Sex … In or Out?

You’ve written a great story. Do you need sex amidst the guns, fighting and mayhem, the psychological trauma and mystery, or the tenderness and promises?

When I say ‘do you need sex’ I’m obviously referring to the requirements of the story—not your personal urges. I digress … .

This blog post was born from the need to offer my opinion on a regular comment I see on social media, and if we’re all honest, it’s getting a bit tedious. The comment usually follows similar lines to: ‘… and when I reach a sex scene I move on …’

There is usually a bit more to it, but in essence, we have two main areas to address.

Question 1 – Is the reader a prude, or simply someone who knows when a sex scene could have been done more tastefully—if it were needed at all?

Question 2 – Did the author make a mistake by getting carried away, drifting from the primary genre, thus adversely affecting the plot of the story?

The answer to Question 1 is not as simple as it sounds. For some readers, if an author goes beyond: ‘… she stood with her back to the door and raised an eyebrow …’ it’s too much. For others, it’s frustratingly brief, and they want to at least know if one person is wearing matching underwear and if the other person is wearing underwear at all.

Now, Question 2 throws up a whole new dilemma. As authors, it is not simply a personal choice, but in my (humble) opinion, it is our duty to remain true to our craft. No, I’m not getting high and mighty because I’ve written more than two books—I’m simply telling it like it is. The reputation of indie authors is being destroyed from within by some people with low standards. Those of us who work long hard hours and go beyond the first draft must persevere to produce the best we can.

You cannot refer to yourself in your branding or promotional material (of whatever level) as a thriller writer if you have the main character kill someone and then for the rest of the book he/she beds every other person in the ‘adventure’. You can dress it up, or undress it if you wish, but one of the aims of any author should be to focus on the job—in this case, a good story based on the primary genre.

I write a wide variety of genre and among them is erotica. I may allow a kiss or a caress—even partial undressing in some stories but graphic, no-holds-barred sexual activity is kept for my erotica.

If an author writes thrillers, westerns, sci-fi or other genres there ought to be sufficient time invested in character development, dialogue, imagery, pace and the accurate choreography of action. Any mention of sex will usually be incidental, except, of course, for romance, some paranormal and fantasy where it may go further.

An author who writes erotica is not out to shock—they are aiming to indulge their readers in the type of material they sought. This is not to say that character development and those other ingredients I mentioned earlier are not required in erotica—they are just as important. The erotica author must avoid sex becoming the ‘story’; an opportunity to be self-indulgent with repetitive and meaningless scenes of gratuitous carnal jiggery-pokery (mainly pokery).

In my ‘mainstream’ genres, there may be terms of endearment, a kiss or an embrace but they are strategically placed. Occasionally, in my erotica, there is less need for such romantic overtures, activity or subtlety. The characters might be more interested in mutual physical gratification than an emotional rollercoaster ride but there will still be character development and the activities are created with a purpose. It depends on the story.

I believe the author should strive to be faithful to the principle genre and whatever extended subjects it entails whether it be an action-packed or psychological plot, and plot or character-driven.

If you’d like to see ‘erotica’ as it once was, read ‘Lady Chatterley’s Lover’. Like most other genres, erotica has moved on and readers are no longer satisfied with what was once considered shocking—people want to envisage themselves in scenes which will (in most cases) forever be a fantasy. With the greatest respect D.H.Lawrence, move over my friend.

I’m a great believer in the use of metaphor if it spells something out clearly. I’ll summarise with two questions to authors who are trying to work out if sex ought to be highlighted in a story?

Would you wear flip-flops and boxing gloves to run a marathon, or perhaps mask, snorkel and flippers to ride a bicycle?

Let’s be honest—if it doesn’t look right, it doesn’t belong.

Thank you for reading, and any comments.

A Cover Story

Astute authors will recognise that irrespective of how good their story might be, it’s the cover which is the first point of contact with the reader (or ‘the customer’ if we’re honest).

I accepted early on in my writing career that if I wanted my books to be treated seriously then I’d have to part with cash, and not for vanity publishing—some people still do. In essence, I’d have to fork out before my hard work had produced any reward in royalties.

There are many more aspects which affect the success or failure of a book but for now, I’d like to stay on topic—covers.

It didn’t take much research for me to discover that poetry and short story anthologies attracted less interest than any other aspect of creative writing. Yes, as luck would have it, my first titles came into those categories, however, I’m a positive kind of guy and saw an opportunity. Here were two areas in which I could practice the dark art of cover design. Later, I would find another. 😀

My first novel took a year to write due to me also holding down a full-time management job. I produced my idea of a cover for Beyond The Law. Even with my artistic leanings, it was not an impressive sight, so let’s not go there.

For my next two novels, I bit the bullet, which is an option not many of my characters are offered. I paid a professional cover designer to cater for Ten Days in Panama and Amsterdam Calling. Both books sold steadily and a significant lesson was learned. I asked the designer to create a cover for Beyond The Law (later to be suffixed ‘Formation’. Like the other two covers, it was expensive, but the blow was softened when I saw the effect of a decent story married up to a good cover.

In less than six months, I received sufficient royalties from Beyond the Law to cover the cost of all of my first three covers. Needless to say, I went on to use the same designer for A Taste of Honey. When Beyond the Law – the trilogy was created with the addition of ‘Retribution’ and ‘Consequences I saw regular sales. 

I continued producing the covers for my short story anthologies as the books were published. Yes, they would sell, I thought, but not in sufficient numbers to warrant a hefty outlay on covers.

One interesting twist came when I wrote my magnum opus, A Life of Choice. This was a five-part, fact-based fiction series; a depiction of my military career, but I had doubts. I hoped it was written in an entertaining and engaging style, but it was simply a story I wanted to tell. I didn’t see it as a prize winner or a major money-spinner.

I designed the covers using the ‘Regimental Colours’ of the Royal Signals (my Corps), and I used a small representative graphic for each of the five stages. My theory was that the ‘colours’ would attract the eye of some of the thousands of Royal Signals soldiers past and present. Following a slow pick-up and a few good reviews, this series rapidly established itself as my top-selling story.

The only issue I had was the regular requests for it to be available in paperback. I experimented and it took several weeks but I managed to amend the end/beginning of the five parts to convert them into a paperback trilogy—the same story, in the same words but broken at different logical points in time.

I recognised a potential saboteur—overconfidence. I contacted my professional designer and gave her a simple brief, sending her photos of the three pieces of equipment to be featured, samples of the background colours and all the printed matter for front and back exterior. For example, apart from the blurb, each book in the trilogy has excerpts from three different reviews. It took a few weeks to get there and I was delighted with the designer’s solution.

An area that some indie authors fail to register is that paperbacks are formatted differently regarding the front and back matter. I took great care in presentation, as I’ve done with all of my paperback versions so that they mirror traditional books.

One aspect of this series I didn’t expect was how much it would be enjoyed by those who had never served. The primary target of any creative writer should be to provide entertainment and it gladdens my heart to know I’ve achieved my aim with this special story.

As if by magic, the paperbacks continue to sell. I’m delighted to report that they are a popular prize at the many military fund-raising events to which I donate signed copies of the trilogy. 

I recently felt that I’d gained sufficient knowledge and experience to try my hand again at the creative, challenging skill of cover design. It took a few days but I’ve refreshed the covers for the Beyond The Law trilogy. My versions are on trial for a couple of months.

Apart from poetry and short story anthologies, I said that later I was to find another area for which I could create the covers. Erotica is that area and not surprisingly there aren’t that many reviews although they are good. There are, however, plenty of sales. 😀

If you’re an author at whatever stage of your journey, please remember that a well-crafted book with a good cover is more likely to see a healthy return on the investment of your time and money.

Thank you for reading.

Thank you.

Time after Time – now available

Some might see ‘Time after Time’ as a worn-out phrase but I saw it as both the inspiration and title for a new venture—a collection of tales related to ‘Time’.

I first considered a personal anthology of short stories using ‘Time’ as the theme and then it occurred to me to widen the net—offer the idea as a platform for fellow authors. I first had guests contributing original tales when I produced The Welcome: and other Sci-Fi stories, a ‘genre-based’ collection.

 

This new anthology is not genre-based but ‘theme-based’ which means that authors had the freedom to use any genre with which they were comfortable (except erotica), but the story had to be original and related to ‘Time’.

Occasionally, an author will be attracted to a theme and in this case, a couple of my guests provided more than one story. This is a win-win. It first provides the reader with a larger volume of entertainment for the same low price of 99p/99c. It also gives the author the opportunity to showcase more of their talent in their new work.

Why is a collection of 19 stories being sold at only 99p/99c?

My reason for producing these ‘guest author’ anthologies is not to make money, but to provide a platform for my fellow scribes and me. Short stories are one step above poetry at the lower end of eBook sales but for those who enjoy a selection of coffee-time tales and like a bargain, it works well.

For the benefit of both readers and guest authors, there is a short bio and links included for all who have submitted stories. A unique feature in this anthology is a foreword about Time by etymologist, Millie Slavidou, one of my guests. I believe the brief introduction into the subject creates the right mindset before delving into the tales.

I wrote six original stories specifically for this collection and they appear at the latter end of the book. As I’ve done for my guests, I’ve included a bio and links for readers to check out my other literary efforts.

I hope you feel motivated to give this collection a try and you are entertained. As with all eBooks I publish, this one will be available to read free on Kindle Unlimited.

If you do try the book, please consider leaving a review.

Thank you.

Tom 

Amazon – Preview/Buy

BookLinker – Universal

Free to Choose

Let’s be honest from the outset, few folks are going to spend their cash if they can get something free of charge.

In the world of eBooks there are many reasons for titles to be offered ‘Free’ which include:

–an author’s promotion.

–a website promotion.

— a story to attract interest in the author’s work.

— pirate sources offering authors’ work free illegally.

How about paying a reduced price instead of aiming straight for the freebie?

 

 

 

 

Again, we have a number of reasons but now we’re being asked to pay so why would we choose to do such a thing?

Instead of making a list, there is one main aspect I’d highlight. The author or the supplier is content that the product is worthy of being sold but for whatever reason, the price has been reduced. The onus is on the buying public to look at the reduction which is invariably explained to us in a brief message or if you prefer ‘sales pitch’.

Personally, I’m sceptical when it comes to getting something for ‘free’, but I’m always happy to pay if I perceive a bargain. For example, if there were an eBook that caught my eye and I was getting it for a reduced price I’d buy it, especially if it were by an author I’d yet to try.

In this present climate of international lock-down, we have many thousands of people who are reading more or possibly reading for the first time in many years. Money is a concern, of course, so once again we’re back to that question of taking what’s free or pay, but not too much.

It was with this theory in mind that I created the eBook Bank International a few weeks ago. eBooks for 99p  (or equivalent).

No, it’s not a promotional website for authors in the conventional sense, it is a place which has in excess of 120 titles covering a wide range of genres and includes 17 authors’ work. This is a site which promotes authors, eBooks and the idea that just for once somebody cares about how much money people can afford to spend.

Why is the website based on ‘selling’ for 99p (or equivalent) instead of just giving away our books?

Imagine the number of people out there with an eReader who grab anything for free. Many of them will download titles they’ll never read but they got them for free–their only reason to take the book.

Now, imagine the number of people who might be prepared to pay but only a small amount … say, 99p for an eBook which is normally £2.49. Each title purchased is an investment by that reader and they will likely go on to read the book.

What do the authors get from reducing their prices but not making the titles free?

Interest in their hard work is the first thing, and then, of course, a few sales due to the lower price. The authors involved in this venture may give up a small amount in the first place but they’ve made an investment–in readership. Perhaps their £2.49 title was competitive but the price still put people off and then that same book was offered at 99p … a win-win situation.

Again, on a personal note, I’d rather see a title sell fifty times at 99p than twice at £2.49.

In this post, I’ve featured a variety of my titles but there are many other authors involved in the eBook Bank project, so why not pay a visit and pick up a bargain for 99p (or equivalent).

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My New Writing Year – 2020

 

My New Writing Year – 2020

Welcome to my world in this new writing year. Due to the methodology of creative writing, it is a craft in which the product disregards the passing from one year to the next. Of course, authors, like many other people like to feel they are making progress, so we recognise the new year even if our work doesn’t.

Work in Progress (WIP) I am bringing forward this year?

 

Light at The End. This is my first attempt at a post-apocalyptic novel. The seventh draft is now as much history as the missiles which are mentioned early in the story. I’ve had alpha and beta readers check out the tale. I aim to publish on Saturday 11th January 2020.

OMG, that’s next weekend.

 

Czech Mate. This story features a young art dealer from Edinburgh who follows up a mysterious and cryptic message left in his father’s will. As the title suggests, Bryce, our hero finds himself in the Czech Republic and then things get complicated. This story has been put on hold over the past year for a variety of reasons but I’m aiming for publication in 2020.

 

Codename: Foxglove. This is a sequel to Codename: Nightshade.    In the ‘Nightshade’ story, Rachel Donoghue continues the work she was trained for by Phil and Annabel in the Beyond the Law trilogy.

 

Dominique McEwan, a young woman with a keen sense of justice is recruited and assessed by Rachel Donoghue (Deadly Nightshade). The pair vow to work together and build a new team of vigilante operatives. How rapidly this story develops will depend on how many other projects in which I become involved.

 

 

Around the Bend is my next anthology of mixed-genre short stories. This collection opens with a fact-based tale of a road accident. I witnessed the incident and was then involved in the rescue of one of the vehicle drivers. The other stories in this anthology include covert operations, romance, horror, comeuppance, police detectives and more.

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At the time of producing this post, I have no immediate plans to publish more erotica in my own name. I already have two more erotica titles underway but they will be under the Katya Cumming banner. ‘Katya’ has six titles available and all are doing well, although reviews are scarce as we all know. My intention is for her to cease producing work when ten titles are achieved.

My first target with Katya was to use the pseudonym as an experiment, which produced positive results, and the secondary aim is to reach ten titles. Six are published, two more are WIP and I have two more sketched out as basic ideas.

Click on the graphic to go to Katya’s Amazon page

What else is on the cards for me this year?

I’d like to publish another invitation anthology in 2020. As I did with The Welcome: and other Sci-Fi stories I will produce at least six tales and add work from other authors. My aim is to create an anthology of twelve original stories plus three or more bonus tales of a similar theme. Like the main collection, the bonus stories will come from my guest authors and me, but they will be stories which are previously published. The idea may or may not work, but my choice of theme is ‘Time’, hence the title, Time after Time. If you’re interested, please use the highlighted title or click on the book cover to go to the WIP page. 

I will be reading for pleasure, and beta reading throughout the year as normal which takes a lot of my time, but while I’m helping a fellow author of whatever level, you won’t find me complaining. I will be continuing to mentor my good friend, fellow author and poet Carmen Lopez.

(UK link)

Two anthologies of short stories have put Carmen on the global stage, and this year gets underway with the recent publication of her first novel, Beware The Fury. (US link)

 

C. I. Lopez on Amazon.com  

 

 C. I. Lopez on Amazon UK

 

Thank you for your visit and any comments/suggestions, and now, on with the creativity. 

Tom

Producing an Anthology

 

Have you ever considered producing an anthology of short stories?

Perhaps you’ve written short stories and never considered creating a collection, or you’re a novelist who shuns the short story discipline to concentrate on longer work.

My first anthology was a project, a challenge, a dream, and a nightmare all before it became a reality.

I’d written numerous short stories and won competitions, but Smoke & Mirrors: and other stories was my first foray into compiling an anthology. Should I aim for a theme or go multi-genre? Is it best to go with a complete set of original work or include something which has been commended? Go it alone or ask other people to donate a story?

The questions pile up about ten seconds after the decision to tackle such a project.

I’m pleased to report that stories from that first collection are still referred to in reviews, which is heartwarming. It is also a testament to the credibility of the stories and justifies their inclusion. I’ve now compiled seven anthologies including The Welcome: and other Sci-Fi stories created by inviting other authors to join me.

When I compiled ‘The Welcome’ it was never about earning money, it was always intended as a platform for fellow authors from the IASD and me to get examples of our work out there. No, the collection hasn’t made me a millionaire although the book continues to sell the occasional copy. Thanks to Amazon’s peculiar attitude to customers spending a set amount of money before being allowed to comment, there are now fewer reviews being posted.

I suppose I should come clean and admit that if you’re a multi-genre author like me there is a constant need to work on a new anthology. If writing short stories appeals to you then the next logical step must be producing a range of your work instead of keeping it aside waiting for the opportunity a competition offers.

Would you prefer to keep all the stories in one genre, or might you find it easier to mix the genre?

The two main routes to go are theme-based or genre-based, and then, of course, you can go it alone or invite work from others. Apart from anything else, it’s a great way to hone your writing skills.

I enjoy reading and writing short stories. In the Resources section of my blog, apart from tips on the discipline of Writing a Short Story and Competition Writing I have sections regarding anthologies, Creating an Anthology, and Theme or Genre-based?

The key, as with all writing projects is the desire to take on the mission.

If you are more inclined to work on novels, you’ll appreciate that your manuscript needs some downtime, and one of the most useful ways of dealing with this I’ve found is to work on a couple of short stories. Sometimes the distraction produces further inspiration for the novel.

Have you considered inviting fellow authors to join you in creating a collection?

If you have a favourite genre or theme you could create a collection of your short stories or use yours as a base and mix in stories donated by other authors. You are in control.

When you get right down to it, you are practising your writing craft by producing short stories so why not take that next step and build up a few and make them the ‘chapters’ of your first anthology.

I dare you—you’ll be hooked.

My next anthology, due publication in 2020, starts with a factual story, so once again, another twist. The aim for me is to produce a collection of twelve original tales supplemented by three ‘bonus’ stories which are selected from my other anthologies. This creates value for the reader and provides a platform for the other work by the author.

 

Thank you for dropping by, and, as always, comments are welcomed.

 ***

Katya Cumming – interviewed

 

My interview with erotica author, Katya Cumming, has been promised for some time, so with great pleasure, I’d like to introduce you to the new girl on the (writing) block.

Q1. Katya, I respect your decision not to provide a profile picture because of certain types of people. Would you be kind enough to give us a brief description of yourself and your background?

Two descriptions attributed to me have been curvaceous and statuesque, and I like both. I’m a thirty-something brunette from Edinburgh, Scotland, who works in fashion retail. Relationships are for those involved, so that’s where mine will stay. In my quieter moments, I read and write, and sometimes those things are done while I travel which I also enjoy. To keep in shape I swim, jog, cycle, and do aerobics.

Q2. What type of books did you read when you were younger?

While very young I loved adventure stories, but by the time I was a teenager, I’d progressed to romance. It was while babysitting for a neighbour I first discovered books with more interesting topics. The first erotica book I read was sci-fi, but it just made it more fun for me, imagining the things the aliens could do with the human body. It captured my imagination.

Q3. What attracted you to writing erotica rather than any other genre?

I was a fan of romance, but I needed more grit, and moved up to steamy romance. It didn’t take long before curiosity got the better of me and erotica was next. A couple of authors were okay, but most stories were more like plot-starved, sexual fantasy than erotica, so I decided to try my hand … if you’ll pardon the pun.

Q4. How long did you write before publishing?

In terms of time, probably about two years. I’d written some poetry and short stories which were well-received in writing groups, but novels are a different discipline and frightening at first. Over quite a long time I produced the early stages of three novels but I left them aside, adding to them occasionally.

Q5.  How long does it take generally from starting a story to seeing it published on Amazon?

I would suggest a minimum of four months. Once I have an idea I make a few notes and leave them aside to consider from which start point it might best evolve. I also tend to leave the manuscript aside regularly to let me work on something else. The Mistress, which is my shortest story so far was my quickest first draft. It took me fourteen days and I stopped at fifty-thousand words. I reduced it to forty-seven thousand words.

Q6. How many titles do you have available at the present time?

Now that my latest, ‘His & Hers’ is released, I have five books out there, all on Amazon KU.

Q7. Many authors depend on experience for their subject matter—how much of your work is a direct result of personal experience?

Small segments in different stories is the best answer. This is where the male of the species is different from the female I suppose. A guy who sleeps around for a while is sowing his wild oats and is a bit of a lad, but if a girl plays the field she’s a tart. In my mid-teens, I had two relationships with girls, but by the time I was eighteen, I’d confirmed I enjoyed a roll in the hay with a girl or a guy. I’ve been involved in a threesome twice.

Q8. Feminisation and strong female characters are prominent in your work—could you explain why you lean in this direction?

Sexuality is a deep subject. When you delve into the area of ‘gender-benders’ as they’re so cruelly labelled, there is a myriad of areas to explore. Crossdressing is a multi-layered topic and well-suited to the erotica genre. The why and wherefore create a story. Whatever men tell you, and you should know, if a woman is attractive and dominant it’s more likely to add spice to a sexual encounter, rather than be seen as threatening. What that dominant woman wants, she will get one way or the other. Only a chauvinist or a dyed-in-the-wool alpha male would think otherwise.

Q9. What is your response to those who say that erotica is simply literary porn?

If they’re describing a book which is no more than page after page of explicit sex scenes then I’d agree with them. However, if those explicit sex scenes are integral to and supporting a cohesive story, then it is not porn, it is strong erotica.

Q10. Do you believe there is a place in the market for erotica, and strong erotica in particular?

Yes, of course, or people like us wouldn’t be spending weeks and months developing a story to convey the activities of our characters. I’m an advocate of allowing people the freedom to read whatever they please, and if for example, a person has difficulty forming relationships, has an unsatisfactory sex-life or simply enjoys a bit of titillation, a graphic erotic novel might be a release for them, in a manner of speaking.

Q11. What’s your opinion of those who profess to be erotica authors but produce regular, small volumes of badly-written, graphic sex stories?

First of all, the only way they can be called authors is due to having composed the material. They are not necessarily creative people. A graphic description of sex is not particularly creative in itself. Secondly, many of these people rely on no more than three or four plots, usually involving a cash-strapped person, an experiment, or pure fantasy. There is little or no research and no substance. In my opinion, lazy writers are despicable because they are money-grabbers who also affect the reading public’s view of indie authors who are working hard.

Q12. Who are your favourite indie authors?

You are obviously one, Tom, and that’s not simply because of this interview. I’m also a big fan of Sarah Stuart who writes steamy romance, and Lesley Hayes who is just an incredible writer. For the joy of a true storyteller, I like Patrick ‘Max’ Power, Rebecca Bryn, Lucinda E. Clarke, and Mike Billington. I’m a massive fan of the Indie Author Support and Discussion group; all talented international authors. It’s handy to have something to frighten the pants off me so for that I depend on Anne Francis Scott.

Q13. Which, if any, other genres might you consider writing in the future?

I have a yearning to write something in the sci-fi arena, but I’m not sure yet whether I’d go with dystopian, apocalyptic or outer space.

Q14. Can you tell us about your cover designs and how they came about?

I feel that if not from a scene in a story, the cover should at least highlight one aspect or provide a hint of what lies beyond the title. You know as much about them as I do since you’ve made the effort to produce them for me.

Q15. Why have you avoided being interviewed until this point?

Again this is an area of which you have a good grasp. For your benefit and to aim for credibility, I didn’t think it was fitting to be revealed until I’d produced at least five titles in my name and achieved significant sales. I felt that for a long time I was locked away, waiting. When you decided to bring my work to the fore, create my character, my name, and give me my own website it meant so much to me.

Thank you, Tom, for this interview and for bringing me and my work to the attention of the wider public. I do understand how difficult it has been for you to maintain this secret aspect of your life as an author while you’ve worked on my development.

 

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Thank you for opening up to me, Katya. Please, finish your coffee before you get dressed. It’s been great working hand in glove with you and I look forward to your next in-depth tail … oops, I mean, of course, your next in-depth tale. I’m happy we finally have your personal story out there.

And to all who are interested in Katya’s naughty tales, here are links to her work.

Amazon Author Page

Katya Cumming – Erotica

Coming soon ….

My Series’ are boxed off

 

How to attract more readers and give them a reward—that was my quest.

I have individual novels, a trilogy, and a five-part novel. My poetry titles come in the form of a bumper book of serial poetry, my five-part, multi-genre series and, of course, a collection of rhyming erotica.

Click image for Amazon page and options including KU.

Erotica, not usually mentioned on this blog—apart from poetry I have several novels, two anthologies of short stories, and a series of novellas.

I was looking at an opportunity hidden in plain sight—box sets.

I could offer a series at a cut-price. Yes, it would mean I lose a small amount in royalties from the individual book sales, but providing entertainment to a greater readership is more important to me than the money—which of course would be the spin-off; I know. 😀

Four questions came to mind.

Click image for Amazon page and options including KU.

How many people are keen to have a series available in one download?

How many people will take the opportunity of saving about 15-20% on the overall price?

How many of my series should I prepare as box sets?

Click image for Amazon page and options including KU.

How hard would it be to create them, and how long would it take?

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The good news is, the graphics in this post are not simply for show. The first part of the job is done—four box sets completed, although while working on the project it felt like forty. Amendments to front and back matter was tedious, but worthwhile.

In each case, there is at least a free book when comparing prices to individual purchases.

These box sets are available on Kindle Unlimited.

Click image for Amazon page and options including KU.

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I have no intention of going along the audio route so it will be interesting to see if this idea works.

Things got off to a good start with the erotica—a box set sold within three hours of publication.

I’ll write a post giving any useful information if the idea takes off, and in which area/genre.

A Life of Choice is available as five individual eBooks, a box set of five, and as a paperback trilogy.

If you’re new to my brand, all of my eBook titles are available on Kindle Unlimited.

In my meantime, I’ll be happy to accept question, comments and suggestions.

 ***

Happy New Writing Year – 2019

 

There is more than a hint of deja vu as I begin this post. I started 2018 with the intention of producing two more thrillers and a new collection of short stories. Work was done on all of those projects but none were completed. The reasons were many and various.

Among the many other projects I did complete last year, in the erotica genre I published: two novels, a novella, and an anthology of short stories, all of which I found easier, though no less time-consuming than my planned books. If I’m not enjoying what I’m producing, it isn’t going to be my best.

Here I am once again with the same intentions as 2018, but in a better frame of mind to get the job done.

I may not produce as many titles this year, but I feel confident I have sufficient work done to ease my early progress into each of my main writing projects. In an effort to improve my focus I’ve refreshed/improved the proposed covers.

Codename: Nightshade is a crime thriller. The book is a standalone, and spin-off from the Beyond The Law trilogy. Rachel Donoghue is the central character and depending on your viewpoint—the heroine. For now, I think that’s enough to know about this one.

Czech Mate is a crime thriller based on the activities and adventures (or misadventures), of a young Scottish artist and gallery proprietor. The reading of his late father’s will is the kicking-off point for the tale, and apart from his native Scotland, he finds himself in Central Europe—mainly Prague, capital of the Czech Republic.

One Man, Two Missions: and other stories is a new anthology, although some of the stories have been in my files for a few years. They are of a wide variety of genre, similar to other anthologies I’ve produced which have proved popular.

Rather than predict an exact publication date for any of this work, I’d suggest it will be out there when it’s good and ready.

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What else have I got lined up this writing year?

I have four erotica titles at various stages and a book of poetry of the same genre. They are detailed on the dedicated website—Tom Benson – Erotica.

I will be reading as much as possible, as usual, and I’ll be mentoring, beta-reading and helping my peers whenever I can.

I’ll be continuing to offer as much support as possible to any individual or group projects being produced by the Indie Author Support and Discussion (IASD) group. 

The production of more paperbacks will probably be put on hold—they don’t sell in sufficient numbers to make the investment of time worthwhile, and at least in my case they are aimed more at giving to charitable causes, or as gifts.

There you have it—a summary of my proposed writing year, so it will be interesting to see how it all shakes out.

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Did I do anything of importance regarding writing during 2018?

In late December I reread On Writing: A Memoir of the Craft by Stephen King. If you’re a writer and you have yet to read that book I would suggest you are doing yourself and your proposed readership a disservice. As I reach the end of this post, for the benefit of my peers who may not have read the book, here is an excerpt from one of the final paragraphs:

“Writing isn’t about making money, getting famous, getting dates, getting laid, or making friends. In the end, it’s about enriching the lives of those who will read your work, and enriching your own life, as well.”- Stephen King.

On Writing: A Memoir of the Craft links: Amazon dot UK ….. Amazon dot com

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What else have I been up to in my writing world?

As recently as the end of December 2018 I spent an entire day working to update and improve this blog. I removed a needless heading from my main menu and set up a new one—Samples of my work. If you’d care to visit the new feature you will find samples of complete short stories of various genre, individual poems of different genre and examples of my serial poetry.

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If you are a fellow scribe, I hope you have a wonderful, productive year ahead. If you’re a reader, may you find yourself absorbed in many a good story, and if you’re a reviewer, I hope you like my work.

Thank you for reading, and as always, comments are not only welcome but encouraged.

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My Writing Year – 2018

As many of us do, I like to look back and believe I’ve accomplished something in the past year. For me, this was my first full year in retirement—having finished my regular working life in late 2017.

My aim was the same as always, to use my time productively. Apart from reading/reviewing and my literary output, I had a couple of big domestic projects to plan and complete. I wouldn’t concentrate properly on my writing if I didn’t deal with one of my domestic jobs first, so January was written off.

February—I bought Vellum, a quality formatting programme to use with my Mac. Not only was I intent on producing paperbacks—I wanted the interior to look smart, and professional. Before a book was released as a paperback it would be completely revised. The revisions were already underway. My eBooks were also scheduled for the processing through Vellum.

MarchAmsterdam Calling; published in paperback.

AprilTen Days in Panama; published in paperback.

MayCurious and Camping: An Erotic Journey; published.

—helped to edit and format Lisa: and other short stories, for my dear friend and fellow author Carmen Lopez.

JuneQuiet Night Inn: and other erotic stories; published.

—Commenced work on the conversion of A Life of Choice from five eBooks to a paperback trilogy.

July/August—Continued A Life of Choice conversion.

—Editing and assembling stories for the next IASD anthology (with the invaluable help of several members of the group).

—Completed a large domestic task and fitted in a holiday.

September—Created Tom Benson – Artist, a new website to replace Tom Benson Creative Writer and Artist, which was heavy on admin and light on visitors. 

OctoberRhyme & REASON: 200 Poems, published. A collection I’d considered for a few years which encompasses my serial poetry and samples from each of my genre-based volumes.

NovemberBeing a Good Girl: An Erotic Novella, published.

NovemberA Life of Choice: The Trilogy Edition, published. This was a major task, on which I started work back in June. It is the paperback version of my popular five-part eBook series.

DecemberSharing: An Erotic Novel, published.

In terms of reading, I set myself a target of fifty books and completed forty-six. I will read two more by the end of year. 🙂

Do I feel as if I’ve met my targets?

I do, and apart from dealing with the occasional injury or extremely bad weather, I maintained my daily early morning cycle ride. Personally, I feel as if I’ve had a good year and I now look forward to continuing with the same enthusiasm as we go into 2019.

(I’ve never produced a ‘flag’ from folded T-shirts before ….) 😀

 

My aims for 2019 will be set out in my next post … very soon. In the meantime, thank you for being a part of my writing life, in whichever way, large or small. It all counts for me.

A heads-up for all you lovely people who have taken the time to read this post. I have four very different titles being offered free and they’ll be available* from Wednesday 19th through Sunday 23rd December.

*This is, of course, if there are no technical hitches with Amazon.

Have a peaceful end to the old year and a great start to the new one.

Tom