My first blog regarding this topic and the idea was Time after Time on 7th December 2019. I thought it would keep everything neat and tidy if I used the same blog title with the addition of ‘part 2’. It doesn’t mean it’s the second book. It’s not rocket science, and if it was, the theme of the stories would be Sci-Fi … but I digress.
Apart from one author and friend outside of the group I had the promise of stories from three people. As might be expected, the cusp of a new year is not a great time to capture anybody’s attention so after the minimal interest in December 2019 and January 2020 it was time to play my ace … post again in February.
Inside forty-eight hours I acquired a handful of original/unpublished stories from proposed guest authors and the promise of tales from others.
How do things now stand?
I’m pleased to report that I have completed my personal contribution (six original stories). I may add more if my imagination and time permits.
I have five original stories from guests.
My estimate at this time is that the anthology will contain at least fifteen stories of between 1,000-4,000 words. When published the eBook will be available for 99p/99c and it will also, of course, be available Free on Kindle Unlimited, as are all of my titles.
Now that I have a reasonable number of guest authors and stories, it’s just a matter of time ….
The proposed publication is July 2020, but if sufficient work is done on all of the stories (including my own), and they are ready earlier I’ll be happy to publish earlier.
I had intended to add ‘bonus’ stories of previously published work by the authors but I’ve dropped the idea to avoid upsetting those readers who don’t like finding stories they’ve found elsewhere.
I’m sure any reader or writer would agree it will be a bargain and a great collection.
My interview with erotica author, Katya Cumming, has been promised for some time, so with great pleasure, I’d like to introduce you to the new girl on the (writing) block.
Q1. Katya, I respect your decision not to provide a profile picture because of certain types of people. Would you be kind enough to give us a brief description of yourself and your background?
Two descriptions attributed to me have been curvaceous and statuesque, and I like both. I’m a thirty-something brunette from Edinburgh, Scotland, who works in fashion retail. Relationships are for those involved, so that’s where mine will stay. In my quieter moments, I read and write, and sometimes those things are done while I travel which I also enjoy. To keep in shape I swim, jog, cycle, and do aerobics.
Q2. What type of books did you read when you were younger?
While very young I loved adventure stories, but by the time I was a teenager, I’d progressed to romance. It was while babysitting for a neighbour I first discovered books with more interesting topics. The first erotica book I read was sci-fi, but it just made it more fun for me, imagining the things the aliens could do with the human body. It captured my imagination.
Q3. What attracted you to writing erotica rather than any other genre?
I was a fan of romance, but I needed more grit, and moved up to steamy romance. It didn’t take long before curiosity got the better of me and erotica was next. A couple of authors were okay, but most stories were more like plot-starved, sexual fantasy than erotica, so I decided to try my hand … if you’ll pardon the pun.
Q4. How long did you write before publishing?
In terms of time, probably about two years. I’d written some poetry and short stories which were well-received in writing groups, but novels are a different discipline and frightening at first. Over quite a long time I produced the early stages of three novels but I left them aside, adding to them occasionally.
Q5.How long does it take generally from starting a story to seeing it published on Amazon?
I would suggest a minimum of four months. Once I have an idea I make a few notes and leave them aside to consider from which start point it might best evolve. I also tend to leave the manuscript aside regularly to let me work on something else. The Mistress, which is my shortest story so far was my quickest first draft. It took me fourteen days and I stopped at fifty-thousand words. I reduced it to forty-seven thousand words.
Q6. How many titles do you have available at the present time?
Now that my latest, ‘His & Hers’ is released, I have five books out there, all on Amazon KU.
Q7. Many authors depend on experience for their subject matter—how much of your work is a direct result of personal experience?
Small segments in different stories is the best answer. This is where the male of the species is different from the female I suppose. A guy who sleeps around for a while is sowing his wild oats and is a bit of a lad, but if a girl plays the field she’s a tart. In my mid-teens, I had two relationships with girls, but by the time I was eighteen, I’d confirmed I enjoyed a roll in the hay with a girl or a guy. I’ve been involved in a threesome twice.
Q8. Feminisation and strong female characters are prominent in your work—could you explain why you lean in this direction?
Sexuality is a deep subject. When you delve into the area of ‘gender-benders’ as they’re so cruelly labelled, there is a myriad of areas to explore. Crossdressing is a multi-layered topic and well-suited to the erotica genre. The why and wherefore create a story. Whatever men tell you, and you should know, if a woman is attractive and dominant it’s more likely to add spice to a sexual encounter, rather than be seen as threatening. What that dominant woman wants, she will get one way or the other. Only a chauvinist or a dyed-in-the-wool alpha male would think otherwise.
Q9. What is your response to those who say that erotica is simply literary porn?
If they’re describing a book which is no more than page after page of explicit sex scenes then I’d agree with them. However, if those explicit sex scenes are integral to and supporting a cohesive story, then it is not porn, it is strong erotica.
Q10. Do you believe there is a place in the market for erotica, and strong erotica in particular?
Yes, of course, or people like us wouldn’t be spending weeks and months developing a story to convey the activities of our characters. I’m an advocate of allowing people the freedom to read whatever they please, and if for example, a person has difficulty forming relationships, has an unsatisfactory sex-life or simply enjoys a bit of titillation, a graphic erotic novel might be a release for them, in a manner of speaking.
Q11. What’s your opinion of those who profess to be erotica authors but produce regular, small volumes of badly-written, graphic sex stories?
First of all, the only way they can be called authors is due to having composed the material. They are not necessarily creative people. A graphic description of sex is not particularly creative in itself. Secondly, many of these people rely on no more than three or four plots, usually involving a cash-strapped person, an experiment, or pure fantasy. There is little or no research and no substance. In my opinion, lazy writers are despicable because they are money-grabbers who also affect the reading public’s view of indie authors who are working hard.
Q12. Who are your favourite indie authors?
You are obviously one, Tom, and that’s not simply because of this interview. I’m also a big fan of Sarah Stuart who writes steamy romance, and Lesley Hayes who is just an incredible writer. For the joy of a true storyteller, I like Patrick ‘Max’ Power, Rebecca Bryn, Lucinda E. Clarke, and Mike Billington. I’m a massive fan of the Indie Author Support and Discussion group; all talented international authors. It’s handy to have something to frighten the pants off me so for that I depend on Anne Francis Scott.
Q13. Which, if any, other genres might you consider writing in the future?
I have a yearning to write something in the sci-fi arena, but I’m not sure yet whether I’d go with dystopian, apocalyptic or outer space.
Q14. Can you tell us about your cover designs and how they came about?
I feel that if not from a scene in a story, the cover should at least highlight one aspect or provide a hint of what lies beyond the title. You know as much about them as I do since you’ve made the effort to produce them for me.
Q15. Why have you avoided being interviewed until this point?
Again this is an area of which you have a good grasp. For your benefit and to aim for credibility, I didn’t think it was fitting to be revealed until I’d produced at least five titles in my name and achieved significant sales. I felt that for a long time I was locked away, waiting. When you decided to bring my work to the fore, create my character, my name, and give me my own website it meant so much to me.
Thank you, Tom, for this interview and for bringing me and my work to the attention of the wider public. I do understand how difficult it has been for you to maintain this secret aspect of your life as an author while you’ve worked on my development.
Thank you for opening up to me, Katya. Please, finish your coffee before you get dressed. It’s been great working hand in glove with you and I look forward to your next in-depth tail … oops, I mean, of course, your next in-depth tale. I’m happy we finally have your personal story out there.
And to all who are interested in Katya’s naughty tales, here are links to her work.
In my latest anthology of short stories, once again I’ve aimed to create a blend of action, intrigue, suspense, and twist in the tale. I feel particularly satisfied with these tales because several of them have been in my files at some level of completion for about five or six years.
I never throw away an idea, and at least three of these stories grew from a single paragraph removed from a previous short story or novel. In their original locations, those paragraphs were excess to requirement, but nurtured, over time they grew to become stories in their own right.
Once again, to offer value to my readers I’ve included bonus stories to support the new line-up. If you decide to try my work, I’d appreciate a review—however short.
My character Phil McKenzie aka Hawk, was born in an experimental poem in July 2008. Due partly to the nature of the writer’s craft and to the evolution of a story it has taken until now to complete this trilogy of novels.
The first book Beyond The Law: Formation (originally titled Beyond The Law), was intended as a standalone when published in 2013, but as I received feedback it was plain to see I should develop the idea and the characters.
In the second story, Beyond The Law: Retribution, in order to maintain balance and credibility I took the story beyond the streets of Glasgow, and introduced more characters on both sides of the fence which separates good from evil. I continued with the aspects of the original story which had appealed to many readers.
It will come as no surprise, to bring a successful story to a close is a difficult decision, and no less difficult than how it should be done. I spent many hours considering how to further develop characters and what might become of them in a final story.
As an avid reader I am aware of the empathy felt for the heroes in a story, and in particular an ongoing story. Who should die? Who should live? How will the survivors if any move on?
Sincere thanks goes out to Anne Francis Scott and Sarah Stuart who performed the task of beta reader for me, and gave me plenty of useful, insightful feedback. Every point highlighted and each recommendation was appreciated. My intention was to accredit these two fine authors in the front pages, but as many writers will be aware, the ‘cross-contamination’ of author names in Amazon can be lethal to all concerned.
I’d like to take this opportunity to say thank you to Aimee Coveney of AuthorDesignStudio who designed all three covers for this trilogy. In each case Aimee provided a variety of solutions based on my brief. We worked together as she took my initial vision to what have now become established and successful covers.
Aimee is now a member of the team at a new venture called Bookollective.
As always, I thank you for taking the time to read my post. Now, how far have you reached in the BTL story? If you do take the journey, please consider leaving a review.
I expect a story to have well-rounded characters, good imagery, and a level of detail which conveys an air of authenticity. In a word, I want – entertainment.
The dialogue should reflect the period in which the story exists, and if there are any outside influences, then they must fit into the tale and be unnoticed, because they belong. For example: car models, locations, or journeys are things that I expect to sound matter-of-fact.
I believe Sarah Stuart has a fair grounding in more than one area covered in this story. It would otherwise be difficult to cover such diverse topics as 16th century royal lifestyles, present day highland country estate life, and modern showbiz; complete with the trimmings – both positive and negative.
There is a premise from the outset that there is a personal journal which has been handed down through the centuries to the females of the family lineage. Okay, that’s a nice touch, but to carry off such a conspicuous vein throughout an entire novel is risky. Sarah not only does it well, she tailors the language of the journal to sound appropriate for the period it was written. She also enables the modern characters to reflect on the similarities of then and now.
If you enjoy your story relationships with a good dose of love, loss, deceit, sexual tension, and even mildly erotic scenes – treat yourself and indulge in this book.