A standalone crime thriller produced as a result of the Beyond The Law trilogy.
Yes, we authors can write what we ‘know’, or what we enjoy but at the end of the process, the result must be entertaining. For some authors the task of producing a standalone crime thriller might not sound too daunting, after all, what do you need apart from time (two years in this case), imagination and research where required?
I reread the Beyond The Law trilogy from beginning to end in a week. Yes, I wrote the books, but I still made copious notes. The cast includes friends, allies, enemies and a handful of neutrals, but the body count is important—we can’t have dead people coming back if it isn’t that type of tale.
Dare I say, I enjoyed the trilogy and felt justified in the character I singled out for the spotlight.
Rachel Donoghue rapidly developed from being a vehicle thief to covert operative and had the desire to continue improving her skills. In Codename: Nightshade, Rachel proves that not only has she improved as an operative she has leadership skills to offer.
Of course, besides all of those things, she is first and foremost an effective vigilante.
There is no requirement to have read the Beyond The Law trilogy before reading the new story, but perhaps you will afterwards. The original trilogy is available as a box set, therefore saving you money, and allowing the download of three books in one.
Beyond The Law was my first serious crime thriller and was so successful it had to be retitled, Beyond The Law: Formation as I learned the joys and pitfalls of writing a sequel, and ultimately—a trilogy.
The BTL trilogy titles; Formation, Retribution, and Consequences were published in 2013, 2015, and 2017 respectively, and I have to admit, I was satisfied when the job was completed. The characters and the ongoing story appealed to many readers, but as the author, I always had a soft spot for Rachel Donoghue.
Before I published the third book in the BTL trilogy I had a yearning to choose a character and create an individual story, so it will come as no surprise that I selected my personal favourite.
I wrote a few experimental passages and then shelved the idea—it needed a fresh start, and the best way I knew, would be to work on other projects and return to my ‘spinoff’ idea occasionally.
It’s two years later, and I’ve brought the various chapters together, many of which had been reworked multiple times. Before it reaches the standard for beta readers to chew it over, it stands at 117, 000 words, 37 Chapters and an epilogue.
If I can entice a few good people to beta read the manuscript sometime in mid-August, I would like to aim for publication by 16th September 2019.
Could I tempt you to be a beta reader?
I have the ‘rough’ drafts of the first three chapters here on my blog under Work in Progress, Codename: Nightshade. A few lovely people have left comments on Chapter 1.
Thank you for the visit and any comments or suggestions.
Originality is relatively easy when an author is working on a single title. When the title/premise goes to a second, third or more, the idea must be examined closely to see how far it can be taken without repetition.
Certain sub-genres can run for several books and if the author is careful and inventive the fictional world will remain exciting to the reader. This must be paramount in the mindset of the creator of the work. Reader satisfaction is everything.
I have no worries about a continuing story, but I enjoy stretching my writing creativity in different directions, which is why I ended the Beyond The Law (BTL) idea and proclaimed it a trilogy.
As a reader and a writer, certain characters lend themselves to the spotlight and become favourites. For me as an author, one such character is Rachel Donoghue. When the BTL trilogy ended, the door was left open for several characters to make another appearance. Rachel was crying out to be given a standalone adventure. From this premise was born Codename: Nightshade. Rachel’s antics will provide continuity, closure in certain areas, and further entertainment for those who have enjoyed the BTL trilogy.
As a precursor and to get me in the right frame of mind I recently reread and made several edits to each book of the BTL trilogy. Plot and detail were not affected, but some dialogue and narrative were tightened to improve the reading experience.
In the new story, a few names from the past from both sides of the law will show up, combined with new good guys, and new bad guys. This will not be a fourth BTL story, but by its nature, it will lean in that direction. The key aspect of the tale for me is to highlight an individual character.
The first five chapters of Codename: Nightshade all appear in my Work in Progress menu. They’re not the finished article, but they give a flavour of how this individual character will demonstrate her skills and how much promise she has as a central protagonist. As an author, I’m thoroughly enjoying expanding my notes and ideas, many of which have been made over the past year. For me, Rachel is already real, and out there doing her best … to the worst.
I aim to produce the book in June 2019, which means that by May I hope to be asking for beta readers to help refine the tale.
In the meantime, thank you for reading and in particular, thank you to the followers of the BTL story. I have to go now … gangsters, guns and a girl are waiting for me. 🙂
I wrote in a blog post early in 2015 of my intention to revisit all my novels. As any writer will know, it is not a decision taken lightly. Once underway, the task becomes an obsession. Lifestyle is affected, and so too are social media habits. Other writing projects are sidelined, but the focus must remain on the primary issue – improvement of the target title.
Since my intentions were stated last year, I’ve revisited four of my titles. Two have had a few hundred superfluous words removed, and two titles have been amended with subtle touches – and have now been categorised as ‘Romance’ rather than ‘Thriller’.
I accepted at the outset my greatest challenge would be to work on my top-selling title – Beyond The Law: Formation. (Originally titled, Beyond The Law)
Beyond The Law: Formation
I believe a brief history will demonstrate how important this project was for me.
May 2008 – I introduced Phil McKenzie (Hawk) as an action character in a poem. I followed this rhyme with another and built a series of 30 poems about Hawk.
Nov 2011 – I used my ‘Hawk’ poetry series to write a novel in a month in the NaNoWriMo. The story consisted of 56,000 words.
Oct 2013 – Following 18 months of writing and rewriting, I published Beyond The Law. The tale had expanded to a staggering 154,000 words.
(At time of writing this post, it continues to be my top-selling title.)
I’ve since written more books, and as all writers find, I am improving my appreciation of what is good, and what is better. I regularly check out the ‘do and don’t’ articles, and I recognised a few issues from my past writing.
Over-description (flowery language), passive dialogue, procrastinators, idlers, flat modifiers, qualifiers, and a few other odd words which are best left in the brain, not on the page.
Where did I find my list of procrastinators, idlers, etc.?
At this point I’d like to mention, and say a public thank you to Kelly Hartigan. I haven’t used Kelly’s professional editing services yet, but I am a keen follower of her wisdom. To find out about those groups of words I’ve mentioned, and to gain an insight into Kelly’s valuable tips and suggestions please visit:
1. I removed the unnecessary words as detailed above (procrastinators, idlers, and so on).
2. I tightened the dialogue, and many dialogue tags, without altering what was said.
3. I located and amended passive voice, to active voice.
4. I located and amended a few cases of ‘head-hopping’ (changed Point of View). Okay, in this case there weren’t many, because I tend to hold a POV within a scene. If I want to change the POV, I change scene, usually by using a centrally-positioned asterisk, instead of a line-break.
5. I referred to all reviews, made notes of points raised, and made minor adjustments where necessary.
How long did it take to perform this edit?
Six weeks. Apart from a couple of breaks of three or four days, it was constant, hard work.
What is the end result?
I trimmed 28,500 words from the manuscript, which began with 154,500 words.
The story is now 125,000 words, supported by 1,500 words used for back pages information on other titles.
I believe I’ve improved a story I already liked.
Will I go on to perform the same ritual with my other titles?
Yes, all of them, and I’ll take each one on a slimming exercise. It’s not such a daunting task, because I’ve dealt with my longest book, so the others will feel less arduous.
Why should I bother?
1 – I’d like my readership to get the best deal possible, and ‘the best deal’ isn’t only about the price, it’s also about the story, and the quality of writing.
2 – My intention is to produce my titles in paperback, but to ensure I’m able to use the same profile and book dimensions I must keep my word count down. In my eBooks for example, I give a blurb for each of my titles at the back of every book. These will be reduced to a list of titles by genre.
A side effect of my efforts has been the relegation of my other projects. I will now work to complete three of the four other titles, but my next collection of short stories will be postponed until at least December 2016/January 2017.
Like so many creative writers, by the time I completed my first novel, Ten Days in Panama, I had grown to know my characters as if they were real people. A few of those people would be good to look at, and to have around, but like reality, others were not so endearing.
In my next big story, Beyond The Law: Formation, I had learned more about my craft and the characters became better developed much faster. I spent longer in their company, and each visit was like getting together with a few old friends.
When I wrote my sequel, Beyond The Law: Retribution, I got back together with characters with whom I was well-acquainted, and I enjoyed the process of the story from the outset.
It was less frustrating when the storyline veered away from my intended direction. I was also forgiving of issues as they arose. I was still the puppeteer, but in some mysterious way I had been pulled into the scenes, conversations, and struggles.
I left those characters behind to get on with other projects, but I’ve been drawn back, so among other things, I’m presently working on the final story in the trilogy, Beyond The Law: Consequences.
As with poetry when I started writing, I’ve come to realise I enjoy the familiar company of certain characters, and in recent times it occurred to me to take the series idea to a new level.
For many years I’d worked on my autobiography, but it was never fully satisfying, so rewrite after rewrite left me feeling empty. There were too many anecdotes to include, because it made the story too big, but many which were so peculiar they refused to be excluded.
Apart from anything else, even if it was fact-based-fiction, which point of view would work best?
From this train of thought evolved A Life of Choice, a fact-based-fiction novel in five parts, but each part a generous size. I’m not interested in writing a handful of short books to top up my catalogue. To date, I have the first two parts published, and Part Three will arrive in the autumn.
I dabbled in the writing of erotica and enjoyed it, so I wondered how best to continue. I compiled a collection of short stories which was well received, so I followed it with a novel. It too received positive feedback.
How could I achieve a hybrid, I wondered?
My foray into the novella length is how I’m heading. It will be a series of inter-related stories, each longer than a short story, but shorter than a novel. The novella series will start with Highland Games – 1. By mid-June I’ll be looking for beta readers for this first story.
Due to it being erotica, anyone who volunteers will remain anonymous if requested.
The answer to the question in this blog post title, ‘Why so … series?’
By creating a series of three, five, or more stories which are interconnected – I can enjoy the company and emotions of characters I’ve come to know better than some of the real people in my life.
I’ve learned during my reading and writing journey, in the case of some authors a series can be a method of continuing a story for the benefit of a readership. It can be a way of increasing sales by producing a series of extremely short stories, and I’m fine with either of those ideas. However, there are some series which are too short in quantity, and lacking in quality, but these are measures we find in every part of our lives.
Any books I produce as part of a series will be produced with the same care and attention to detail I devote to my other writing. I will strive to make every book a standalone, but without irritating anybody who’s read the earlier work. If I ever come up short, I can only hope it’s because a reader has a personal issue, and not because of the writing.
For me so far, writing about characters beyond a first story has produced the joy of writing about people I’ve become close to, and after the realities of life, my characters are great companions. They won’t let me down. If they do – I’ll kill them. 🙂