Katya Cumming – interviewed

 

My interview with erotica author, Katya Cumming, has been promised for some time, so with great pleasure, I’d like to introduce you to the new girl on the (writing) block.

Q1. Katya, I respect your decision not to provide a profile picture because of certain types of people. Would you be kind enough to give us a brief description of yourself and your background?

Two descriptions attributed to me have been curvaceous and statuesque, and I like both. I’m a thirty-something brunette from Edinburgh, Scotland, who works in fashion retail. Relationships are for those involved, so that’s where mine will stay. In my quieter moments, I read and write, and sometimes those things are done while I travel which I also enjoy. To keep in shape I swim, jog, cycle, and do aerobics.

Q2. What type of books did you read when you were younger?

While very young I loved adventure stories, but by the time I was a teenager, I’d progressed to romance. It was while babysitting for a neighbour I first discovered books with more interesting topics. The first erotica book I read was sci-fi, but it just made it more fun for me, imagining the things the aliens could do with the human body. It captured my imagination.

Q3. What attracted you to writing erotica rather than any other genre?

I was a fan of romance, but I needed more grit, and moved up to steamy romance. It didn’t take long before curiosity got the better of me and erotica was next. A couple of authors were okay, but most stories were more like plot-starved, sexual fantasy than erotica, so I decided to try my hand … if you’ll pardon the pun.

Q4. How long did you write before publishing?

In terms of time, probably about two years. I’d written some poetry and short stories which were well-received in writing groups, but novels are a different discipline and frightening at first. Over quite a long time I produced the early stages of three novels but I left them aside, adding to them occasionally.

Q5.  How long does it take generally from starting a story to seeing it published on Amazon?

I would suggest a minimum of four months. Once I have an idea I make a few notes and leave them aside to consider from which start point it might best evolve. I also tend to leave the manuscript aside regularly to let me work on something else. The Mistress, which is my shortest story so far was my quickest first draft. It took me fourteen days and I stopped at fifty-thousand words. I reduced it to forty-seven thousand words.

Q6. How many titles do you have available at the present time?

Now that my latest, ‘His & Hers’ is released, I have five books out there, all on Amazon KU.

Q7. Many authors depend on experience for their subject matter—how much of your work is a direct result of personal experience?

Small segments in different stories is the best answer. This is where the male of the species is different from the female I suppose. A guy who sleeps around for a while is sowing his wild oats and is a bit of a lad, but if a girl plays the field she’s a tart. In my mid-teens, I had two relationships with girls, but by the time I was eighteen, I’d confirmed I enjoyed a roll in the hay with a girl or a guy. I’ve been involved in a threesome twice.

Q8. Feminisation and strong female characters are prominent in your work—could you explain why you lean in this direction?

Sexuality is a deep subject. When you delve into the area of ‘gender-benders’ as they’re so cruelly labelled, there is a myriad of areas to explore. Crossdressing is a multi-layered topic and well-suited to the erotica genre. The why and wherefore create a story. Whatever men tell you, and you should know, if a woman is attractive and dominant it’s more likely to add spice to a sexual encounter, rather than be seen as threatening. What that dominant woman wants, she will get one way or the other. Only a chauvinist or a dyed-in-the-wool alpha male would think otherwise.

Q9. What is your response to those who say that erotica is simply literary porn?

If they’re describing a book which is no more than page after page of explicit sex scenes then I’d agree with them. However, if those explicit sex scenes are integral to and supporting a cohesive story, then it is not porn, it is strong erotica.

Q10. Do you believe there is a place in the market for erotica, and strong erotica in particular?

Yes, of course, or people like us wouldn’t be spending weeks and months developing a story to convey the activities of our characters. I’m an advocate of allowing people the freedom to read whatever they please, and if for example, a person has difficulty forming relationships, has an unsatisfactory sex-life or simply enjoys a bit of titillation, a graphic erotic novel might be a release for them, in a manner of speaking.

Q11. What’s your opinion of those who profess to be erotica authors but produce regular, small volumes of badly-written, graphic sex stories?

First of all, the only way they can be called authors is due to having composed the material. They are not necessarily creative people. A graphic description of sex is not particularly creative in itself. Secondly, many of these people rely on no more than three or four plots, usually involving a cash-strapped person, an experiment, or pure fantasy. There is little or no research and no substance. In my opinion, lazy writers are despicable because they are money-grabbers who also affect the reading public’s view of indie authors who are working hard.

Q12. Who are your favourite indie authors?

You are obviously one, Tom, and that’s not simply because of this interview. I’m also a big fan of Sarah Stuart who writes steamy romance, and Lesley Hayes who is just an incredible writer. For the joy of a true storyteller, I like Patrick ‘Max’ Power, Rebecca Bryn, Lucinda E. Clarke, and Mike Billington. I’m a massive fan of the Indie Author Support and Discussion group; all talented international authors. It’s handy to have something to frighten the pants off me so for that I depend on Anne Francis Scott.

Q13. Which, if any, other genres might you consider writing in the future?

I have a yearning to write something in the sci-fi arena, but I’m not sure yet whether I’d go with dystopian, apocalyptic or outer space.

Q14. Can you tell us about your cover designs and how they came about?

I feel that if not from a scene in a story, the cover should at least highlight one aspect or provide a hint of what lies beyond the title. You know as much about them as I do since you’ve made the effort to produce them for me.

Q15. Why have you avoided being interviewed until this point?

Again this is an area of which you have a good grasp. For your benefit and to aim for credibility, I didn’t think it was fitting to be revealed until I’d produced at least five titles in my name and achieved significant sales. I felt that for a long time I was locked away, waiting. When you decided to bring my work to the fore, create my character, my name, and give me my own website it meant so much to me.

Thank you, Tom, for this interview and for bringing me and my work to the attention of the wider public. I do understand how difficult it has been for you to maintain this secret aspect of your life as an author while you’ve worked on my development.

 

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Thank you for opening up to me, Katya. Please, finish your coffee before you get dressed. It’s been great working hand in glove with you and I look forward to your next in-depth tail … oops, I mean, of course, your next in-depth tale. I’m happy we finally have your personal story out there.

And to all who are interested in Katya’s naughty tales, here are links to her work.

Amazon Author Page

Katya Cumming – Erotica

Coming soon ….

Marketing in Shorts …

Don’t panic … the shorts in question are of course short stories.

How do you market in shorts?

A good question and I’m glad you asked. If you don’t already write short stories you have a couple of straightforward options:

1. You could opt not to try your hand at writing them.

If you choose this option, then I believe you are missing out on what can be an enjoyable writing discipline, and also a wonderful training ground for tightening your regular creative fiction.

2. You could try writing short stories, put them out there for folk to review, and when you think you’ve got the hang of it, compile an anthology of your work.

In which case, depending on the time available for writing, if you care about the quality of your output it might take anything from months to years.

3. You could look at a short story as a way of attracting readers to your name, and then your longer work.

This is my favourite choice, and not only because I get involved, but because I get to help fellow indie writers to get their name and their writing in the public eye.

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Where do we go from here?

A Time for Courage - 1Another good question.

I have recently mentioned in this blog and on my author website about my intention to produce two themed anthologies. The first will be sci-fi stories, and the second will be military stories.

At the moment, my intention is to publish the sci-fi collection in January 2016, and the military collection in March 2016.

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How do I fit another story into my present writing workload?

Oh, how I love the easy questions. Prepare yourself for a simple writing exercise.

Stop reading at the end of this sentence and write down the first idea that comes to mind for a sci-fi themed story.

Okay, I know most of you wouldn’t have taken the opportunity, but that’s how easy it is to get started, or on the other hand to miss an opportunity. You’re sorry you didn’t do it now, aren’t you? Yes, I thought so. I’m going to give you another chance, but with a twist – so be careful. Let your mind run free before you read on.

Are you ready?

When you get to the end of this sentence, write down the first idea that comes to mind for a military / armed forces themed story.

I know it took a couple of minutes, but for those of you who took the opportunity the second time, I’m pleased for you. Leave your new ‘idea’ aside, but we’ll be coming back to it.

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I’ve found ‘opportunity’ a key factor in creative writing. As writers we may:

1. Write about anything.

2. Write short pieces, or long pieces.

3. Write when we can, or only when we really feel the pull.

(Personally, this is every second that I don’t have a coffee in hand, but I’ve now mastered holding my cup in my left hand).

4. We can choose to write whatever we enjoy and tell nobody.

5. We can also choose to establish ourselves by taking every route available to get our name, and our work out there.

The list is endless.

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Hey, what about fitting a short story into my workload?

A few minutes ago some of you wrote down an idea. Yes, I realise only some of you did.

Let’s say you enjoy producing a quality piece of work, so you occasionally leave it aside. It might be after a paragraph, a chapter, or at some other point, but you will leave it aside to let your mind refresh and revitalise.

During those ‘breaks’ of minutes, days, or even weeks is when you could take the opportunity to work on something different to your primary work in progress (WIP).

1. A short story is a good way to do this.  The Welcome

2. A short story is not too taxing on time.

3. It can be left aside without worry.

4. It will improve each time you come back.

5. It’s still creative writing.

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The more astute among you will now see that we’ve come full circle and we’re heading back to my two anthologies. If you would like to make use of an opportunity please read on, and make notes where you deem it necessary.

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Guidelines for anyone interested in inclusion in one of my next collections:

1. Guest authors should be members** of the Indie Author Support and Discussion group on Facebook.

2. Stories must be a maximum of 3,500 words.

3. Stories should be completed to final edit and submitted to me by the following dates:

31st December 2015 – for inclusion in the sci-fi themed collection.

29th February 2016 – for inclusion in the military themed collection.
(If there is interest but the timing is too tight, I’ll be happy to extend both deadlines).

4. Copyright will remain with individual authors for their stories.

5. Any author who contributes will have the opportunity to include a short bio (50 words), and two hyperlinks of their choice, to be added after their story.

(Please remember, there is no requirement to have been an astronaut, an alien, or have served in the armed forces).

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However this article has left you feeling, I sincerely hope it’s made you consider writing short stories, and reconsider how often we as writers let opportunities slip away …

Thank you for reading.

Tom

**I reserve the right to add a new indie author who is not yet a member of the IASD.

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