This year I’ve enjoyed the solitude of my study, reading, writing and generally continuing as I have since retiring thirty months ago. Two holidays have been cancelled and a considerable number of one-day ‘shopping’ trips to other towns. I cycle early in the morning and work at my chosen creative craft every day.
In January I published Light at The End: Surviving the Apocalypse. It may not have as many reviews as I’d like but those it has received have been good and gave me the confidence to write a sequel. Light to Dark went through several drafts prior to going out to beta readers. It has since been printed and attacked again with my red pen so the manuscript is now resting before a final read.
If the international crisis has affected me in any way it has increased my productivity. A lack of holidays and away-days has provided me with many extra hours of writing time. Shopping trips are done when a necessity only and are local. I sit in the car maintaining social distance, with my clipboard and pen so I can continue writing.
In March I created the eBook Bank International website with the objective of making eBooks more affordable during the Covid 19 crisis. I set a closing date of 1st July and with the support of 17 other authors, the site carried 135 titles at one time. It was a site to offer books at a lower price, but I’m happy to say it stimulated sales for more than one author.
I’ve continued to work on Time after Time: and other stories which is almost ready for publication. I have again invited guest authors to submit stories. This is not a money-making venture but will provide a platform for authors. There are 18 stories covering a variety of genre, but all on the theme of ‘Time’. Good value at 99p/99c.
In the background when stories are ‘resting’ between drafts, I’ve indulged my pseudonym by building on ideas which have been simmering in the background over a few years. Most of Katya Cumming’s stories originated as short stories or passages which didn’t work in other books.
This year so far, Katya has produced a two-part novel, an anthology of short stories and a novel. After three more novels she will stop. This will meet her target of a dirty dozen novels and an anthology. She has her own website at Katya Cumming – Erotica.
Apart from reading purely for pleasure, I’ve also been a beta reader for several authors so far this year. For me, beta reading is not a task, especially if I like the author’s work, it makes me feel that I’ve been instrumental in some small way helping to raise their game with a story. Isn’t that one of our responsibilities as indie authors?
A successful writing year is measured using a variety of criteria by different authors. For me, I must feel that if not prolific, I’ve at least achieved a good standard with what I have published. I’m a firmbeliever that if as an author I expect a payment, I owe the customer my best efforts.
Rather than talk about ‘numbers’ as a guide, it would be better to look at the time taken for some of my most recent publications. Codename: Nightshade, for example, went through my process for two years before I was happy with the end result. One Man, Two Missions, was a bundle of files for a long time before I was satisfied with every story.
I created Tom Benson-Erotica to avoid, or at least reduce the mentions of the genre on here, but this post will be one of the exceptions and for good reason. I wrote a novel, a full-length prequel novel, and a book of fifty erotic poems.
Although the erotica output in my own name may not sound impressive, one of my most ambitious projects to date was the creation of a new author.
During 2019, I published five full-size novels as Katya Cumming. I’ve kept the pseudonym and the stories (in progress), a secret for two years. When I came up with the idea I promised myself not to go public until I had completed several books and published them over a period of twelve months. This would allow me to assess unaided development. The experiment was also to see if ‘Katya’ would be prolific, and successful. She has been both when considering she’s had no support or advertising campaigns.
The theory of creating ‘box sets’ was beyond me for a while. I’d checked a fair number on Amazon and couldn’t see many reviews, so I figured that maybe they were popular as a purchase, but not easy to review. Whatever … I spent a couple of weeks selecting and producing four box sets. They haven’t been my most successful venture, but in each case, I’m giving something back in terms of pricing, so it’s the consumer’s loss; not mine.
Throughout the year I offered my services as a beta reader to several members of theIndie Author Support and Discussiongroup (IASD), the finest writing group of its type on Facebook. Oh, yes, and in between other things I produced two stories for theIASDhorror anthologyDepths of Darkness.
To return to my opening statement regarding success in the past year … yes, I believe that with the sales produced under my own name, and the regular sales by ‘Katya’, it has been a successful writing year.
I’ve produced this summary a month earlier than normal for two reasons. Firstly, I am deep into two WIP and will not be publishing anything new in December 2019. Secondly, this post will be appearing in the November issue of the superbConnections eMagproduced by fellow author,Melanie P. Smith.
I have a smaller but no less important target for next year, but more of that in my New Writing Year – 2020 post in the near future. Thank you for taking the time to read my thoughts and summary, and for any comments or suggestions, you may leave. Sincere thanks go out to all you lovely people who’ve sampled or continue to read my efforts.
My interview with erotica author, Katya Cumming, has been promised for some time, so with great pleasure, I’d like to introduce you to the new girl on the (writing) block.
Q1. Katya, I respect your decision not to provide a profile picture because of certain types of people. Would you be kind enough to give us a brief description of yourself and your background?
Two descriptions attributed to me have been curvaceous and statuesque, and I like both. I’m a thirty-something brunette from Edinburgh, Scotland, who works in fashion retail. Relationships are for those involved, so that’s where mine will stay. In my quieter moments, I read and write, and sometimes those things are done while I travel which I also enjoy. To keep in shape I swim, jog, cycle, and do aerobics.
Q2. What type of books did you read when you were younger?
While very young I loved adventure stories, but by the time I was a teenager, I’d progressed to romance. It was while babysitting for a neighbour I first discovered books with more interesting topics. The first erotica book I read was sci-fi, but it just made it more fun for me, imagining the things the aliens could do with the human body. It captured my imagination.
Q3. What attracted you to writing erotica rather than any other genre?
I was a fan of romance, but I needed more grit, and moved up to steamy romance. It didn’t take long before curiosity got the better of me and erotica was next. A couple of authors were okay, but most stories were more like plot-starved, sexual fantasy than erotica, so I decided to try my hand … if you’ll pardon the pun.
Q4. How long did you write before publishing?
In terms of time, probably about two years. I’d written some poetry and short stories which were well-received in writing groups, but novels are a different discipline and frightening at first. Over quite a long time I produced the early stages of three novels but I left them aside, adding to them occasionally.
Q5.How long does it take generally from starting a story to seeing it published on Amazon?
I would suggest a minimum of four months. Once I have an idea I make a few notes and leave them aside to consider from which start point it might best evolve. I also tend to leave the manuscript aside regularly to let me work on something else. The Mistress, which is my shortest story so far was my quickest first draft. It took me fourteen days and I stopped at fifty-thousand words. I reduced it to forty-seven thousand words.
Q6. How many titles do you have available at the present time?
Now that my latest, ‘His & Hers’ is released, I have five books out there, all on Amazon KU.
Q7. Many authors depend on experience for their subject matter—how much of your work is a direct result of personal experience?
Small segments in different stories is the best answer. This is where the male of the species is different from the female I suppose. A guy who sleeps around for a while is sowing his wild oats and is a bit of a lad, but if a girl plays the field she’s a tart. In my mid-teens, I had two relationships with girls, but by the time I was eighteen, I’d confirmed I enjoyed a roll in the hay with a girl or a guy. I’ve been involved in a threesome twice.
Q8. Feminisation and strong female characters are prominent in your work—could you explain why you lean in this direction?
Sexuality is a deep subject. When you delve into the area of ‘gender-benders’ as they’re so cruelly labelled, there is a myriad of areas to explore. Crossdressing is a multi-layered topic and well-suited to the erotica genre. The why and wherefore create a story. Whatever men tell you, and you should know, if a woman is attractive and dominant it’s more likely to add spice to a sexual encounter, rather than be seen as threatening. What that dominant woman wants, she will get one way or the other. Only a chauvinist or a dyed-in-the-wool alpha male would think otherwise.
Q9. What is your response to those who say that erotica is simply literary porn?
If they’re describing a book which is no more than page after page of explicit sex scenes then I’d agree with them. However, if those explicit sex scenes are integral to and supporting a cohesive story, then it is not porn, it is strong erotica.
Q10. Do you believe there is a place in the market for erotica, and strong erotica in particular?
Yes, of course, or people like us wouldn’t be spending weeks and months developing a story to convey the activities of our characters. I’m an advocate of allowing people the freedom to read whatever they please, and if for example, a person has difficulty forming relationships, has an unsatisfactory sex-life or simply enjoys a bit of titillation, a graphic erotic novel might be a release for them, in a manner of speaking.
Q11. What’s your opinion of those who profess to be erotica authors but produce regular, small volumes of badly-written, graphic sex stories?
First of all, the only way they can be called authors is due to having composed the material. They are not necessarily creative people. A graphic description of sex is not particularly creative in itself. Secondly, many of these people rely on no more than three or four plots, usually involving a cash-strapped person, an experiment, or pure fantasy. There is little or no research and no substance. In my opinion, lazy writers are despicable because they are money-grabbers who also affect the reading public’s view of indie authors who are working hard.
Q12. Who are your favourite indie authors?
You are obviously one, Tom, and that’s not simply because of this interview. I’m also a big fan of Sarah Stuart who writes steamy romance, and Lesley Hayes who is just an incredible writer. For the joy of a true storyteller, I like Patrick ‘Max’ Power, Rebecca Bryn, Lucinda E. Clarke, and Mike Billington. I’m a massive fan of the Indie Author Support and Discussion group; all talented international authors. It’s handy to have something to frighten the pants off me so for that I depend on Anne Francis Scott.
Q13. Which, if any, other genres might you consider writing in the future?
I have a yearning to write something in the sci-fi arena, but I’m not sure yet whether I’d go with dystopian, apocalyptic or outer space.
Q14. Can you tell us about your cover designs and how they came about?
I feel that if not from a scene in a story, the cover should at least highlight one aspect or provide a hint of what lies beyond the title. You know as much about them as I do since you’ve made the effort to produce them for me.
Q15. Why have you avoided being interviewed until this point?
Again this is an area of which you have a good grasp. For your benefit and to aim for credibility, I didn’t think it was fitting to be revealed until I’d produced at least five titles in my name and achieved significant sales. I felt that for a long time I was locked away, waiting. When you decided to bring my work to the fore, create my character, my name, and give me my own website it meant so much to me.
Thank you, Tom, for this interview and for bringing me and my work to the attention of the wider public. I do understand how difficult it has been for you to maintain this secret aspect of your life as an author while you’ve worked on my development.
Thank you for opening up to me, Katya. Please, finish your coffee before you get dressed. It’s been great working hand in glove with you and I look forward to your next in-depth tail … oops, I mean, of course, your next in-depth tale. I’m happy we finally have your personal story out there.
And to all who are interested in Katya’s naughty tales, here are links to her work.