ago), I’ve had requests to produce the story in paperback. There are many people out there who either have difficulty using a digital reader, or simply prefer a physical book.
– It will give me the opportunity to use the paperback version as a gift, or on occasion a ‘prize’ in draws for various military charities.
Do I expect to make a profit from sales of a paperback edition?
– I don’t write to make money, which I like to think is reflected in the price range of my eBooks. My titles are competitively priced or they wouldn’t be treated seriously.
– By the very nature of indie paperback publication the individual books are expensive when compared to availability of the household names in any supermarket or bookstore.
– I’ve created the covers for my eBooks with a few exceptions—those being designed by a professional cover designer.
I produced the story in logical parts to publish as eBooks, but the individual books would not justify the price set by Amazon for paperback versions—in my opinion.
Due to the the process and use of the data provided by the author, the Amazon KDP system requires exact information when relating an eBook to a paperback. I’m taking a risk, but trying to think outside the box.
– For the paperback version, the series will be broken into three parts. They will still be ‘logical’ parts, but of greater substance than their digital counterparts.
– To ensure the job is done properly I’ve spent many hours selecting where to move chapters from one book to another in order to adjust overall length. This has entailed amending the Preface and the Epilogue in each part.
– As I did with Amsterdam Calling, and Ten Days in Panama, I am underway with a complete revision of the story. The tale will remain the same, the humour or more serious aspects will stay in place, but the writing will be tighter. I will also be adjusting the use of uppercase letters for certain instances.
– Instead of associating the paperbacks directly with the eBooks within the Amazon system, I will sub-title the paperbacks as The Trilogy Edition. I’m in the process of writing appropriate jacket blurbs to highlight that it is the same story but in a different format. This will also forestall any conflict with Amazon and their ‘Matchbook’ process.
Will the updated writing have a detrimental effect on the eBook version?
I will be using the rewritten chapters from within the paperback manuscripts to replace the chapters in the appropriate eBooks. In this way, the writing is updated but the front and back matter of each book remains constant.
How will I prevent issues with the publication of the ‘original’ and ‘updated’ editions of the eBooks?
I will prepare all five eBooks and update them in one session so that they’ll become ‘live’ on the Amazon system within hours of each other.
How will I ensure that ‘The Trilogy Edition’ paperback version is seen to be the same story?
– I will not publish any of the paperback versions until I have all three completed.
– As with the eBook updated versions, I will publish the three paperbacks in a single session, aiming for them to appear within hours. Paperbacks are not purchased as rapidly or frequently as eBooks so there isn’t as much pressure on timing.
– A Life of Choice: The Trilogy Edition – Part One is completed.
There you have it, people.
In my next post I’ll report on how things are going with my conversion of five into three, and I’ll explain why my eBook publishing plans for this year have been altered.
As always, I thank all of you who take the time to visit and read my blog.