Ten Days in … paperback … soon

 

A special place exists in my heart for this story for many reasons, but appropriately, it means a lot because it was my first attempt at romance.

I’ve spent a month working on the manuscript to convert it to a paperback. Fortunately, now that I’m retired, a month in writing terms doesn’t mean every odd hour I can squeeze in—it means an average eight-hour writing day; every day.

 

Why so long for a simple task?

Any author who has performed such a task will know the change from digital format to paper would normally be a case of rearranging the front and back matter. This story had already been subject to two makeovers since the original version in December 2013, but it needed a total overhaul.

The new version will have the same cover but with a revised strapline.

As in all aspects of life I felt I had evolved sufficiently as a writer to appreciate where I had got it right, and crucially—where I’d continued to get it wrong.

What’s different in the new edition?

My first pass was to print the manuscript and perform a brutal red-pen edit on hard copy.

Judging from many comments on Facebook and recent reviews, my style has changed, or as I like to think; improved.

a) I removed most of the dialogue tags and replaced them with character activity.

b) I amended the sexual scenes from what was bordering on ‘erotica’, and reduced it to ‘steamy romance’. For the most part, it is now closer to ‘romance’.

Suffice to say it’s been quite a journey. The characters continue to enjoy the story, but they’re subtle in what they tell the reader about their private moments together.

 

Okay, so why did I ‘reduce’ the level of sexual matter?

There were a number of reasons, but mainly, it didn’t belong. The story is a romance and not intended to perform the same role as strong erotica. As with a couple of my books I’ve been fortunate in hearing from readers privately, and more than one was concerned by explicit sex.

I enjoy writing in a wide variety of genre and just as I like to have guns, explosives and fights, I also like to write about tenderness, relationships and let’s face it—sex. 

My Tom Benson – Erotica site has now been up and running for a year, so if you’d like to see how I indulge my literary desire in that direction; take a look. The catalogue is growing steadily and the next erotic novel will be released in May 2018.

On the subject of releasing things, Ten Days in Panama (revised April 2018) is now available in eBook, and the paperback will be available within the month.

I’ve remained true to the original story with regard to character development and the plot.

It would be wrong not to say a public thank you to fellow author and distant friend, Carmen Lopez (author of Alone: and other short stories). We became acquainted through reviewing each other’s poetry on an international poetry site. I moved on into the world of short stories and novel writing, and Carmen performed the duties of being my first beta reader.

The inspiration for Ten Days in Panama evolved from learning about Carmen’s profession and where she lived. Indeed, the first cover for the book was designed by Carmen’s partner, Bryce.

For anybody who is now so excited that they can’t wait for the paperback, here are links to the digital version of Ten Days in Panama:

Amazon preview/buy                      BookLinker – Universal

Thank you as always to those who stop by.

On Top of The Covers

 

No, it’s not a title for an erotic novel, although it could be.

As any author will tell you, apart from a good story there are a couple of other important aspects when creating a book.

Good formatting to make the book look professional and easy to read, and of course, a decent price to attract sales are two areas to think about. A catchy, accurate title is in the running of important things to consider.

My attempt

Where do you first find the title?

Oh yes, on the cover.

I’ve been writing since 2007 and self-publishing since 2013. Yes, I know to some people it seems longer, but there you go – those are the facts.

 

How have I dealt with covers so far?

I produced covers myself in the early days and though I thought they were okay at the time, I never considered them to be good. I had this misconception that as long as there was a cover to bear the title and the title did its job – that was enough.

Not so, and anybody with experience of buying books or trying to sell books will know.

Would I buy a book with an amateur cover?

Not usually, so I shouldn’t expect anybody to buy mine if they have an amateur cover. Yes, there are some people out there who are not professional cover designers and they’re doing a good job, but many of the indie eBook and paperback covers are badly finished.

I paid for a professional book cover designer to produce a cover for Beyond The Law (as it was prior to becoming first in a trilogy). I later had the cover updated at no cost. The point is, that I saw my book sell and inside three months the price of the designer was covered by those sales. My return was such that the sales paid for the same designer to deal with Ten Days in PanamaAmsterdam Calling, A Taste of Honey and the other two books in the Beyond The Law trilogy.

Do I make exceptions?

Yes, I continue to work hard at designing covers for my short story and poetry anthologies, because those types of books are recognised as being low in the sales market. For the past three months, my five-part series A Life of Choice has been selling well. To ensure the series was spotted by a target audience I created the covers with actual photographs from my military service mounted on a background of the regimental colours of the Royal Corps of Signals. I also design the covers for my erotica titles because although they sell, I consider them an extension of the joy of sex writing.

My efforts may not attain professional standards but I aim to maintain a brand feel by using continuity within any series. We all know that recognition plays a big part in marketing and it’s an area we should strive to understand.

 

What’s my next step?

Form the outset I’ve formatted my eBooks, although I have depended on beta readers to improve the end product. I recently bought a licence to use Vellum Press, which means I will now be able to format for a paperback.

 

As I write this, my cover designer is working on a paperback cover for Amsterdam Calling. I’m confident Aimee (the designer) will produce a good solution for me, and I’ve spent many hours working on a revamped version of the book’s formatting.

 

The results of our combined efforts will be here for all to see when I’ve got my first paperback in my hands. I’m nervous about taking such a step but I promised myself I would only go paperback if I saw sufficient sales of my eBooks. On top of the sales, I’ve had a lot of interest from people contacting me who for one reason or another cannot deal with eBooks.

 

I hope my words have sparked interest. Remember, if you do decide to pay somebody else to design your covers it will require effort from both parties, or as I suggest on another of my personal covers a little bit of Give & Take

 

Thank you for visiting my blog and as usual, any comments are welcome.