Light at The End, as I’ve said before, was an experiment. If it had been ridiculed by my beta readers I’d have shelved or abandoned writing a post-apocalyptic story. It’s also important to me that I enjoy telling the story because in my opinion, an author can generate enthusiasm in the telling.
I wrote a post some time ago regarding my first attempt at a trilogy and I’ll quote a snippet:
‘Originality is relatively easy when an author is working on a single title. When the title/premise goes to a second, third or more, the idea must be examined closely to see how far it can be taken without repetition.
Certain sub-genres can run for several books and if the author is careful and inventive the fictional world will remain exciting to the reader. This must be paramount in the mindset of the creator of the work. Reader satisfaction is everything.’
Now, here I am on that same road once again. I am close to completion of Light to Dark which will be the sequel to Light at The End. A few days ago while out walking in local woodland I was struck by inspiration, and no, it didn’t hurt. When I got home I made notes for the final chapter if the story were a trilogy.
No, you didn’t read that wrong. I was thinking about how to end Book 2 and I imagined how things could go after that point … and so was born the early ideas for Dark to Light … Book 3 in the Light at The End trilogy.
I aim to have Book 2 ready for beta readers in August.
For me, from the outset, the tale has been a departure from most other stories I’ve written but the genre offers so many possibilities. I’ve been finding that however things might be going for the characters there must be a sense of hope … that things can’t just end because of the ill-considered actions of a few.
After all, don’t we all need to believe that there is to be a tomorrow?
Inspiration comes to authors in many ways and from countless sources. It may be that phrase overheard while out shopping, how another driver has misbehaved, or a special location on holiday. For most people, a walk, run, cycle, drive or any other outing is simply a means of getting from Point A to Point B.
To a writer, each trip holds golden opportunities.
I’ve written poetry and short stories which feature the Scottish Highlands and the region makes an appearance in several of my novels. Indeed, most of my erotica series, Highland Games is based there in a remote glen.
Light at The End had been a story idea for a few months but I needed more than what I’d conjured up in my imagination. I didn’t want an entirely fictional tale, I wanted to include something substantial from the real world … a piece of reality which could not be denied.
Perhaps it’s not so surprising that when I eventually went on a tour of Cruachan Hydro-Electric Power Station my imagination went into hyperdrive. The installation is colloquially known as The Hollow Mountain because the entire enterprise is inside a mountain. The only visual indication that the place is established is the dam between two lochs.
I’d considered a story in which the ‘Hollow Mountain’ was a feature but my visit became absorbing research. I went on the tour inside the mountain which for me meant photographs, notes, sketches and a host of questions for three of the members of staff.
My new story, at last, had a foundation and my characters evolved. Over the past few months, it has become my top-selling title. It may not have many reviews but I blame that on rules regarding reviewer eligibility.
From the feedback I’ve had in comments, emails and the handful of reviews the book has received, I’ve been emboldened to get working on a sequel.
Light to Dark will take over where Light at The End left off and we shall see just how my survivors have fared in their brave new world; inside a mountain.
Unlike the first book, the research for the sequel has been conducted over many years. I’ve walked, climbed, canoed, abseiled, camped and enjoyed being reminded of man’s insignificance amidst mountains, rivers and forests which existed before us and will outlive us.
My aim is to show how the apocalypse survivors sense the need to move forward and the difficulties they encounter on their new adventures to save mankind from extinction.
Let’s be honest from the outset, few folks are going to spend their cash if they can get something free of charge.
In the world of eBooks there are many reasons for titles to be offered ‘Free’ which include:
–an author’s promotion.
–a website promotion.
— a story to attract interest in the author’s work.
— pirate sources offering authors’ work free illegally.
How about paying a reduced price instead of aiming straight for the freebie?
Again, we have a number of reasons but now we’re being asked to pay so why would we choose to do such a thing?
Instead of making a list, there is one main aspect I’d highlight. The author or the supplier is content that the product is worthy of being sold but for whatever reason, the price has been reduced. The onus is on the buying public to look at the reduction which is invariably explained to us in a brief message or if you prefer ‘sales pitch’.
Personally, I’m sceptical when it comes to getting something for ‘free’, but I’m always happy to pay if I perceive a bargain. For example, if there were an eBook that caught my eye and I was getting it for a reduced price I’d buy it, especially if it were by an author I’d yet to try.
In this present climate of international lock-down, we have many thousands of people who are reading more or possibly reading for the first time in many years. Money is a concern, of course, so once again we’re back to that question of taking what’s free or pay, but not too much.
It was with this theory in mind that I created the eBook Bank International a few weeks ago. eBooks for 99p (or equivalent).
No, it’s not a promotional website for authors in the conventional sense, it is a place which has in excess of 120 titles covering a wide range of genres and includes 17 authors’ work. This is a site which promotes authors, eBooks and the idea that just for once somebody cares about how much money people can afford to spend.
Why is the website based on ‘selling’ for 99p (or equivalent) instead of just giving away our books?
Imagine the number of people out there with an eReader who grab anything for free. Many of them will download titles they’ll never read but they got them for free–their only reason to take the book.
Now, imagine the number of people who might be prepared to pay but only a small amount … say, 99p for an eBook which is normally £2.49. Each title purchased is an investment by that reader and they will likely go on to read the book.
What do the authors get from reducing their prices but not making the titles free?
Interest in their hard work is the first thing, and then, of course, a few sales due to the lower price. The authors involved in this venture may give up a small amount in the first place but they’ve made an investment–in readership. Perhaps their £2.49 title was competitive but the price still put people off and then that same book was offered at 99p … a win-win situation.
Again, on a personal note, I’d rather see a title sell fifty times at 99p than twice at £2.49.
In this post, I’ve featured a variety of my titles but there are many other authors involved in the eBook Bank project, so why not pay a visit and pick up a bargain for 99p (or equivalent).
Welcome to my world in this new writing year. Due to the methodology of creative writing, it is a craft in which the product disregards the passing from one year to the next. Of course, authors, like many other people like to feel they are making progress, so we recognise the new year even if our work doesn’t.
Work in Progress (WIP) I am bringing forward this year?
Light at The End. This is my first attempt at a post-apocalyptic novel. The seventh draft is now as much history as the missiles which are mentioned early in the story. I’ve had alpha and beta readers check out the tale. I aim to publish on Saturday 11th January 2020.
OMG, that’s next weekend.
Czech Mate. This story features a young art dealer from Edinburgh who follows up a mysterious and cryptic message left in his father’s will. As the title suggests, Bryce, our hero finds himself in the Czech Republic and then things get complicated. This story has been put on hold over the past year for a variety of reasons but I’m aiming for publication in 2020.
Codename: Foxglove. This is a sequel to Codename: Nightshade. In the ‘Nightshade’ story, Rachel Donoghue continues the work she was trained for by Phil and Annabel in the Beyond the Law trilogy.
Dominique McEwan, a young woman with a keen sense of justice is recruited and assessed by Rachel Donoghue (Deadly Nightshade). The pair vow to work together and build a new team of vigilante operatives. How rapidly this story develops will depend on how many other projects in which I become involved.
Around the Bend is my next anthology of mixed-genre short stories. This collection opens with a fact-based tale of a road accident. I witnessed the incident and was then involved in the rescue of one of the vehicle drivers. The other stories in this anthology include covert operations, romance, horror, comeuppance, police detectives and more.
At the time of producing this post, I have no immediate plans to publish more erotica in my own name. I already have two more erotica titles underway but they will be under the Katya Cumming banner. ‘Katya’ has six titles available and all are doing well, although reviews are scarce as we all know. My intention is for her to cease producing work when ten titles are achieved.
My first target with Katya was to use the pseudonym as an experiment, which produced positive results, and the secondary aim is to reach ten titles. Six are published, two more are WIP and I have two more sketched out as basic ideas.
What else is on the cards for me this year?
I’d like to publish another invitation anthology in 2020. As I did with The Welcome: and other Sci-Fi stories I will produce at least six tales and add work from other authors. My aim is to create an anthology of twelve original stories plus three or more bonus tales of a similar theme. Like the main collection, the bonus stories will come from my guest authors and me, but they will be stories which are previously published. The idea may or may not work, but my choice of theme is ‘Time’, hence the title, Time after Time. If you’re interested, please use the highlighted title or click on the book cover to go to the WIP page.
I will be reading for pleasure, and beta reading throughout the year as normal which takes a lot of my time, but while I’m helping a fellow author of whatever level, you won’t find me complaining. I will be continuing to mentor my good friend, fellow author and poet Carmen Lopez.
Two anthologies of short stories have put Carmen on the global stage, and this year gets underway with the recent publication of her first novel, Beware The Fury. (US link)
Have you ever considered producing an anthology of short stories?
Perhaps you’ve written short stories and never considered creating a collection, or you’re a novelist who shuns the short story discipline to concentrate on longer work.
My first anthology was a project, a challenge, a dream, and a nightmare all before it became a reality.
I’d written numerous short stories and won competitions, but Smoke & Mirrors: and other stories was my first foray into compiling an anthology. Should I aim for a theme or go multi-genre? Is it best to go with a complete set of original work or include something which has been commended? Go it alone or ask other people to donate a story?
The questions pile up about ten seconds after the decision to tackle such a project.
I’m pleased to report that stories from that first collection are still referred to in reviews, which is heartwarming. It is also a testament to the credibility of the stories and justifies their inclusion. I’ve now compiled seven anthologies including The Welcome: and other Sci-Fi stories created by inviting other authors to join me.
When I compiled ‘The Welcome’ it was never about earning money, it was always intended as a platform for fellow authors from the IASD and me to get examples of our work out there. No, the collection hasn’t made me a millionaire although the book continues to sell the occasional copy. Thanks to Amazon’s peculiar attitude to customers spending a set amount of money before being allowed to comment, there are now fewer reviews being posted.
I suppose I should come clean and admit that if you’re a multi-genre author like me there is a constant need to work on a new anthology. If writing short stories appeals to you then the next logical step must be producing a range of your work instead of keeping it aside waiting for the opportunity a competition offers.
Would you prefer to keep all the stories in one genre, or might you find it easier to mix the genre?
The two main routes to go are theme-based or genre-based, and then, of course, you can go it alone or invite work from others. Apart from anything else, it’s a great way to hone your writing skills.
The key, as with all writing projects is the desire to take on the mission.
If you are more inclined to work on novels, you’ll appreciate that your manuscript needs some downtime, and one of the most useful ways of dealing with this I’ve found is to work on a couple of short stories. Sometimes the distraction produces further inspiration for the novel.
Have you considered inviting fellow authors to join you in creating a collection?
If you have a favourite genre or theme you could create a collection of your short stories or use yours as a base and mix in stories donated by other authors. You are in control.
When you get right down to it, you are practising your writing craft by producing short stories so why not take that next step and build up a few and make them the ‘chapters’ of your first anthology.
I dare you—you’ll be hooked.
My next anthology, due publication in 2020, starts with a factual story, so once again, another twist. The aim for me is to produce a collection of twelve original tales supplemented by three ‘bonus’ stories which are selected from my other anthologies. This creates value for the reader and provides a platform for the other work by the author.
Thank you for dropping by, and, as always, comments are welcomed.
I’ve published short stories in a wide variety of genres, but before tackling a novel I think ‘long and hard’, which I suppose is a reasonable euphemism for writing a novel.
Many authors who write sci-fi, dystopian or apocalyptic naturally populate their world with those creatures with whom we are most well-acquainted—humans. If not human, the characters are invariably a variation of the model. The unbelievable can be found in any genre but, in sci-fi, dystopian and apocalyptic stories, we as readers must more readily ‘accept’ the author’s word—it has to be convincing.
Apart from reading pretty much anything I also write in a broad spectrum. Although my sci-fi short stories have been well-received, for a long time I’ve wanted to write a novel with a sci-fi/dystopian/apocalyptic flavour. I was afraid of being drawn into a world of unpronounceable equipments, scientific jargon, strange weaponry, beams, time warps and goodness knows what else.
Two writing theories came to mind. ‘Write what you know’ and ‘ordinary people in extraordinary circumstances’. Now, here were two things I could work with in my new venture.
During my morning cycle rides when my surroundings permit, I let my thoughts wander and over many weeks I dreamt up a situation which involved ‘ordinary people in extraordinary circumstances’. If I’m writing ‘what I know’ then that as always will be down to memory, experience, knowledge and research.
My sci-fi/dystopian/apocalyptic novel has the working title ‘Light at the End’. Like most of my titles, this one carries more than one meaning.
For the benefit of new writers or those who are interested in such things as how an author’s mind works when a new idea is bubbling under the surface, I used my favourite method for building the basics before writing any of the story. It’s a one-man brainstorming session.
– On a regular A4 sheet of paper, I drew a bubble and wrote the title inside.
– From this first point, I drew a line with a bubble on the end and wrote ‘tunnel’.
– From ‘tunnel’ I added several other threads with bubbles on the end—some of these immediately gaining their own extension.
– Back at the central bubble I extended more threads and added topics like ‘nuclear strike’, ‘tourists’, inhabitants’ and so on. Inside about thirty minutes I had thirty extensions from the original bubble—Light at the End.
– I spent twenty minutes listing character names and ‘other considerations’, writing as fast as possible when an idea came to mind. Speed is more beneficial than procrastination when brainstorming, otherwise it becomes braindrizzle. Characters would need names—not descriptions or ages—not yet, but male and female—yes.
I stopped the whole brainstorm session at one hour.
Forty circles with topics or sub-topics, and a list of forty ‘other considerations’.
While my thoughts were concentrated on the new story idea I had to keep pushing. Next up was another sheet of paper on which I drew a quick sketch of the tunnel and the surrounding countryside. By this stage, I was thinking of the opening scenes.
Before I stopped working I assessed progress.
A working title, a cover, a wide spread of information required, a plan of the main location, characters … and a catastrophe waiting to happen.
I performed the brainstorming session on Thursday evening and yesterday (Friday), I spent the day working on Chapter 1 – A Leap of Faith. Take a look and leave a comment if you wish. It’s a bit rough, due to being the first draft, which like the brainstorming was produced rapidly.
After much heart-searching, I’ve amended the sub-title/strapline from dystopian to apocalyptic. The two phrases are regularly and rightly associated, but I feel my tale will lean more heavily toward one than the other. Stranger than fiction really, since I’ve only written one chapter.
You’ve got to love being an author.
As always, thank you for dropping by, and for any comments or suggestions.