My Independence Day

Being a Scotsman, and not an American, I don’t celebrate 4th July as Independence Day—mine would be Friday, 15th January 2021.

Why?

That was when I first published a book I’d written, edited, formatted, and for which I’d created the paperback cover.

It’s the dream of every writer to hold their work as a physical book in their hands, and for some newbie authors that desire tends to overshadow the need for ensuring a good product. I’m not a big fan of an eBook and a paperback being published at the same time by an indie author. Invariably, there will be minor issues with a book even after reaching publication. I prefer to have the book ‘in my hands’ on my Kindle to read it, yet again, but this time as a reader. When I’m content that I’ve done the job to the best of my ability, I then create the paperback edition.

This might sound simple, however there are some differences that many aspiring authors don’t seem to grasp in their rush to produce both types of book.

What’s the difference with the exterior?

A paperback cover should never simply be an eBook cover ‘stretched’ to fit. The two covers must be treated as different creations. Apart from the front cover and back cover, a paperback has a spine that is measured to take an exact number of physical pages.

There is also a back cover which contains the blurb, and a space must be allocated to allow for the barcode. Options include an author pic (which I don’t use), and excerpts from reviews (which I do use).

What’s the difference with the interior?

In an eBook, the front matter ought to be minimal—title, copyright, dedication, acknowledgments, contents, and prologue. The back matter might have an epilogue, endnotes, author bio, a word from the author, and a list of other titles by the author.

The author must bear in mind that the customer/reader is intent on reading the story as a priority with a Kindle, so anything else is simply supporting material and necessitates flicking through countless screens.

In a paperback, an indie author should think in terms of the industry standard. The front matter will have pages for title, copyright, acknowledgements, dedication, contents, and prologue. I tend to put my author bio and my list of other titles with the front matter, which leaves only any endnotes or ‘a word from the author’ as the back matter.

As with every topic related to indie publishing, it is all by nature a personal choice.

In terms of producing an author’s back catalogue in both eBook and paperback format, I have now (after much effort), produced most of my titles in both formats.

It took me weeks rather than days, but I eventually created a set of four paperback anthologies of my personal short stories. Rather than stay true to single genres, I opted for mixed genre, therefore allowing twenty tales per book.

What are the exceptions to my paperbacks?

I have up until now, not produced my poetry in paperback because they are bespoke collections. I am toying with the idea of creating ‘mixed anthologies’ of poetry, so for example I might end up with a series of books but each will include: Humour, Love and Romance, Natural History, Military Matters, Thrills and Chills, and serial poetry.

I have not, and have no intention of publishing my erotica in paperback. The titles sell well enough but have few public reviews. I believe that this stems from erotica readers enjoying the stories but with the confidence that it is done on an eReader, offering privacy.

We might go public with many things, but there are some aspects of our lives that we all want to keep to ourselves.

Thank you for reading.

Next Steps – available!

Click image for links.

Next Steps: and other stories, my latest ‘invitation’ anthology of short stories is now available. This is a mixed-genre collection of fifteen stories, (no erotica included). The seven tales written by me are based on ‘dialogue prompts’ from fellow authors. The prompts are provided before each of those stories but they are not spoilers, which reinforces the idea that a snippet of conversation does not tell the whole tale.

What else have I been up to? 

I recently created paperback conversions of a few more of my eBooks. I’m pleased to say that I now have four paperback anthologies of short stories. My digital anthologies have twelve tales in them which means they wouldn’t be viable as paperbacks. Instead, I’ve spent time revisiting my short stories and arranging them into four collections, each of twenty tales.

As I’ve done with my other paperbacks, I’ve kept the price as low as possible, meaning next to nothing in royalties, but a reasonable price for the reader. There is no set theme or genre in any of these collections, and there is no erotica. For each of the four books, I’ve created a front cover depicting one of the stories and a rear cover which features a small graphic depicting another.

Sylvia: Beyond the Apocalypse, is a spin-off from my popular Light at The End trilogy. The first full draft of Sylvia is now complete and while the manuscript rests among my files I’ll be working on Codename: Foxglove. I may spend a few hours working with Crusader but the main work with Jason Knight and the other characters will be later in the year.

For those of you who like an insight, there are links to the blurbs and the first chapters of each of my new WIP novels at: https://tombensoncreative.com/work-in-progress/

 As always, comments are welcome.

Tom