A Life of Choice—Reborn

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I can say with confidence that I will never apply as much effort to any other writing task as I have to ‘A Life of Choice’.

It was 49 years ago this week when I left home to start basic training with the British Army. My military career ended in 1992, after 23 years, and it was a couple of years later when I gathered information towards writing about that career as military memoirs. It would take many years before I’d gained sufficient writing knowledge and skill to produce an entertaining tale.

I tried the fact-based route first, both in the first-person point of view and in third-person. The end product was massive and carried far too much detail—it went into ‘storage’.

When I’d successfully written and published thrillers, romance, short stories and poetry, I turned once again to my magnum opus. I toyed with fact or fiction, and viewpoint. My choice was fact-based fiction, written in the first-person point of view.

By 2016 the first of five parts was published and was well-received. As each part went out, the reviews continued to be positive, so I sidelined my other writing projects. I still tried to read, review and help my peers with their projects. Apart from public reviews on my new series, I started receiving private messages via my author website—mainly from ex-soldiers (male and female), who wanted to pass on their gratitude for the accuracy and humour. Most of these guys were not comfortable writing public reviews.

My only concern was that many serving and ex-service personnel were not e-reader users and I have regularly received requests for a paperback version.

Five paperbacks would have been easy to produce, and would also be simple to ‘match’ on websites or outlets. Marketed as five paperbacks, the series would have been expensive to buy, so I set myself a series of tasks.

1. Perform a complete rewrite to tighten dialogue and deal with minor amendments.

2. Break the story to balance the chapters and create a consistent ‘volume’ for each of the five parts.

3. Select the appropriate places to break the story to make a paperback version as a trilogy edition.

4. Rewrite all blurbs for the five eBooks, and three fresh blurbs for the paperback trilogy.

5. Compose a disclaimer which could be used with internet marketing blurbs and within the books regarding the different editions having the same content overall.

6. Select excerpts from reviews to use on the back covers of the trilogy.

7. Build a catalogue of information to educate my book cover designer regarding the ideal graphics solutions. This was difficult because anything available now in photographic evidence is very different to the equipment I would have known in the ’70’s, ’80’s, and early ’90’s. We persevered, and the trilogy covers feature equipments which were landmarks in my story.

As I’ve done for my novels, I hired the talents of Aimee Coveney of AuthorDesignStudio–a designer who works tirelessly until the solution meets customer satisfaction.

 8. Organise the sequence of publishing—all five amended eBooks and the trilogy, only when I had the bespoke covers for the trilogy.

9. Create graphics to market the two editions separately and together.

10. Prepare my author website and this blog for when the new trilogy went public.

 

I commenced this renewed labour of love in June 2018. Once again, apart from helping other writers on individual projects, and managing a major task for the Indie Author Support and Discussion group—most of my efforts went on the conversion process.

How did I relax when it was getting intense?

Several times I pulled out one of my erotica projects—as difficult to write as any other genre, but light relief in terms of content. Occasionally I’d draw, paint, or read, but not as often as I wanted because I felt a sense of guilt for not ‘working’.

In mid-October, I completed the conversion of five eBooks into three paperbacks. It was around 7th November, when I completed the final formatting sequence for the revised eBook versions … and then I had another coffee.

The pricing of the paperback trilogy is more than I’d have wanted, but I reconcile my concerns knowing that each book is around 570 pages. It was vitally important that nothing was removed from the story. 

Useful Links:

My Author Website

Amazon UK – for the paperbacks

A Life of Choice: Part One – The Trilogy Edition

A Life of Choice: Part Two – The Trilogy Edition

A Life of Choice: Part Three – The Trilogy Edition

BookLinker-Universal – for the paperbacks

A Life of Choice: Part One – The Trilogy Edition

A Life of Choice: Part Two – The Trilogy Edition

A Life of Choice: Part Three – The Trilogy Edition

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Who might find an excerpt from their reviews on the back cover of my paperback trilogy?

Apart from review excerpts by a selection of ex-Royal Signals personnel, and an ex-Army wife, I opted for snippets from fellow authors, namely: Frank Parker, Barbara Fagan Speake, Paul A Ruddock, John MW Smith, and Paul Rees—notably, all fellow members of the IASD.

Thank you for taking an interest, and passing a few minutes with me.

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Five into Three

 

A Life of Choice is fact-based fiction, presently available as a five-part novel for Kindle. The story is the most popular title in my catalogue.

If my first attempts at this tale were included, A Life of Choice has been a work in progress for about twenty-two years. On the other hand if we were to treat my military service as research for the story—it goes back to forty-eight years.

Whatever else I published it was always important to me that I completed this project. It was heart-warming to see the first reviews from serving personnel and ex-Service personnel, of course, but to see glowing reviews from readers who’d never donned a military uniform—gratifying.

As with all of my writing, it was never my intention to publish in paperback, but like many things, I’ve decided to change course and take that step.

Why paperback?

– Since the first part was published as an eBook (two years ago), I’ve had requests to produce the story in paperback. There are many people out there who either have difficulty using a digital reader, or simply prefer a physical book.

– It will give me the opportunity to use the paperback version as a gift, or on occasion a ‘prize’ in draws for various military charities.

Do I expect to make a profit from sales of a paperback edition?

No.

– I don’t write to make money, which I like to think is reflected in the price range of my eBooks. My titles are competitively priced or they wouldn’t be treated seriously.

– By the very nature of indie paperback publication the individual books are expensive when compared to availability of the household names in any supermarket or bookstore.

– I’ve created the covers for my eBooks with a few exceptions—those being designed by a professional cover designer.

– This series will have covers created by Aimee Coveney of Author Design Studio.

What’s going on with the ‘Five into Three’?

I produced the story in logical parts to publish as eBooks, but the individual books would not justify the price set by Amazon for paperback versions—in my opinion.

Due to the the process and use of the data provided by the author, the Amazon KDP system requires exact information when relating an eBook to a paperback. I’m taking a risk, but trying to think outside the box.

A temporary cover idea.

– For the paperback version, the series will be broken into three parts. They will still be ‘logical’ parts, but of greater substance than their digital counterparts.

– To ensure the job is done properly I’ve spent many hours selecting where to move chapters from one book to another in order to adjust overall length. This has entailed amending the Preface and the Epilogue in each part.

– As I did with Amsterdam Calling, and Ten Days in Panama, I am underway with a complete revision of the story. The tale will remain the same, the humour or more serious aspects will stay in place, but the writing will be tighter. I will also be adjusting the use of uppercase letters for certain instances.

– Instead of associating the paperbacks directly with the eBooks within the Amazon system, I will sub-title the paperbacks as The Trilogy Edition. I’m in the process of writing appropriate jacket blurbs to highlight that it is the same story but in a different format. This will also forestall any conflict with Amazon and their ‘Matchbook’ process.

Will the updated writing have a detrimental effect on the eBook version?

No.

I will be using the rewritten chapters from within the paperback manuscripts to replace the chapters in the appropriate eBooks. In this way, the writing is updated but the front and back matter of each book remains constant.

How will I prevent issues with the publication of the ‘original’ and ‘updated’ editions of the eBooks?

I will prepare all five eBooks and update them in one session so that they’ll become ‘live’ on the Amazon system within hours of each other.

How will I ensure that ‘The Trilogy Edition’ paperback version is seen to be the same story?

– I will not publish any of the paperback versions until I have all three completed.

– As with the eBook updated versions, I will publish the three paperbacks in a single session, aiming for them to appear within hours. Paperbacks are not purchased as rapidly or frequently as eBooks so there isn’t as much pressure on timing.

A Life of Choice: The Trilogy Edition – Part One is completed.

There you have it, people.

In my next post I’ll report on how things are going with my conversion of five into three, and I’ll explain why my eBook publishing plans for this year have been altered.

As always, I thank all of you who take the time to visit and read my blog.

On Top of The Covers

 

No, it’s not a title for an erotic novel, although it could be.

As any author will tell you, apart from a good story there are a couple of other important aspects when creating a book.

Good formatting to make the book look professional and easy to read, and of course, a decent price to attract sales are two areas to think about. A catchy, accurate title is in the running of important things to consider.

My attempt

Where do you first find the title?

Oh yes, on the cover.

I’ve been writing since 2007 and self-publishing since 2013. Yes, I know to some people it seems longer, but there you go – those are the facts.

 

How have I dealt with covers so far?

I produced covers myself in the early days and though I thought they were okay at the time, I never considered them to be good. I had this misconception that as long as there was a cover to bear the title and the title did its job – that was enough.

Not so, and anybody with experience of buying books or trying to sell books will know.

Would I buy a book with an amateur cover?

Not usually, so I shouldn’t expect anybody to buy mine if they have an amateur cover. Yes, there are some people out there who are not professional cover designers and they’re doing a good job, but many of the indie eBook and paperback covers are badly finished.

I paid for a professional book cover designer to produce a cover for Beyond The Law (as it was prior to becoming first in a trilogy). I later had the cover updated at no cost. The point is, that I saw my book sell and inside three months the price of the designer was covered by those sales. My return was such that the sales paid for the same designer to deal with Ten Days in PanamaAmsterdam Calling, A Taste of Honey and the other two books in the Beyond The Law trilogy.

Do I make exceptions?

Yes, I continue to work hard at designing covers for my short story and poetry anthologies, because those types of books are recognised as being low in the sales market. For the past three months, my five-part series A Life of Choice has been selling well. To ensure the series was spotted by a target audience I created the covers with actual photographs from my military service mounted on a background of the regimental colours of the Royal Corps of Signals. I also design the covers for my erotica titles because although they sell, I consider them an extension of the joy of sex writing.

My efforts may not attain professional standards but I aim to maintain a brand feel by using continuity within any series. We all know that recognition plays a big part in marketing and it’s an area we should strive to understand.

 

What’s my next step?

Form the outset I’ve formatted my eBooks, although I have depended on beta readers to improve the end product. I recently bought a licence to use Vellum Press, which means I will now be able to format for a paperback.

 

As I write this, my cover designer is working on a paperback cover for Amsterdam Calling. I’m confident Aimee (the designer) will produce a good solution for me, and I’ve spent many hours working on a revamped version of the book’s formatting.

 

The results of our combined efforts will be here for all to see when I’ve got my first paperback in my hands. I’m nervous about taking such a step but I promised myself I would only go paperback if I saw sufficient sales of my eBooks. On top of the sales, I’ve had a lot of interest from people contacting me who for one reason or another cannot deal with eBooks.

 

I hope my words have sparked interest. Remember, if you do decide to pay somebody else to design your covers it will require effort from both parties, or as I suggest on another of my personal covers a little bit of Give & Take

 

Thank you for visiting my blog and as usual, any comments are welcome.

Beyond The Law – The Trilogy

The trilogy is completed with the publication of Beyond The Law: Consequences.

My character Phil McKenzie aka Hawk, was born in an experimental poem in July 2008. Due partly to the nature of the writer’s craft and to the evolution of a story it has taken until now to complete this trilogy of novels.

Novel - BTL - Formation - 220216The first book Beyond The Law: Formation (originally titled Beyond The Law), was intended as a standalone when published in 2013, but as I received feedback it was plain to see I should develop the idea and the characters.

In the second story, Beyond The Law: Retribution, in order to maintain balance and credibility I took the story beyond the streets of Glasgow, and introduced more characters on both sides of the fence which separates good from evil. I continued with the aspects of the original story which had appealed to many readers.BTL Retribution

It will come as no surprise, to bring a successful story to a close is a difficult decision, and no less difficult than how it should be done. I spent many hours considering how to further develop characters and what might become of them in a final story.

As an avid reader I am aware of the empathy felt for the heroes in a story, and in particular an ongoing story. Who should die? Who should live? How will the survivors if any move on?

Novel - BTL 3 ConsequencesUntil I read feedback on Beyond The Law: Consequences I will suffer a long wait.

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Sincere thanks goes out to Anne Francis Scott and Sarah Stuart who performed the task of beta reader for me, and gave me plenty of useful, insightful feedback. Every point highlighted and each recommendation was appreciated. My intention was to accredit these two fine authors in the front pages, but as many writers will be aware, the ‘cross-contamination’ of author names in Amazon can be lethal to all concerned.

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I’d like to take this opportunity to say thank you to Aimee Coveney of AuthorDesignStudio who designed all three covers for this trilogy. In each case Aimee provided a variety of solutions based on my brief. We worked together as she took my initial vision to what have now become established and successful covers.

Aimee is now a member of the team at a new venture called Bookollective.

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As always, I thank you for taking the time to read my post. Now, how far have you reached in the BTL story? If you do take the journey, please consider leaving a review.

Tom