My New Writing Year – 2020

 

My New Writing Year – 2020

Welcome to my world in this new writing year. Due to the methodology of creative writing, it is a craft in which the product disregards the passing from one year to the next. Of course, authors, like many other people like to feel they are making progress, so we recognise the new year even if our work doesn’t.

Work in Progress (WIP) I am bringing forward this year?

 

Light at The End. This is my first attempt at a post-apocalyptic novel. The seventh draft is now as much history as the missiles which are mentioned early in the story. I’ve had alpha and beta readers check out the tale. I aim to publish on Saturday 11th January 2020.

OMG, that’s next weekend.

 

Czech Mate. This story features a young art dealer from Edinburgh who follows up a mysterious and cryptic message left in his father’s will. As the title suggests, Bryce, our hero finds himself in the Czech Republic and then things get complicated. This story has been put on hold over the past year for a variety of reasons but I’m aiming for publication in 2020.

 

Codename: Foxglove. This is a sequel to Codename: Nightshade.    In the ‘Nightshade’ story, Rachel Donoghue continues the work she was trained for by Phil and Annabel in the Beyond the Law trilogy.

 

Dominique McEwan, a young woman with a keen sense of justice is recruited and assessed by Rachel Donoghue (Deadly Nightshade). The pair vow to work together and build a new team of vigilante operatives. How rapidly this story develops will depend on how many other projects in which I become involved.

 

 

Around the Bend is my next anthology of mixed-genre short stories. This collection opens with a fact-based tale of a road accident. I witnessed the incident and was then involved in the rescue of one of the vehicle drivers. The other stories in this anthology include covert operations, romance, horror, comeuppance, police detectives and more.

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At the time of producing this post, I have no immediate plans to publish more erotica in my own name. I already have two more erotica titles underway but they will be under the Katya Cumming banner. ‘Katya’ has six titles available and all are doing well, although reviews are scarce as we all know. My intention is for her to cease producing work when ten titles are achieved.

My first target with Katya was to use the pseudonym as an experiment, which produced positive results, and the secondary aim is to reach ten titles. Six are published, two more are WIP and I have two more sketched out as basic ideas.

Click on the graphic to go to Katya’s Amazon page

What else is on the cards for me this year?

I’d like to publish another invitation anthology in 2020. As I did with The Welcome: and other Sci-Fi stories I will produce at least six tales and add work from other authors. My aim is to create an anthology of twelve original stories plus three or more bonus tales of a similar theme. Like the main collection, the bonus stories will come from my guest authors and me, but they will be stories which are previously published. The idea may or may not work, but my choice of theme is ‘Time’, hence the title, Time after Time. If you’re interested, please use the highlighted title or click on the book cover to go to the WIP page. 

I will be reading for pleasure, and beta reading throughout the year as normal which takes a lot of my time, but while I’m helping a fellow author of whatever level, you won’t find me complaining. I will be continuing to mentor my good friend, fellow author and poet Carmen Lopez.

(UK link)

Two anthologies of short stories have put Carmen on the global stage, and this year gets underway with the recent publication of her first novel, Beware The Fury. (US link)

 

C. I. Lopez on Amazon.com  

 

 C. I. Lopez on Amazon UK

 

Thank you for your visit and any comments/suggestions, and now, on with the creativity. 

Tom

Producing an Anthology

 

Have you ever considered producing an anthology of short stories?

Perhaps you’ve written short stories and never considered creating a collection, or you’re a novelist who shuns the short story discipline to concentrate on longer work.

My first anthology was a project, a challenge, a dream, and a nightmare all before it became a reality.

I’d written numerous short stories and won competitions, but Smoke & Mirrors: and other stories was my first foray into compiling an anthology. Should I aim for a theme or go multi-genre? Is it best to go with a complete set of original work or include something which has been commended? Go it alone or ask other people to donate a story?

The questions pile up about ten seconds after the decision to tackle such a project.

I’m pleased to report that stories from that first collection are still referred to in reviews, which is heartwarming. It is also a testament to the credibility of the stories and justifies their inclusion. I’ve now compiled seven anthologies including The Welcome: and other Sci-Fi stories created by inviting other authors to join me.

When I compiled ‘The Welcome’ it was never about earning money, it was always intended as a platform for fellow authors from the IASD and me to get examples of our work out there. No, the collection hasn’t made me a millionaire although the book continues to sell the occasional copy. Thanks to Amazon’s peculiar attitude to customers spending a set amount of money before being allowed to comment, there are now fewer reviews being posted.

I suppose I should come clean and admit that if you’re a multi-genre author like me there is a constant need to work on a new anthology. If writing short stories appeals to you then the next logical step must be producing a range of your work instead of keeping it aside waiting for the opportunity a competition offers.

Would you prefer to keep all the stories in one genre, or might you find it easier to mix the genre?

The two main routes to go are theme-based or genre-based, and then, of course, you can go it alone or invite work from others. Apart from anything else, it’s a great way to hone your writing skills.

I enjoy reading and writing short stories. In the Resources section of my blog, apart from tips on the discipline of Writing a Short Story and Competition Writing I have sections regarding anthologies, Creating an Anthology, and Theme or Genre-based?

The key, as with all writing projects is the desire to take on the mission.

If you are more inclined to work on novels, you’ll appreciate that your manuscript needs some downtime, and one of the most useful ways of dealing with this I’ve found is to work on a couple of short stories. Sometimes the distraction produces further inspiration for the novel.

Have you considered inviting fellow authors to join you in creating a collection?

If you have a favourite genre or theme you could create a collection of your short stories or use yours as a base and mix in stories donated by other authors. You are in control.

When you get right down to it, you are practising your writing craft by producing short stories so why not take that next step and build up a few and make them the ‘chapters’ of your first anthology.

I dare you—you’ll be hooked.

My next anthology, due publication in 2020, starts with a factual story, so once again, another twist. The aim for me is to produce a collection of twelve original tales supplemented by three ‘bonus’ stories which are selected from my other anthologies. This creates value for the reader and provides a platform for the other work by the author.

 

Thank you for dropping by, and, as always, comments are welcomed.

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Light at the End

 

The ‘working’ cover

I’ve published short stories in a wide variety of genres, but before tackling a novel I think ‘long and hard’, which I suppose is a reasonable euphemism for writing a novel.

Many authors who write sci-fi, dystopian or apocalyptic naturally populate their world with those creatures with whom we are most well-acquainted—humans. If not human, the characters are invariably a variation of the model. The unbelievable can be found in any genre but, in sci-fi,  dystopian and apocalyptic stories, we as readers must more readily ‘accept’ the author’s word—it has to be convincing.

Apart from reading pretty much anything I also write in a broad spectrum. Although my sci-fi short stories have been well-received, for a long time I’ve wanted to write a novel with a sci-fi/dystopian/apocalyptic flavour. I was afraid of being drawn into a world of unpronounceable equipments, scientific jargon, strange weaponry, beams, time warps and goodness knows what else.

Two writing theories came to mind. ‘Write what you know’ and ‘ordinary people in extraordinary circumstances’. Now, here were two things I could work with in my new venture.

Alternative colour scheme

During my morning cycle rides when my surroundings permit, I let my thoughts wander and over many weeks I dreamt up a situation which involved ‘ordinary people in extraordinary circumstances’. If I’m writing ‘what I know’ then that as always will be down to memory, experience, knowledge and research.

My sci-fi/dystopian/apocalyptic novel has the working title ‘Light at the End’. Like most of my titles, this one carries more than one meaning.

For the benefit of new writers or those who are interested in such things as how an author’s mind works when a new idea is bubbling under the surface, I used my favourite method for building the basics before writing any of the story. It’s a one-man brainstorming session.

– On a regular A4 sheet of paper, I drew a bubble and wrote the title inside.

– From this first point, I drew a line with a bubble on the end and wrote ‘tunnel’.

– From ‘tunnel’ I added several other threads with bubbles on the end—some of these immediately gaining their own extension.

– Back at the central bubble I extended more threads and added topics like ‘nuclear strike’, ‘tourists’, inhabitants’ and so on. Inside about thirty minutes I had thirty extensions from the original bubble—Light at the End.

– I spent twenty minutes listing character names and ‘other considerations’, writing as fast as possible when an idea came to mind. Speed is more beneficial than procrastination when brainstorming, otherwise it becomes braindrizzle. Characters would need names—not descriptions or ages—not yet, but male and female—yes.

I stopped the whole brainstorm session at one hour.

Result?

Forty circles with topics or sub-topics, and a list of forty ‘other considerations’.

While my thoughts were concentrated on the new story idea I had to keep pushing. Next up was another sheet of paper on which I drew a quick sketch of the tunnel and the surrounding countryside. By this stage, I was thinking of the opening scenes.

Before I stopped working I assessed progress.

A working title, a cover, a wide spread of information required, a plan of the main location, characters … and a catastrophe waiting to happen.

I performed the brainstorming session on Thursday evening and yesterday (Friday), I spent the day working on Chapter 1 – A Leap of Faith. Take a look and leave a comment if you wish. It’s a bit rough, due to being the first draft, which like the brainstorming was produced rapidly.

After much heart-searching, I’ve amended the sub-title/strapline from dystopian to apocalyptic. The two phrases are regularly and rightly associated, but I feel my tale will lean more heavily toward one than the other. Stranger than fiction really, since I’ve only written one chapter.

You’ve got to love being an author.

As always, thank you for dropping by, and for any comments or suggestions.

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